Want to watch

White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

In Madrid, orphan sisters Irene, Ana, and Maite are raised by their austere aunt Paulina and their mute, crippled grandmother after the deaths of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after watching her mother having a painful death and her father dead in bed.

Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use an unwanted male abortionist, Bebe (Vlad Ivanov). The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship.

After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny.

Life story of Spaniard Ramón Sampedro, who fought a 30-year campaign to win the right to end his life with dignity. Film explores Ramón's relationships with two women: Julia, a lawyer who supports his cause, and Rosa, a local woman who wants to convince him that life is worth living. Through the gift of his love, these two women are inspired to accomplish things they never previously thought possible. Despite his wish to die, Ramón taught everyone he encountered the meaning, value and preciousness of life. Though he could not move himself, he had an uncanny ability to move others.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse he or she would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money runs out, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rent.

El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates, and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.

Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of "Nobody Knows", "Still Walking" and "I Wish", returns to the big screen with another family - a family thrown into torment after a phone call from the hospital where the son was born... Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture.' Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...

When journalist Manuel Cueto is hired to type novelist Joaquín Góñez's last book, his presence provokes an avalanche of feelings that bring Joaquín to the edge of emotions and memories that had lain dormant in the solitude of the last stages of his creative life. Accustomed to years of loneliness, Joaquín finds in the young journalist a bridge to the forgotten years of his youth in the 60's and 70's, during his wild years in Buenos Aires. Argentina had been witness to the mistakes made in the passage to adulthood, the memories of old friends, the meaning of loyalty, the influences of cinema and jazz, the taste of first love and the experiences of the many which followed and the intimate relationship with his parents, particulary with his mother Roma, a strong, intelligent woman, a supporter of his youthful ideals. It is to Roma to whom Joaquín owes his free, bohemian spirit and the aspirations shared with her in the shadow of the memory of his father will awaken in Joaquín the desire and the impatience to recover all he had, so far, believed lost.

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends. The two families' "businesses" are in fact dining and prostitution. When Nobou, the restauranteur's son, loses his pocket money during the Tenjin Festival, Kiichi, the prostitute's boy, invites him home, and he learns the truth.

A psychological thriller of a grieving mother turned cold-blooded avenger with a twisty master plan to pay back those who were responsible for her daughter's death.

Shochiku Studio of Japan commissioned several directors to create films reflecting on the themes of Ozu Yasujiro on the centenary of the director's birth. Here we find Inoue Yoko, an apparently single young woman who is pregnant, searching for a small cafe that was often visited by a Taiwanese composer whose life she is researching. She herself is back from Taiwan and receiving help from a book store clerk, but she first has to contend with the her own reality which includes her parents.

Inspired by real events, it is an emotional adventure that revolves around Nerea Camacho, an eleven-year-old believing girl, who faces two facts that are completely new to her: falling in love and dying. The film begins at the time of his death and then go back five months before and tell the story from the beginning of her illness.

The traumatized survivors of a murderous bus hijacking come together and take a road trip to attempt to overcome their damaged selves. Meanwhile a serial killer is on the loose.

A new patient mysteriously appears in a psychiatric ward. He claims to come from another planet to study humans and their behavior. The alien is gentle but criticizes humans for their harsh treatment of each other. The assigned psychiatrist is himself unhappy, and affected by the patient's insight. But he is ordered to treat the patient according to institutional procedure.

During IMF & World Bank Summit and demonstrations which upset Madrid, like other capitals, major corporation Dekia holds interviews to recruit a top executive from seven applicants. Their doubts start when they have to sign a clause accepting the Grönholm method, which nobody ever heard of. It soon becomes clear the tests are dirty mind games, but never what is true and what the trick. They must guess who among them is the HR mole, and repeatedly eliminate one of their number from the procedure. Their priorities, ethics and loyalty are put trough stressing tests.

Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school...