Could be good?

Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred's good fortune at being born into a wealthy family, Thomas conceives the idea that he and Alfred were switched at birth, and he can't help seeing that his unhappiness should be Alfred's, from the loss of his sister to his inability to have a relationship with the woman Evelyne. So, as his life is ending, he formulates a plan of revenge against his bitter enemy, his lifetime adversary, the man who stole his existence.

Surrounded by the immense and furious ocean, a shipwrecked mariner battles for his life with the relentless towering waves. On the brink of demise, eventually, the man will find himself washed ashore on a deserted tropical island of sandy beaches, timid animal inhabitants, and a gracefully swaying bamboo forest. Alone, famished, yet determined to break free from this Eden-like prison, the stranded sailor summons up the strength to build a small raft, and sets off on a perilous journey in the wide open sea; however, an indistinguishable adversary prevents him from escaping. Never giving up hope, each day, the exhausted man attempts to make a new, sturdier, and more improved raft; nevertheless, the sea is vast with wonderful and mysterious creatures, and the island's only red turtle won't let the weary survivor escape that easily. Could this be the heartless enemy?

Following the death of his father from cancer, Stéphane - Mexican on his father's side, French on his mother's side - agrees, despite his less than proficient use of the French language, on his mother's request to move back to France from Mexico, she not only letting him live in her apartment in his old bedroom in the building she owns while she stays with her current boyfriend Gérard, a magician, but she having found him a job using his graphic art skills at a calendar shop. The job ends up not being quite as she had made it out to be - it more a dead end menial job - but Stéphane is still able to eke out a friendship of sorts with his new coworkers, especially Guy, the senior employee, a bully of a man-child who obsesses about sex and who becomes Stéphane's confidante. Concurrently, Stéphane strikes a friendship with his neighbor, Stéphanie, and her friend, Zoé, Stéphane and their friendship stemming out of some mistruths, including the two artistically inclined women not divulging they, like him, lead dead end nine-to-five jobs, and Stéphane also not divulging that he is actually Stéphanie's neighbor and the son of her landlady which allows him to spy on Stéphanie's apartment without notice. While Stéphane is romantically interested in Zoé, he believes Stéphanie in turn is interested in him. Regardless, Stéphane forms a special bond with Stéphanie, their similar names only one of the many factors which may indicate that the cosmos meant for them to have this bond. Despite what Stéphanie may feel for Stéphane in return, their friendship/relationship will be affected by Stéphane often not being able to differentiate between reality and what are, to him, his very vivid dreams.

Puppeteer Craig Schwartz and animal lover and pet store clerk Lotte Schwartz are just going through the motions of their marriage. Despite not being able to earn a living solely through puppeteering, Craig loves his profession as it allows him to inhabit the skin of others. He begins to take the ability to inhabit the skin of others to the next level when he is forced to take a job as a file clerk for the off-kilter LesterCorp, located on the five-foot tall 7½ floor of a Manhattan office building. Behind one of the filing cabinets in his work area, Craig finds a hidden door which he learns is a portal into the mind of

A small mid-20th century social-service-style office is a waystation for the souls of the recently deceased, where they are processed before entering their personal heaven - a single happy memory re-experienced for eternity. Every Monday, a new group of recently deceased people check in, and the "social workers" in the lodge explain their situation. Once the newly-dead have identified their happiest memories, workers design and replicate each person's chosen memory, which is staged and filmed. At the end of the week, the recently deceased watch the films of their recreated happiest memories in a screening room. As soon as each person sees his or her own memory, he or she vanishes to whatever state of existence lies beyond and takes only that single memory with them. The story pays most attention to two of the "counselors," Takashi (Arata) and Shiori (Oda). Takashi has been assigned to help an old man, Ichiro (played by Naito Taketoshi), select his memory. Reviewing videotape of Ichiro's life, Takashi learns that Ichiro had married Takashi's former fiancée after Takashi had been killed during World War II. Takashi has Ichiro assigned to another counselor, but is still troubled by his memories, causing both him and his quasi-romantic interest Shiori to re-examine their (after-) lives.

From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man. He seems to be playing roles, plunging headlong into each part - but there are no cameras present.

Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving at the castle, Belle finds that the beast, whose grotesqueness she cannot deny, does not want to kill her, but wants to marry her and lavish her with riches. He does not force her, but he will ask her every night to marry him, these times the only ones when he will appear to her. She vows never to say yes. As Belle resigns herself to her mortal fate and looks deeper into the beast - whose grotesque exterior masks a kind but tortured soul - will her thoughts change? Meanwhile, Belle's family, who learn of her situation, have their own thoughts of what to do, some working toward what they believe is Belle's best welfare, and others working toward their own benefit.

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.

Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the Underworld. Although they have become dangerously entangled, the Princess sends Orphee back out of the Underworld, to carry on his life with Eurydice.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.

Blessed--and at the same time cursed--with the precious but fatal gift of beauty, the young peasant, Jeanne, falls in love with the beautiful villager, Jean, in middle-aged France. However, as the village's foul feudal lord exercises the "Droit du Seigneur" or the "Right of the First Night" on the couple's wedding night, a desperate plunge to a world of disturbing hallucinations will eventually lead Jeanne to a damned Faustian bargain with the Prince of Darkness. Thirsting for power and sweet retribution, Jeanne will gradually transform into an omnipotent and destructive vessel of seduction, as her newly acquired powers go hand in hand with the blackest of witchcraft. Is there a limit to Jeanne's hatred?

A group of angels in the German capital look longingly upon the life of humans.

A handsome youth by the name of Tenjo Utena transfers to the distinguished Ohtori Academy. But Utena's true identity is actually a girl, who due to a certain event from her past, has decided to cross-dress in order to fulfill the highest of ambitions. But at Ohtori Academy she meets none other than her old lover, Kiryuu Touga, who wears the Mark of the Rose on his finger, which is the sign of a duellist. Because of her possessing the exact same ring, Utena is challenged by the student body vice president, Saionji Kyouichi, to a duel in the floating rose garden. The reason for this duel is none other than the acquisition of the "Rose Bride"'s body, for with it comes the "power to revolutionize the world."

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (

A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in. The key was given to her as a teenager by a painter and revolutionary that she helped to escape the police. She becomes an actress because it will make it possible to track him down, and she spends the next several decades acting out that search in various genres and eras.

Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void?

Set against the romantic desolation of Detroit and Tangiers, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?