Raleigh doesn't have a soul. A cat stole it – at least that's what she tells people – at least that's what she would tell people if she told people anything. But that would mean talking to people, and the mere thought of social interaction is terrifying. How did such a shy teenage girl end up in a car with three of her hooligan classmates on a cross-country road trip? Being forced to interact with kids her own age is a new and alarming proposition for Raleigh, but maybe it's just what she needs – or maybe it can help her find what she needs – or maybe it can help her to realize that what she needs has been with her all along.

Think about a fantasy book. Think about your favorite fantasy book. Chances are, it included elves or maybe dwarves. It probably had knights or something like them. It was, most likely, heavily influenced by Tolkien, or his successors, and it was probably based, at least in part, on a certain Anglo-saxon, or maybe French, sort of medieval culture. And if you read fantasy, there's probably 15 or so more like it on your bookshelf or your e-reader of choice.So here's my recommendation: put down Lord of the Rings. You've already read it. Put aside that new George R. R. Martin. It'll give him a chance to write a little further ahead, and you'll get a chance to read it again before the next one comes out. Set aside your Jordan, your Eddings or even your Pratchett. Do it, just for a little while. Just for the 2 days or so that it will take you to devour a series of short stories that have a totally different flavor. The stories of Geralt, the Witcher, professional monster hunter, sorcerer, swordsman and mutant. And you should do it for the same reason that you shouldn't have the exact same food at every meal. These short stories will leave you wanting so much more, and by the time you put it down, your last wish will be for the rest of the series to finally be translated from Polish to English so you can find out what happens next.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.

Jess Aarons' greatest ambition is to be the fastest runner in his grade. He's been practicing all summer and can't wait to see his classmates' faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys' side and outruns everyone.That's not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Together they create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits.

Margaret Atwood takes the art of storytelling to new heights in a dazzling novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist. Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.It opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.

Under the streets of London there's a place most people could never even dream of. A city of monsters and saints, murderers and angels, knights in armour and pale girls in black velvet. This is the city of the people who have fallen between the cracks.Richard Mayhew, a young businessman, is going to find out more than enough about this other London. A single act of kindness catapults him out of his workday existence and into a world that is at once eerily familiar and utterly bizarre. And a strange destiny awaits him down here, beneath his native city: Neverwhere.

Not all love stories are made equally. Some take decades to blossom, seeming almost to go in reverse. Such is the case for Zeno, a 60-year-old PhD student and nomad bookshop owner, and Ana, a freshly retired mayor, mother, and wife. After years of popping in and out of each other’s lives, crossing paths but never quite able to grab hold, their impossible but unshakable love may just have one last chance to flourish, before the final curtain...

Spanish writer and artist GUILLEM MARCH is best known for his ongoing, extensive work with DC Comics on Batman, Catwoman, and Harley Quinn and has worked as an artist on several graphic novels including the English editions of Monika with Titan Comics and The Dream with Europe Comics. Here, he takes up his pen for an edgy new volume about a highly unconventional angel named Karmen and the young woman she takes under her wing when a case of heartbreak strikes hard. Packed with surprises and metaphysics, this gorgeously drawn series deploys tenderness and humor as it dives deep into topics that matter.Collects KARMEN #1-5.

« La première fois où j'ai eu le goût de mourir, j'avais genre euh 12 ans ? Mais ça compte pas, ça compte pas celle-là. »Entre un emploi qui lui prend tout son temps et une dépression qui la paralyse, Clara est incapable de terminer le recueil de poésie sur lequel elle travaille. Ses amies tentent de l'aider. Mais ce n'est pas toujours simple de s'ouvrir aux autres et d'expliquer ce que c'est, ce vide qui remplit tout. C'est comme ça que je disparais est le premier récit de fiction signé par Mirion Malle.

ShortBox is proud to present 'Don't Go Without Me' a triptych collection of comic stories from rising superstar cartoonist Rosemary Valero-O'Connell. 'Don't Go Without Me' contains 3 individual stories: the titular 'Don't Go Without Me,' 'What Is Left,' and 'Con Temor, Con Ternura' (With Fear, With Tenderness). 'Don't Go Without Me': Two lovers sneak out for a night out on the town- a town where spirits and the supernatural exist as a realm within and alongside our world, with humans crossing over frequently. The lovers get separated, and must barter with stories in exchange for clues as to where the other may be. But, unknown to them, each time they gain a morsel of information, they lose something, too...'What Is Left': A ship that runs on the memories of one of its occupants malfunctions and collapses in on itself in the dead of space. Alive but trapped, an engineer who survives the wreckage finds herself inside the reservoir of memories, stranded alone in a patchwork dream of someone else's life.'Con Temor, Con Ternura': For years, the residents of a small, ocean-side town have been living in the shadow of the sleeping giant who is prophesised to one day wake up and lay their world to waste. As the foreseen date of their impending doom draws near, the town decides to put on a festival on that very same night, to celebrate their lives and face whatever fate awaits them together.

THE THIRSTNothing interesting in happening in Makoto Ozaki's first year of high school. HIs life is a series of quiet humiliations: low-grade bullies, unreliable friends, and the constant frustration of his adolescent lust. But one night, a pale, thin girl knocks him to the ground in an alley and offers him a choice. Now everything is different. Daylight is searingly bright. Food tastes awful. And worse than anything is the terrible, consuming thirst. The tiny shames of his old life have been replaced by two towering horrors: the truth of what will slake his awful craving, and high school itself.

A brand-new e-short, set in the world of Philip Pullman’s beloved and bestselling The Golden CompassIn this darkly delicious sliver of a tale, Philip Pullman offers a glimpse of the enigmatic girl who will become the sinister Mrs. Coulter.   On a cold winter's night, two art collectors are settled before a fire in the Senior Common Room of a college in Oxford, discussing the unusual pieces one has recently added to his collection. What the two men don't know is that the portrait of a striking young woman and the bronze sculpture of a fearsome monkey are connected in mysterious ways. How could they imagine that they are about to be caught in the cross-fire of a story which has traveled time . . . and worlds.   Published in 50 countries with over 22 million copies sold, The Golden Compass, The Subtle Knife, and The Amber Spyglass are renowned for their engrossing storytelling and epic scope. This new short tale will delight the many fans eager for any new glimpse into the world of His Dark Materials.

An untalented punk band and a parallel dimension—what could go wrong?    In Borja González’s stunning graphic novel, two parallel stories reflect and intertwine in a tale of youthful dreams and desires. In 1856, Teresa, a young aristocrat, is more interested in writing avantgarde horror poetry than making a suitable marriage. In 2016, three teenage girls, Gloria, Laura, and Cristina, want to start a punk band called the Black Holes. They have everything they need: attitude, looks, instinct . . . and an alarming lack of musical talent. They’ve barely started rehearsing when strange things begin to happen. As their world and Teresa’s intersect, they’re haunted by the echo of something that happened 160 years ago.  

A thrilling and original coming-of-age novel for adults about a young man practicing magic in the real world.Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart. At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.

“Am I sure? Only as sure as I am that the reality of one night, let alone that of a whole lifetime, can ever be the whole truth.” \
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The Bride (1918) by KlimtIt all begins with a confession of sorts as his wife Albertine tells him of a fantasy she had involving a man that she saw on their vacation. Fridolin also confesses that he had desired a young woman on the beach. It seems fairly harmless after all. When we marry, we don’t go numb from the waist down and the neck up. We continue to notice attractive people and continue to be titillated by charming and intelligent ones, as well. It could be a ruggedly handsome waiter in a restaurant or a pretty pearl wearing bartender or a French beret wearing poet or a saucy librarian with libidinous thoughts. There are a host of emotions that are involved with noticing that our spouse is interested in some other person. If it is one sided, it can just be amusing or mildly annoying. If the interest is reciprocated, then it can unleash a torrent of reactions from fear to pride to jealousy to finding your spouse that much more alluring because someone else recognized those qualities that you may have started to take for granted. Flirtations or mild crushes, in most cases, just adds a bit of spice to life. For Fridolin, this confession of his wife, even though his confession is very similar, unmoors him. It is as if the possibilities of his life are suddenly opening up to him, and women whom he met every day suddenly take on the glow of possibility. Soon after the dream confessions, Fridolin, who is a doctor,, is called out to a client in dire health. Unfortunately, his trip is for naught as the man has passed when he arrives. Thus begins one of the strangest evenings, an odyssey really, of Fridolin’s life. By the end of the night, he has met a series of women, all women who are interested in sleeping with him and all whom he would like to sleep with. In thinking about which he would prefer, he canot decide. ”To the little Pierrette? Or to the little trollop in the Buchfeldgasse? Or to Marianne, the daughter of the dead Court Counsellor?” It does not matter for they are all about to be replaced by a woman he is on the verge of meeting in precarious circumstances. ”Fridolin was intoxicated, and not merely by her presence, her fragrant body and burning red lips, nor by the atmosphere of the room and the aura of lascivious secrets that surrounded him; he was at once thirsty and delirious, made so by all the adventures of the night, none of which had led to anything, by his own audacity, and by the sea-change he felt within himself. He stretched out and touched the veil covering her head, as though intended to remove it.”He has fallen into a secret sex club with the help of his piano playing friend Nachtigall. He isn’t supposed to be there. He was never supposed to meet this woman with the burning red lips. He is supposed to be home with his wife and daughter. Though it is an evening fraught with sexual possibilities, he is like a man walking through a museum admiring the intriguing paintings, but touching none of them. His wife has more dreams to confess. \
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Look at all that hair the young Arthur Schnitzler had.Arthur Schnitzler’s work was considered filth by Adolf Hitler. Anything that upsets that goose stepping, stiff necked, little pipsqueak should be read by the rest of the civilized world with reverence. Schnitzler was born in 1862 and died in Vienna in 1931. If he had lived long enough, the Nazis would have most certainly beaten him and had him thrown in some damp hole for being the Viennese Henry Miller, a few decades before Miller knew he was Miller. If his writing was not enough of an incentive to bring him to the attention of the Third Reich, certainly his Jewish ethnicity would have condemned him just as quickly. Schnitzler had numerous affairs, sometimes with several women at the same time. He kept a Journal for most of his life and dutifully recorded not only every assignation, but every orgasm. A bit OCD about the adventures of his willie, wouldn’t you say? The venerated Viennese doctor of psychology Sigmund Freud said in a letter to Schnitzler,  "I have gained the impression that you have learned through intuition – although actually as a result of sensitive introspection – everything that I have had to unearth by laborious work on other persons." Was there a bit of Freudian jealousy in that observation? Does Freud need some time on his own couch? Fridolin may have thought about making conquests of women, but Schnitzler turned thought into deed. \
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Nicole Kidman in Eyes Wide Shut. Is it just me or do those wire rimmed glasses make her look very naughty!Stanley Kubrick directed a film based on this novel called Eyes Wide Shut, (1999) starring the then married Nicole Kidman and Tom Cruise. I know I watched the film, but I don’t remember a bloody thing about it. I must have been plastered or snogging or both when I watched it, so I must apologize for not being able to make at the very least some pithy remarks comparing the film to the book. I have a feeling the two may have very little to do with each other, but I’m sure out there in GR land, there are several people who can weigh in on whether the film conveyed Schnitzler’s thoughts or was just a jumping off place for Kubrick/Kidman/Cruise to explore their own ideas. A quick read with some fascinating observations about relationships, the brain, and our natural/unnatural attractions to the people we come into contact with. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

In this stunning debut, author Scott Lynch delivers the wonderfully thrilling tale of an audacious criminal and his band of confidence tricksters. Set in a fantastic city pulsing with the lives of decadent nobles and daring thieves, here is a story of adventure, loyalty, and survival that is one part "Robin Hood", one part Ocean's Eleven, and entirely enthralling... An orphan's life is harsh — and often short — in the island city of Camorr, built on the ruins of a mysterious alien race. But born with a quick wit and a gift for thieving, Locke Lamora has dodged both death and slavery, only to fall into the hands of an eyeless priest known as Chains — a man who is neither blind nor a priest.A con artist of extraordinary talent, Chains passes his skills on to his carefully selected "family" of orphans — a group known as the Gentlemen Bastards. Under his tutelage, Locke grows to lead the Bastards, delightedly pulling off one outrageous confidence game after another. Soon he is infamous as the Thorn of Camorr, and no wealthy noble is safe from his sting.Passing themselves off as petty thieves, the brilliant Locke and his tightly knit band of light-fingered brothers have fooled even the criminal underworld's most feared ruler, Capa Barsavi. But there is someone in the shadows more powerful — and more ambitious — than Locke has yet imagined. Known as the Gray King, he is slowly killing Capa Barsavi's most trusted men — and using Locke as a pawn in his plot to take control of Camorr's underworld. With a bloody coup under way threatening to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the Gray King at his own brutal game — or die trying...

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