history

Jack, who means well but takes things just a little too far, has planned the perfect birthday surprise for his unsuspecting new girlfriend, Emelie. However, good intentions as well as plans, sometimes, can have spectacularly disastrous consequences. After all, Jack should have known better.

Around a long and ponderous dining table, before an extravagant and sumptuous banquet, a motley crew of overindulged and ravenous mortals blanketed in dust, gobble up the lavish feast. As the gastrimargia continues with a swarm of waiters tirelessly supplying the table with exotic plates, the gluttonous patrons keep gorging and gorging the royal array of meats that seems to be endless. Is there a limit to their spiritual plummet?

In the southern United States, two young women meet by chance in the back of a police car and, without saying a word, experience the injustice hovering above them.

The film follows its main character as he skips school with two of his friends, picks up a winning lottery ticket and go thrift shopping, where they find a wig for Giel's shaved head.

Grief? Depression? Ambiguity in a Paris hotel room. Jack Whitman lies on a bed, ordering a grilled cheese sandwich from room service. His phone rings; it's a woman on her way to see him, a surprise. He readies the room, moving without affect, drawing a bath, changing his clothes. She arrives, as does the food, and the complications of their relationship emerge in bits and pieces. He invites her out on the balcony to see his view. Will they make love? Is the relationship over?

A woman's lifelong relationship with her disabled daughter is changed forever when she receives an unwanted letter.

A man wakes up with a hangover, only to discover the consequences of his actions.

On a street corner a mysterious conversation among three young men at a street stalls. Meanwhile a traffic accident on a motorbike. The night brings together a sketch, a multi color frame of reality.

Italy, September 1955. A Formula One driver crashes his car during a race, leaving him stuck in a small village but good surprises will come his way.

Jim Arnaud, a police officer, is the only one of his siblings to attend his mother Brenda's funeral, she a CPA and former dance teacher. Jim had a difficult relationship with her growing up and wants to make it up to her by now being a good son in providing the eulogy. Jim's plans for the eulogy go slightly off the rails as his emotions take over leading to a stream of consciousness delivery about how he is truly feeling. The question becomes whether he can hold it all together for what was going to be the centerpiece of the eulogy around Brenda's favorite song,

In 1981, after having her British children abducted by the Australian government and placed in work camps as part of a "Keep Australia White" scheme, a determined mother becomes a stripper to survive, kidnaps her children back and sets up home in a tent.

Soon a man will find out that his destiny is already written and that he can't do anything to change it.

At last, Richard, a solitary and compassionate corrections officer with a heart of gold, has been promoted to Director of Prisoner Communications. As Richard quickly gets the hang of his new job as master of the letter room, scanning all the incoming and outgoing correspondence of the inmates for contraband, his lonely life becomes irrevocably complicated when he gets too involved in the private life of a death row inmate. Now, well-meaning Richard feels compelled to take action. But, we all need someone to love us. Are things always black and white?

At the hospital, a doctor gives Donnelly the bad news: his wife of many years has died. He visits her body, placing a photograph of their pet rabbit on her hands. Then, in the early morning light, he leaves and catches a train back home toward Dublin. He sits across from a young talkative man who seems to have a loose screw, making coarse observations, starting an argument with a couple in the next seats who are clearly tense with each other. Over the next few miles, Donnelly learns that all four have lost someone that night, and, in a strange turn of events, the kid bequeaths to Donnelly a gift that may ease his pain. There's a strange bond in grief.

A commercial directed and starred in by Wes Anderson in which he explains how to make a movie while answering various questions from his cast and crew.

When art student Ben Willis breaks up with his girlfriend Suzy, he develops chronic insomnia after finding out how quickly she moved on. To pass the long hours of the night, he starts working the late night shift at the local supermarket. There he meets a colorful cast of characters, all of whom have their own 'art' in dealing with the boredom of an eight-hour-shift. Ben's art is that he imagines himself stopping time. This way, he can appreciate the artistic beauty of the frozen world and the people inside it - especially Sharon, the pretty and quiet checkout girl, who perhaps holds the answer to solving the problem of Ben's insomnia.

Sadly, having reached the lowest point in his life and on the brink of demise, the self-destructive outcast, Richie, desperately wants out. However, as nothing is over yet, an unexpected call from his estranged sister, Maggie, offers a new lease of life, even though it is only a fleeting one. Strange as it may seem--as Richie is the last person she would ever call--a distraught Maggie needs Richie, of all the people, to look after her young daughter, Sophia, for the night. However, as the two alienated relatives timidly reconnect under New York's silvery night lights, much to their surprise, a subtle and delicate relationship will start to bloom. Could this be the beginning of a new reality?

A girl finds herself in a diner with a machine that gives her answers to any question she asks.