Asian Cinema

White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

The wind of change is blowing as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it is just the beginning of a series of family shattering incidents leading to the implosion of the family unit.

Nishi, a police detective, has had to deal with a series of emotionally devastating events over the recent past. His only child, then preschool age, died two years ago. His wife, currently in the hospital, has been diagnosed with a terminal case of leukemia. And he develops a case of guilt when his colleague Horibe, during a stakeout which Nishi himself was supposed to be on but who, on Horibe's suggestion, was visiting his wife in the hospital instead at the time, gets shot point blank. That guilt is only exacerbated when Horibe, who as a result becomes paraplegic, is abandoned by his wife and child, with Horibe himself at a loss with what to do with his life as being a police was his sole identity. As a means to cope, Nishi becomes increasingly reckless, which affects the way he does his police work. That recklessness extends to his personal life when his wife's doctor recommends that she go home, Nishi, in the process, borrowing money from the yakuza to make ends meet. That recklessness also leads to him taking matters into his own hands as he tries to make his and his wife's life together, for however long it will last, a series of small yet special moments.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse he or she would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

Daigo Kobayashi is a devoted cellist in an orchestra that has just been dissolved and now finds himself without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of "Nokanshi," acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.

In 1993 Kanao and Shoko are a Tokyo couple awaiting the arrival of their first child. Although both have studied art, Kanao works as a shoe repairman which doesn't stretch his rather laid-back style and Shoko works in a small publishing firm. Their home life is marked by some clashes between her attempts at regimentation, including scheduling their sex life on a calendar, and his flirting with other women. Kanao is offered work as a courtroom sketch artist and becomes a witness to the most sensational murder trials of Japan through the next 8 years. He must cope with the ugliness and breakdown in civility he encounters. Shoko also re-discovers her artistic side as she confronts the dark side of life when struggling with depression over the loss of a child and the dysfunctional aspects of the lives of her mother and brother.

Still Walking is a family drama about grown children visiting their elderly parents, which unfolds over one summer day. The aging parents have lived in the family home for decades. Their son and daughter return for a rare family reunion, bringing their own families with them. They have gathered to commemorate the tragic death of the eldest son, who drowned in an accident fifteen years ago. Although the roomy house is as comforting and unchanging as the mother's homemade feast, everyone in the family has subtly changed.

Six women attempt to make it in current day Tokyo, living their everyday lives the best and worst they can. For them, every little moment becomes a ritual of the ordinary and the exciting, a balancing act for their dreams and hopes as the days perpetually tug on their heartstrings.

Sawa Yamagishi worked as a nursing-care helper. The family of an old man asked Sawa to sleep with him, which led her to eventually lose her job and house. Now, she has nowhere to go. Sawa finds elderly people in trouble and gets involved in their lives. Meeting them, their lives change and Sawa's own wounds start to heal.

Tony Takitani had a solitary childhood. At school he studied art, but while his sketches are accurate and detailed, they lack feeling. Used to being self-sufficient, Tony finds himself becoming more irrational and instinctive. After finding his true vocation as a technical illustrator, he becomes fascinated by Eiko, a client who in turn is fascinated by high end fashion.

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends. The two families' "businesses" are in fact dining and prostitution. When Nobou, the restauranteur's son, loses his pocket money during the Tenjin Festival, Kiichi, the prostitute's boy, invites him home, and he learns the truth.

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast.

The year is 1987 and Japan is just reaching the peak of its economic success. Eighteen-year old Yonosuke Yokomichi arrives in Tokyo from Nagasaki. Ordinary in every way possible, he lives in a suburb far from the excitement of the big city and commutes to a university in the center of Tokyo. During his first days at school, Yonosuke befriends Ippei Kuramochi and Yui Akutsu. Soon after, he joins the Samba club and spends his leisure time learning to dance. In the Samba club, Yonosuke meets Kato, who turns out to be gay. Together, they take a driving class where Yoko, a rich girl, shows interest in Yonosuke. But he hardly notices her advances; he is infatuated with party girl Chiharu, an older woman he met by chance. Parallel to the depiction of this year of ordinary college life, the characters are shown sixteen years later in the year 2003. However, missing from these scenes is Yonosuke, who is said to have become a cameraman after college. After learning of Yonosuke's death, Yoko receives an envelope from his mother. The photos in the envelope - with the words "For Yoko's eyes only" written on it - captured the beauty and the "miracle of chance" those untroubled days enjoyed.

Suzuko is 21 years old and lives at home. A coworker offers to share an apartment with her. After they sign the lease, Suzuko discovers that her coworker has planned to share her room with her boyfriend. However, the day she moves in, the couple have broken up, leaving her with the boyfriend as a roommate. She finds a small kitten on her balcony and brings it in. She goes to the store to buy it food. When she returns, she finds out that her depressed roommate has thrown the kitten out. Finding the dead kitten in the road, Suzuko throws all her roommates belongings out. She is arrested and criminally charged. She ends up in prison. Upon her release, she finds herself dealing with the neighborhood gossip and family conflicts. She decides to save one million yen, move to a place where no one knows her and to continue repeating the process. She discovers many things about herself, as she corresponds with her younger brother, (who is dealing with bullies) and meets new people on her travels.

A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet continues to search for meaning in a lonely world.

Dwelling on his past glory as a prize-winning author, Ryota (Hiroshi Abe) wastes the money he makes as a private detective on gambling and can barely pay child support. After the death of his father, his aging mother (Kirin Kiki) and beautiful ex-wife (Yoko Make) seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a lasting place in the life of his young son (Taiyo Yoshizawa) - until a stormy summer night offers them a chance to truly bond again.

The traumatized survivors of a murderous bus hijacking come together and take a road trip to attempt to overcome their damaged selves. Meanwhile a serial killer is on the loose.

Two young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither can articulate or control--and the strange jellyfish that they keep as a pet.