Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.

The beautiful Princess Giselle (Amy Adams) is banished by evil Queen Narissa (Susan Sarandon) from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale Prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

2007 American live-action/animated musical film

The world is astounded when Willy Wonka, for years a recluse in his factory, announces that five lucky people will be given a tour of the factory, shown all the secrets of his amazing candy, and one will win a lifetime supply of Wonka chocolate. Nobody wants the prize more than young Charlie, but as his family is so poor that buying even one bar of chocolate is a treat, buying enough bars to find one of the five golden tickets is unlikely in the extreme. But in movieland, magic can happen. Charlie, along with four somewhat odious other children, get the chance of a lifetime and a tour of the factory. Along the way, mild disasters befall each of the odious children, but can Charlie beat the odds and grab the brass ring?

Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where Ellen meets and becomes involved with Lord John Brindale. This causes her to miss a rehearsal. Tom (Astaire) uses the time to dance with a hat rack and gym equipment. Later Tom and Ellen attempt a graceful dance number as the ship rolls. Upon arrival Tom holds auditions and meets Anne. There is much indecision by the siblings about their romantic partners even though they are in-the-clouds. Tom dances on the walls and ceiling of his hotel room. All ends well in this light musical. By the way, there is a vaudeville-style dance number in their show that features slapstick. It's a hoot.

1951 MGM musical comedy film directed by Stanley Donen

Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while, this new team is so successful that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale also dances (and stars) in the Ziegfeld Follies, Don says no. Despite the fact that he is in love with Hannah, he keeps the relation with her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show.

A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to reflect several early-21st-century sensibilities.

In 1922 New York City, Millie Dillmount (Dame Julie Andrews) and Miss Dorothy Brown (Mary Tyler Moore) are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers (Beatrice Lillie). Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York City for three months, used to be old-fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs." Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon (John Gavin) of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old-fashioned sensibilities, and Millie has a mutual attraction to another boy named Jimmy Smith (James Fox). Although she likes Jimmy, Millie feels that Jimmy, as a paper clip salesman with an overwhelming happy-go-lucky attitude, is not driven enough to be husband material. That doesn't stop Jimmy's pursuit of Millie. In her association with Jimmy, Millie meets flamboyant wealthy Renaissance woman Muzzy Van Hossmere (Carol Channing). Jimmy's father once worked as Muzzy's gardener. Originally from humble means much like Millie, Muzzy tries to convince Millie that true love will lead to happiness, as that is what happened when she met the now deceased Mr. Van Hossmere, who she had no idea was rich. In other goings-on amongst this new circle of friends, Miss Dorothy leaves New York City without a word to anyone except Mrs. Meers. Thinking this situation rather odd, Millie connects Miss Dorothy's leaving with that of other girls previously living at the Priscilla Hotel. With Mr. Graydon's help, Jimmy and Millie try to find out what happened to Miss Dorothy.

This movie, based on the cult Broadway musical of the 60s, tells a story about Claude, a young man from Oklahoma who comes to New York City. There he strikes up a friendship with a group of hippies, led by Berger, and falls in love with Sheila, a girl from a rich family. However, their happiness is short because Claude must go to the Vietnam war.

A day and a half in the life of the Fab Four leading up to a televised concert gig. The boys seem to be constantly on the run, from their crazed fans and from their manager, who is constantly trying to rein them in. Sir Ringo Starr however is arrested and still isn't in the studio half an hour before air time. With Sir Paul McCartney's grandfather available for additional comical relief, the group performs a dozen or so songs.

An Eastern cult discovers that the sacrificial ring is missing. Sir Ringo Starr, drummer of The Beatles has it; sent by the girl (who's to be sacrificed) as a gift. Clang, Ahme, Bhuta, and several cult members leave for London to retrieve the ring. After several failed attempts to steal the ring, they confront him in an Indian restaurant. Ringo learns that if he does not return the ring soon, he will become the next sacrifice. Ringo then discovers that the ring is stuck on his finger. Its a race against time; John Lennon, Sir Paul McCartney, and George Harrison try to protect their friend while they're all being chased not only by Clang and his minions, but also by two mad scientists and the Chief Inspector of Scotland yard. Will Ringo be saved, or will he be sacrificed?

Maggie Prescott, the Editor-in-Chief of New York based Quality, a fashion magazine that sets trends i.e. leads instead of follows, has come up with her latest brainchild: to feature a model to be the Quality Woman, complete with successful Paris-based designer Paul Duval to devise a new collection inspired by her. The Quality Woman is not only to embody beauty, but also intellect. Against Maggie's initial judgment, she relents to the vision of her head photographer Dick Avery in choosing Jo Stockton rather than one of their in-house models as the Quality Woman, Jo the clerk they met in an impromptu photo shoot they did against her will in the Greenwich Village bookstore where she works. The marks against Jo are not only that she isn't a professional, but that she has what she even considers a funny looking face, something that Dick instead calls interesting. Jo, who abhors all that the world of fashion represents in she being an intellectual, ultimately agrees as the job would take her to Paris where she hopes to meet her idol, Professor Émile Flostre, the leading philosopher on the concept of empathicalism. But in Paris, the two worlds for Jo begin to collide in more ways than one, arguably the most important in she falling for Dick, his actions solely to get her to exude the emotions he wants for the photos.

After the release of Jake Blues from prison, he and brother Elwood go to visit "The Penguin", the last of the nuns who raised them in an orphanage. They learn the Archdiocese will stop supporting the school and will sell the place to the Education Authority. The only way to keep the place open is if the $5000 tax on the property is paid within 11 days. The Blues Brothers want to help, and decide to put their blues band back together and raise the money by staging a big gig. As they set off on their "mission from God" they seem to make more enemies along the way. Will they manage to come up with the money in time?

1980 American musical comedy film by John Landis

During World War II in England, Charlie (Ian Weighill), Carrie (Cindy O'Callaghan), and Paul Rawlins (Roy Snart) are sent to live with Miss Eglantine Price (Dame Angela Lansbury), who, as it turns out, is an apprentice witch. Charlie blackmails Miss Price that if he is to keep her practices a secret, she must give him something, so she takes a bedknob from her late father's bed and places the "famous magic travelling spell" on it, and only Paul can activate it. Their first journey is to a street in London, where they meet Emelius Browne (David Tomlinson), former headmaster of Miss Price's witchcraft training correspondence school. Miss Price tells him of a plan to find the magic words for a spell known as "Substitutiary Locomotion", which brings inanimate objects to life. This spell will be her work for the war effort.

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story.

Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy!

It's the early 20th-century American Midwest. A con man going by the assumed name Harold Hill has used several different schemes to bilk the unsuspecting, and now travels from town to town pretending to be a professor of music - from the Gary (Indiana) Conservatory of Music, class of '05 - who solves all the respective towns' youth problems by forming boys' marching bands. He takes money from the townsfolk to buy instruments, music, instructional materials, and uniforms for their sons. However, in reality, he has no degree and knows nothing about music, and after all the materials arrive and are distributed, he absconds with all the money, never to be seen again. Many of the traveling salesmen in the territory have been negatively impacted by him, as the townsfolk then become suspicious of any stranger trying to sell them something. For Harold's scheme to work, he must gain the trust of the local music teacher, usually by wooing her, regardless of her appearance. And if the town doesn't believe it has a youth problem needing to be fixed, he will manufacture one for them. That is the case when he arrives in River City, Iowa, population 2,212, where he will have some unexpected help from Marcellus Washburn, a friend and former grifter colleague who now lives in River City and has gone straight, but he still wants to make sure Harold survives his stay in town. River City's music teacher is spinster and town librarian Marian Paroo. He's able to impress all the other River Citizens with his fast-talking sales pitches, but not suspicious Marian, whose hard-as-nails exterior is unlike all the other River Citizens. Her exterior is partly due to her somewhat removed standing in the town, as all the gossipy housewives believe she is a smut peddler - encouraging the teenagers to read authors such as Chaucer and Balzac - and mistakenly believe that she got her position as librarian through less-than-scrupulous means. What Harold does not know is that one way to Marian is through her young adolescent brother, Winthrop Paroo, a sullen boy who has withdrawn from life since their father's death two years before, when he started to lisp. Harold starts to fall for Marian, something that never happened with any of the other music teachers. Further complications may ensue if any of those traveling salesmen who have been following his route through the territory catch up with and expose him.

Niko Hatcher

give me something to sing about
I need something to sing about.

musicals 

movie

lindsey

1941 American drama film directed by Orson Welles

1959 American epic historical drama film by William Wyler

old hollywood

iconic teen movies

tv shows I quit watching--some after only a few episodes

American musical comedy-drama television series

Quit it

nick at nite 

shows with the supernatural; vampires, demons, witches, ghosts, gods, + even....aliens?

Supernatural Shows

1995-2009 American sketch comedy television series

90's nostalgia 

one word tv shows

movies with numbers in the title, not including sequels or prequels

numbered

canceled tv shows that deserved more seasons.