Substance use / recovery

It's 1994 in Long Beach, California. Idealistic

Sam Dawson has the mental capacity of a 7yo. He has a daughter who's homeless mother has abandons them both. Sam's difficulties become problematic, and she's taken away. Sam finds a lawyer who tells the case pro bono. In the process, he teaches her a great deal about love and whether it's really all needed.

In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez's good intentions run headlong in the hard realities of the strength of Ayers' personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them.

Betty Anne Waters (Swank) is a high school dropout who spent nearly two decades working as a single mother while putting herself through law school, tirelessly trying to beat the system and overturn her brother's (Rockwell) unjust murder conviction.

A love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for a story of family, obsession, love and loss.

Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage Director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage, Dr. Larch provides a medically safe, albeit illegal, abortion, Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

Four women friends: three are wealthy and married plus there's Olivia, a former teacher who's now a maid. The marriages are in various states of health: Franny and Matt are happy and very rich. Christine and David write screenplays together, are remodeling their house, and argue. Jane is angry all the time and Aaron, who's an attentive husband, strikes everyone as gay. Franny sets up Olivia with a friend of hers, Mike, a personal trainer, and Olivia takes him with her to a couple of housecleaning jobs. A benefit dinner for ALS, an awkward guy named Marty whose place Olivia cleans, and a French maid's outfit figure in the story. Is there more to life than its problems?

The Rizzos, a family who doesn't share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con (Strait) brought home by Vince (Garcia), the patriarch of the family, who is a corrections officer in real life, and a hopeful actor in private.

Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious relationships was with Bobby Ontario, that relationship which has a profound affect on many aspects of her marriage to Dean. Dean and Cindy head off on an overnight getaway together without Frankie, the getaway which may provide a clearer picture if their marriage can survive its many issues.

The early 1970s. William Miller is 15-years old and an aspiring rock journalist. He gets a job writing for Rolling Stone magazine. His first assignment: tour with the band Stillwater and write about the experience. Miller will get to see what goes on behind the scenes in a famous band, including the moments when things fall apart. Moreover, for him, it will be a period of new experiences and finding himself.

Everett Stone, who made it on Wall Street, returns home for Christmas with his new girlfriend, Meredith Morton. His ultra-liberal, anti-conventional rustic Connecticut family doesn't exactly warm to the outsider, who despite her best efforts to please the prospective in-laws, looks, sounds, and acts like the conservative bigots they hate, while various Stones have their own problems. Only matriarch Sibyl Stone's unshakable maverick other son Ben gives her a chance, and as Everett won't actively turn against either, she feels more supported by him and a weird romance blossoms. Feeling beleaguered, Meredith calls in help from her easygoing sister Julie, who proves no help to her but soon develops a chemistry with Everett, so everything may now shift if they dare follow their hearts.

Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him.

George Monroe (Kevin Kline) is a lonely and sad man. Divorced for ten years, he lives alone on the southern California coast with his pet dog in the same run down shack in which he has lived for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen-year-old son, Sam Monroe (Hayden Christensen), to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. Getting Sam to do any of it will not be an easy task as Sam, who has embarked on some self-destructive behavior, would rather do anything than spend time with his family, which also includes his mother Robin Kimball (Dame Kristin Scott Thomas), her wealthy but emotionally unaffectionate husband Peter Kimball (Jamey Sheridan), and their adolescent children. In Sam, George sees an unhappy person in every aspect of his life, much like George was before that fateful day. What Sam decides to do for the summer may consider Alyssa Beck (Jena Malone), his pretty classmate and George's next door neighbor. Through the process, George also reconnects with Robin, who admits that she's made some pretty bad decisions in her life. He may not want that reconnection to go too far considering his health. Ultimately, George has much to do to complete all he wants before he dies.

"The Joneses", a social commentary on our consumerist society. Perfect couple Steve and Kate Jones, and their gorgeous teen-aged children Jenn and Mick, are the envy of their posh, suburban neighborhood filled with McMansions and all the trappings of the upper middle class. Kate is the ultimate trend setter - beautiful, sexy, dressed head-to-toe in designer labels. Steve is the admired successful businessman who has it all: a gorgeous wife, big house and an endless supply of high-tech toys. Jenn and Mick rule their new school as they embody all that is hip and trendy - cool clothes, fast cars and the latest gadgets. But as the neighbors try to keep up with the Joneses, none are prepared for the truth about this all- too perfect family.

1989. Josey Aimes takes her two kids, Sammy and Karen, and leaves her abusive husband Wayne, to return to her northern Minnesota home town. On a chance meeting with her old friend Glory Dodge who works as a driver and union rep at the mine operated by Pearson Taconite and Steel, Josey decides to work at the mine as well, work that is dominated by men in number and in tone. She does so to be able to stand on her own two feet for the first time in her life, something she probably could not have done if she remained in a job washing hair at a beauty salon. Working at the mine does not sit well with her father, Hank Aimes, who also works at the mine and who, like the other male workers, believes she is taking a job away from a man. Hank has believed that all Josey's problems are of her own doing, ever since she, unmarried, had Sammy while she was still in high school. Josey has always stated that she does not know who Sammy's biological father is, which fosters Hank's attitude about her. Among Josey's coworkers is Bobby Sharp, who many believe is Sammy's biological father. Josey's evangelical mother, Alice Aimes, stands by her husband in their general belief of traditional roles of men and women. Josey and her fellow female mine workers are continually harassed, emotionally, physically and sexually by their male counterparts. Every seeming step forward in the issue Josey finds is only a measure to lull the women into a false sense of security, or to make the fall even harder. Unable to withstand the abuse, Josey decides to sue the company for sexual harassment. She does so with the help of Glory and her husband Kyle's friend, Bill White, an ex-New York lawyer who is facing his own emotional demons. They being able to get any corroboration is difficult as all Josey's male coworkers are standing together, and all the women fear retribution by the company and/or their male coworkers after the fact. Even Glory is facing her own issues which prevent her from being that strong union voice. Only a small grain of the truth coming to light may be what Josey and Bill need...

The plot revolves around a young married woman whose mundane life takes a turn for the worse when she strikes up a passionate and illicit affair with an oddball discount-store stock boy who thinks he's Holden Caulfield.

It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.