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Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use an unwanted male abortionist, Bebe (Vlad Ivanov). The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship.

Two men in an apartment with their opposing beliefs in this play by Cormac McCarthey. The black guy, a former convict who believes in God, just saved the white atheist professor from jumping in front of the express train. He won't let the depressed man leave, without following him, and feel he's in this situation for a reason, decided by God. An intense chamber play about belief or unbelief, and a conversation about what's true and important in life, or not.

It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual orientation; and Kenny Potter, one of his students, who seems to be curious about his professor beyond English class.

Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult male role model figure - gets to know Rudy, and as Sammy deals with the issues in her life which includes figuring out what her relationship to longtime friend/lover Bob Steegerson means, and how to deal with her straight-laced micro-managing new boss Brian Everett, the maturity level between Sammy and Terry is not as far apart as it appears on the surface.

A woman's life is derailed en route to a potentially lucrative summer job. When her car breaks down, and her dog is taken to the pound, the thin fabric of her financial situation comes apart, and she is led through a series of increasingly dire economic decisions.

Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious relationships was with Bobby Ontario, that relationship which has a profound affect on many aspects of her marriage to Dean. Dean and Cindy head off on an overnight getaway together without Frankie, the getaway which may provide a clearer picture if their marriage can survive its many issues.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

When aging, unsuccessful Greenwich Village writer Harry Levine is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt. Harry takes the opportunity to solicits his opinion on his latest manuscript, a work of semi-fiction based on their longtime friendship. Although he initially denies having read it, Jake later attacks it on aesthetic grounds, and deep-seated feelings of betrayal and jealousy surface, resulting in a traumatic confrontation.

Young Caucasian Dan Dunne teaches history and coaches the girls basketball team at a Brooklyn high school populated primarily by black and Hispanic students. To the chagrin of his superiors, Dan bucks the outlined curriculum of historical facts in favor of the philosophy of historical events, generally discussing the concept of dialectics. As such, he captures the imagination of his students, at least in the classroom. Outside of the classroom, Dan's life is in shambles. He has a distant but cordial relationship with his family. He uses illicit drugs rampantly. Although his former girlfriend Rachel was able to clean up her drug habit, Dan believes that rehab will not work for him. Due to a combination of these issues, he treats women poorly. Thirteen-year-old Drey is a student in his class and a player on his basketball team. Drey has her own problems. Her parents are divorced, with her father a virtually non-existent figure in her life and her EMT mother generally absent as she is always working to provide for Drey. Her older brother Mike is incarcerated for selling drugs for a local dealer named Frank. Mike took the fall for Frank, who in turn protects Drey whether she wants to be associated with him or not. Dan and Drey's relationship changes when Drey catches Dan, believing he is alone, smoking crack in the girl's locker room bathroom. He is totally stoned. Their resulting friendship, which is seen as inappropriate by the few who know, is based on each being unable to deal with their own life, but feeling like they can be at least a minor salvation in the other's life.

On the lonely roads of Winston-Salem, North Carolina, two men forge an improbable friendship that will change both of their lives forever. Solo is a Senegalese cab driver working to provide a better life for his young family. William is a tough Southern good ol' boy with a lifetime of regrets. One man's American dream is just beginning, while the other's is quickly winding down. But despite their differences, both men soon realize they need each other more than either is willing to admit. Through this unlikely but unforgettable friendship, GOODBYE SOLO deftly explores the passing of a generation as well as the rapidly changing face of America.

It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters, but have spent a summer in Greece on the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.

Twenty-eight year olds Jon and Vince, friends from high school, meet in Vince's seedy motel room in Lansing, Michigan. Jon had invited Vince to town from his current residence of Oakland to help celebrate the fact of his latest movie, independently shot, having a screening at the local film festival the following day, the first public screening of one of his movies. While Jon seems to have grown up in having this career path and a nice room in an upscale hotel provided by the festival, Vince, who, in preparing for the evening has already had a few beer by the time Jon arrives, hasn't, he who deals drugs for a living with no change on the horizon, and his girlfriend, who was supposed to accompany him to Lansing, having broken up with him, indirectly because of his immaturity. This divergence quickly becomes an issue of contention between the two. But as Vince's behavior is seemingly more and more substance affected, he having broken out the weed and coke, his intention with Jon may be clearer than it appears on the surface, it having to do with an issue from high school which always seems to emerge in some respect every time they meet. That issue begins to hit home for Jon with a specific action by Vince. But everything may take a turn onto its head with the arrival onto the scene of a third - Amy - also a friend from high school involved in that issue ten years ago, she, now an Assistant D.A. in Lansing, who Vince had invited without Jon's knowledge and who Jon has not seen since high school.

The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction. As Joseph's life spirals into turmoil, a chance at redemption appears in the form of Hannah, a Christian charity shop worker. Their relationship develops to reveal that Hannah is hiding a secret of her own with devastating consequences to both of their lives.

Paul Rivers, an ailing mathematician lovelessly married to English émigré; Christina Peck, who's hiding a secret past; and Jack Jordan, an ex-convict who has found Jesus are brought together by a terrible accident which changes their lives.

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.

In Director Tony Kaye's Detachment, Academy Award® winner Adrien Brody stars as Henry Barthes, an educator with a true talent to connect with his students. Yet Henry has chosen to bury his gift. By spending his days as a substitute teacher, he conveniently avoids any emotional connections by never staying anywhere long enough to form an attachment to either students or colleagues. When a new assignment places him at a public school where a frustrated, burned-out administration has created an apathetic student body, Henry quickly becomes a role model as a teacher who actually cares about the well-being of these students. In finding an emotional connection to the students but also fellow teachers and a runaway teen, he finds that he's not alone in a life and death struggle to find beauty in a seemingly vicious and loveless world.

Lonely widower Professor Walter Vale has a boring life in Connecticut. He teaches only one class at the local college and is trying to learn how to play the piano, despite lacking the necessary musical talent. Walter is assigned to attend a conference about Global Policy and Development at New York University and give a lecture about a paper he co-authored. When he arrives at his New York apartment, he finds Tarek Khalil, a Syrian musician, and Zainab, a Senegalese street vendor, living there. He sympathizes with the illegal immigrants' situation and invites the couple to stay with him. Tarek invites him to go to his gig at Jules Live Jazz. Walter is fascinated with his African drum and Tarek offers to teach Walter how to play it. However, after an incident in the subway, Tarek is arrested and sent to a detention center for illegal immigrants. Walter has just hired a lawyer to defend Tarek when, out of the blue, Tarek's mother Mouna arrives at the apartment from Michigan. He invites her to stay in Tarek's room, and while trying to get Tarek released, Walter and Mouna get close to each other and he finds reasons to feel life can be exciting and worth living again.