Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13 year old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victms - a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story - and survive this homecoming.

Jessabelle "Jessie" Laurent is pregnant and accepts to move to the house of her boyfriend to raise a family of their own. However they have a car accident where her boyfriend and her baby die. Jessie is seriously wounded and trapped to a wheelchair, and the direction of the hospital asks her to contact her estranged father to help her. Leon Laurent brings his daughter to his house in Louisiana and lodges her in her mother's room. Jessie snoops around the room and finds a videotape where her mother Kate Laurent is pregnant and reads tarot cards to her. She tells that Jessie would never left Louisiana; she is attracted by water; and another woman wants her out of the house. However Leon arrives and destroys the tape. On the next morning, Jessie watches another videotape when her father is out of the house, and her mother talks about the man that had taught her to read cards, Moses. Jessie is haunted by the ghost of a woman and her father discovers the two other videotapes she has hidden. When he tries to destroy them, something happens to him and he is burnt to death trapped in a shed. During the funeral, Jessie meets her high-school friend Preston Sanders (Mark Webber), who is unhappily married. Preston decides to help Jessie after watching the videotapes. Who might be haunting Jessie?

In their secluded farmhouse, a mother (a former surgeon) teaches her daughter, Francisca, anatomy, and how life and death are not to be feared. One afternoon, a mysterious visitor shatters the idyll of their family life, and deeply traumatises Francisca, but also awakening curiosities. Years later, Francisca clings to her increasingly distant father, but the trauma she sustained reawaken when her desire to connect with the world around her takes on a dark form.

Nathaniel Fisher, his wife Ruth, and their children David and Claire run a small funeral business that offers the best care to be found anywhere close by. Prodigal son Nate Jr. arrives home for Christmas just as his father is killed by a bus, and has to stick around when he and David are willed the funeral service together. How does a family who helps others deal with grief deal with its own?

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

The twenty-one-year-old Timothy "Tim" Allen Russell is discharged from a mental institution by his psychiatric Dr. Shawn Graham completely healed from a childhood trauma where his father purportedly tortured and killed his mother before being killed himself by Tim. His sister Kaylie welcomes him in the parking area and brings him home. Then she tells that they need to destroy an ancient mirror that she has found through working at an auction house. She then steals the mirror and the reluctant Tim follows his sister and has fragmented recollections from their childhood, going back to when his father Alan buys a mirror for the home office of their new family home. Kaylie and Tim see a woman with their father in his office and the behaviors of Alan and Marie change, ending in a family tragedy. Kaylie blames the mirror and now she wants to destroy it with Tim. Will they succeed?

Eight-year-old Jenny (Violet McGraw) is constantly caught in the middle of the feuding between her lawyer mother Maggie (Mamie Gummer) and artist father Jeff (Rupert Friend). She leads a lonely but imaginative life, surrounded by puppets called "Grisly Kin," which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie's father (Brian Cox) sues for custody, and babysitter Samantha (Madeline Brewer) tries to be the new woman of the house, life in their Brooklyn town home takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.

Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.

In a small town in central Oregon, Frank Weaver runs a meth lab out of an abandoned mine. While his young son Aiden waits outside the mine in his truck, Frank and an accomplice are attacked by an unseen creature. Investigating strange noises, Aiden is also attacked by the creature. Frank and Aiden survive their encounter with the creature and return home, where their condition quickly worsens. Frank sets up a locked room and demands that no matter what, Aiden's older brother Lucas keeps them locked inside.

Featuring shades of Edgar Allen Poe's ["A Tell-tale Heart" and] "The Black Cat", 1922, with a Bonny and Clyde sub-plot, based on the Stephen King novella of the same name, centers on simple but proud farmer, Wilfred James, who, with the reluctant help of his teenage son, murders his wife to gain ownership of her inherited land. Shortly after, however, strange and supernatural occurrences begin to plague both James and his farm. Is it just simple bad luck, or is it the work of something much more sinister?

On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless-mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and tween Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death. Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father's legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep." Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan's own demons and summons him to a battle for Abra's soul and survival.

Kya Clark, otherwise known as the Marsh Girl by the townspeople of Barkley Cove, is mysterious and wild. Abandoned by her family, Where the Crawdads Sing is a coming of age story of a young girl raised by the marshlands of the south in the 50's. Watching many years past, when the town hotshot is found dead, and inexplicably linked to Kya, the Marsh Girl is the prime suspect in his murder case.

Three brothers and a sister have just lost their mother. After her death they fear to be separated, so to protect themselves and prevent this from happening they decide to flee to an abandoned farm, a place that is not what it seems, because it hides a dark secret between its walls.

Strange occurrences plague a small town detective and his family as he investigates the disappearance of a young boy.

1974: a young nurse is forced to work the night shift in a crumbling hospital as striking miners switch off the power across Britain. But inside the walls lurks a terrifying presence that threatens to consume her and everyone around her.

In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.

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Fröhliche Filme für Simon ("kein" Horror du Penis)