want

The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge.

Eva's a mother trying to piece together her life following an incident caused by her odd child, Kevin. Once a successful writer, she's forced to take whatever comes her way, in spite of the increasingly bizarre and dangerous things Kevin says, or does.

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.

Seventh-grade is no fun. Especially for Dawn Weiner when everyone at school calls you 'Dog-Face' or 'Wiener-Dog.' Not to mention if your older brother is 'King of the Nerds' and your younger sister is a cutesy ballerina who gets you in trouble but is your parents' favorite. And that's just the beginning--her life seems to be falling apart when she faces rejection from the older guy in her brother's band that she has a crush on, her parents want to tear down her 'Special People's Club' clubhouse, and her sister is abducted....

"O, mio babbino caro" plays as a woman skates gracefully. In contrast, little is graceful and daddy is not dear in Julien's world. His father listens to blues wearing a gas mask; dad prods, lectures, and derides Julien as well as Julien's brother and pregnant sister, while grandma attends to her dog. Julien is different, schizophrenic. He wears gold teeth. He bowls, sings, worships, and chats with a group of young adults with disabilities. His sister's child is probably his own. He talks on the phone, imagining it's his mother, who died in childbirth years before. He may be a murderer of children. From his point of view (perhaps), the film follows this odd family for a few weeks.

A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter.

Constructing this film through random scenes, director Harmony Korine abruptly jettisoned any sort of narrative plot, so here we go: Solomon and Tummler are two bored teenage boys who live in Xenia, Ohio. A few years ago, a tornado swept through it, destroying more than half the town and killing the same amount, including Solomon's father. The film, from there, chronicles the anti-social adventures these two boys have. These include sniffing glue, killing cats, having sex, riding dirtbikes, listening to black metal, and meeting a cavalcade of quirky, bizarre, and scary people. These include a man who pimps his mentally ill wife to our anti-heroes, three sisters who play with their cat and practice becoming strippers, a black midget fending off the sexual advances of a troubled man (played by the director Harmony Korine), a 12-year-old gay transvestite who is also a cat killer, Solomon's mother who seems to be the only glimpse of sanity, two foul-mouthed six-year olds, and most importantly, a nymphlike skateboarder who walks around town wearing pink rabbit ears.

After having online chat room chats for three weeks, "Thonggrrrl14" convinces "Lensman319" to meet in person in a public place, they being up front that they are a fourteen year old girl and thirty-two year old man respectively. They are indeed precocious fourteen year old Hayley Stark and thirty-two year old photographer Jeff Kohlver. Their interactions, including their meeting, are laced with indirect sexual innuendo, most specifically on Hayley's part, although Jeff is clear also in an indirect manner that he does not have sex with minors. Regardless, Hayley is further able to convince Jeff to continue their face-to-face at his place. There, both Hayley and Jeff's true intentions come to light, their meeting which was no accident on either side, and the intentions which may be incompatible and have serious and deadly consequences.

Disturbing, dark, low-budget independent film about teen-agers in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.

Two seemingly well-educated young men, who call each other Paul and Peter among other names, approach a family on vacation. They are, apparently, friends of the neighbors, and, at the beginning, their true intentions are not known, but soon, the family is imprisoned and tortured in its own house violently, which the viewers are forced mostly to imagine and to share a certain complicity with the criminals. It might be some kind of game with the lives of husband, wife, son, and dog, but why are they doing it?

Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation

A woman breaks up with her boyfriend, he thinks it's because he's fat. A man is unable to tell her next door neighbor he finds her sexually attractive. An old couple wants to split up, but they don't want to get a divorce. A therapist masturbates to teen magazines. An 11 year old kid is insecure about the fact that he hasn't cum yet. Office workers try to recall the face of a coworker who recently died. A woman is sure she has everything she could ever want. The lives of these individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection.

A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out.

Introspective artist Blake is buckling under the weight of fame, professional obligations and a mounting feeling of isolation. Dwarfed by towering trees, Blake slowly makes his way through dense woods. He scrambles down an embankment to a fresh spring and undresses for a short swim. The next morning he returns to his house, an elegant, if neglected, stone mansion. Many people are looking for Blake--his friends, his managers and record label, even a private detective--but he does not want to be found. In the haze of his final hours, Blake will spend most his time by himself. He avoids the people who are living in his house, who approach him only when they want something, be it money or help with a song. He hides from one concerned friend and turns away another. He visits politely with a stranger from the Yellow Pages sales department, and he ducks into an underground rock club. He wanders through the woods and he plays a new song, one last rock and roll blowout. Finally, alone in the greenhouse, Blake will look and listen--and seek release.

Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend.

When Sam Merrick is beaten up by local bully George Tooney, Sam's older brother Rocky and his friends Clyde and Marty plan to pretend it's Sam's birthday to "invite" George on a boat trip in which they would dare him to strip naked, jump in the lake, and run home naked. But when Sam, his girlfriend Millie, Rocky, and Clyde see George as not much of a bad guy, they want to call off the plan, but Marty refuses. Will the plan go ahead as planned?