Films that take place at night mostly

Augusto, Carlo, and Roberto are scam artists who often work together. Middle-age divorced Augusto is the oldest, most seasoned in the business, and the trio's spiritual leader. They either are immune to the notion that most of their victims are not wealthy--most uneducated, rural peasants--or don't care that they make at most a few hundred thousand lira at a time. Each of the three is at a different stage of life, which makes Carlo and Augusto examine what they're doing more critically, each stemming from a specific incident. Roberto, the youngest, still lives solely for the here-and-now and will take any money willingly. Carlo would like to make a living as an artist, hence his nickname of Picasso, if only it would support him, his loyal wife Iris, and their adolescent daughter Silvania. Carlo has told Iris that his frequent absences is in his work as a traveling salesman with Augusto, but she can no longer bury her head in the sand about what he's doing upon a last-minute social evening out with his associates on New Year's Eve. Augusto's examination of his life begins upon a chance encounter with his young-adult daughter Patrizia, whom he had not seen in years and didn't even recognize. Augusto is torn between what his money can afford in getting Patrizia on her feet as she contemplates extending her expensive education, versus being a role model to her.

Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic journey into the past, and a viciously satirical attack on television in general and Italian TV in particular, portraying it as a mindless freakshow aimed at morons

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.

Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet a tight-rope walker who convinces Gelsomina to question her choices.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens, blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show).

Marcello is in the compartment of an Italian train, facing forward, when the mineral water of the woman seated across from him starts falling toward him. He catches the bottle and makes eye contact, then follows her when she leaves the compartment. For a few moments she finds him attractive too. Then suddenly she gets off the train and starts walking through a field. Marcello follows her, loses her, and finds himself in a large hotel surrounded by women. A feminist conference is taking place and he tries to escape.

Fausto Moretti seduces his friend Moraldo Rubini's sister Sandra and is forced to marry her After their honeymoon, he takes a job selling religious objects in a small shop. Marriage doesn't change him; he still goes with his friends to look for women. He even tries to seduce his boss' wife and gets fired. Sandra forgives everything he does. He and his friends of similar temperament are content to be idle, chase girls, and leave the job-hunting and work to others. After Fausto has spent one more night away from home with a girl, Sandra can no longer forgive and runs off with their child, and Fausto and his friends search all over for them, fearing the worst.

Two bawdy, tough looking navy lifers - "Bad-Ass" Buddusky, and "Mule" Mulhall - are commissioned to escort a young pilferer named Meadows to the brig in Portsmouth. Meadows is not much of a thief. Indeed, in his late teens, he is not much of a man at all. His great crime was to try to steal forty dollars from the admiral's wife's pet charity. For this, he's been sentenced to eight years behind bars. At first, Buddusky and Mulhall view the journey as a paid vacation, but their holiday spirits are quickly depressed by the prisoner, who looks prepared to break into tears at any moment. And he has the lowest self-image imaginable. Buddusky gets it into his head to give Meadows a good time and teach him a bit about getting on in the world. Lesson one: Don't take every card life deals you. Next, he teaches Meadows to drink, and, as a coup de grace, finds a nice young whore to instruct him in lovemaking. Mule, who worries aloud about his own position with military authority, seems pleased with Meadows's progress. However, when the trio reach Portsmouth, the game comes abruptly to an end as reality sets in.

Four middle-aged friends and members of the professional bourgeoisie, Ugo, a chef and restaurant owner, Marcello, an incorrigible womanizer and Alitalia pilot, Michel, a delicate television producer, and Philippe, a venerable magistrate, gather for a debaucherous weekend at the latter's Parisian villa. There, as the four men prepare for a Romanesque feast, truckloads of fine food and wine arrive, accompanied by three elegant and lithe prostitutes. Without a doubt, the rapacious and degraded hedonists are determined to eat themselves to death, one elaborate morsel after another, nevertheless, for what reason?

Ferdinando Cefalù is desperate to marry his cousin Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.

Bruno Cortona and Roberto Mariani meet by chance as Roberto helps Bruno one day while everything is closed in Rome for the holiday weekend. The two men could not be more different. Thirty-six year old Bruno is extroverted, a man who seizes opportunities as they arise, is an excitement seeker, has never really grown up, but is a person to whom many are drawn because of his exuberance and masculine good looks. Law student Roberto is introverted, controlled and so unsure of himself that he doesn't really know why he chose law as a career and is afraid not only to let the girl who lives across the way from him, Valeria, know that he likes her, but even to speak to her. He even has a photograph of her in his wallet that he took clandestinely. Roberto reluctantly gets caught up in the whirlwind of Bruno's last minute change in plans for the holidays as the two head off together in Bruno's Lancia Aurelia sports car, their joy ride which will be largely at Bruno's whim. That reluctance is because Roberto would rather stay at home to study for an exam a few weeks away. Roberto tries to ditch Bruno at every stop, he however afraid to tell Bruno the truth that he'd rather not be with him. But as their time together progresses, they each learn a little more about the other, with Roberto in particular beginning to understand how stultified his life has been. The question becomes whether Roberto and Bruno can find that good balance in their lives because of their time with the other.

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

One year in a small northern Italian coastal town in the late 1930s is presented. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism, and the national fervor surrounding Il Duce aka

The amusing and entertaining adventures of a recently released mental patient and his band of misfits, discover conspiracies to concur while looking for love.

Minnie breaks up with her married boyfriend and becomes disillusioned. However, she begins to learn that there is hope for love and romance in a desperate world when she meets a crazy car-parker named Seymour.

Two drifters go on a pilgrimage from France to Santiago de Compostela in Spain. Along the way, they hitchhike, beg for food, and face the Christian dogmas and heresies from different Ages.

Juliet lives in a beautiful house by the ocean. Her sisters, and especially her mother, overshadow her with their beauty. She is spiritual, superstitious, and naive. Soon after she visits a psychic seer who tells her that she must follow the sex trade in order to be happy, she meets her eccentric, sexy neighbour Suzy, who appears to be a high-class prostitute and encourages Juliet into sexual acts which make her guilty and nervous. On a rare night that sees her husband at home, she awakens to hear him talking to another woman on the phone. He calls out the name "Gabriella" in his sleep, then lies when she she questions him, but she finds out who Gabriella is and fears her husband will leave her. Then she starts having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated.

A campy futuristic tale where people hunt one another for sport. In this film, Victim and Hunter run around Italy trying to score a kill in front of the movie crews they arranged so they could make commercials from the footage.