PROT is a patient at a mental hospital who claims to be from a faraway planet named K-PAX. His psychiatrist tries to help him, only to begin to doubt his own explanations.

Feature film broadcast in 4 parts. "La Flor" robs the cinema in six episodes. Each episode corresponds to a cinematographic genre. The first is a B-series, as the Americans used to do. The second is a musical melodrama with a hint of mystery. The third is a spy movie. The fourth is an abyss of cinema. The fifth revisits an old French film. The sixth speaks of captive women in the 19th century. My all forms "La Flor". These six episodes, these six genres have one thing in common: their four actresses. From one episode to another, "La Flor" changes radically universe, and each actress moves from one world to another, from one fiction to another, from one job to another, as in a masked ball. It is the actresses who advance the story, it is they too that as and when the film reveals. At the end of the story, at the end of the film, all these images will eventually draw up their four portraits.

Alexia suffers a terrible skull injury and has a titanium plate fitted into her head. When she gets out of the hospital, she rejects her parents and embraces passionately the car that almost killed her. The coming years she has problems with her sexuality and meets Vincent. Vincent is a tortured man who tries to preserve his strength by injecting steroids into his aging body. Will they find a way to deal with their emotional problems?

Exactly one week in the life of a young man named Paterson of Paterson, New Jersey is presented. He lives an extremely regimented and routinized life, that routine perhaps most vividly displayed by the fact that he is able to wake up at exactly the same time every day without an alarm. That life includes eating Cheerios for breakfast, walking to work carrying his brown bag lunch packed in his lunch pail by his wife Laura, having a casual chat with his colleague Donny before he begins his shift driving the #23 Paterson bus for the local public transit company, walking home where he straightens out the exterior mailbox which somehow during the day gets knocked crooked, eating dinner with Laura and listening to her goings-on of the day, taking Laura's English bulldog Marvin - who he would admit to himself he doesn't much like - out for a walk to his neighborhood bar where he has one and only one beer before walking home with Marvin. There are day to day variations which are often the result of how certain other routines associated to him manifest themselves, such as what drama will occur in the relationship of Marie and Everett who are always at the bar together despite her always saying that they are no longer together, or in what form Laura's unique and distinctive design sense will affect Paterson's life directly or indirectly. Paterson's keen observances of what happens around him are largely the bases for the poems he writes, he constantly thinking of these and writing them in his secret notebook whenever he has a spare moment during his day. He is influenced by among others Paterson natives such as

When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

Opening in 2001 in Datong an former coal mining town, Bin was a mob gangster of Jianghu when the leader was dethroned he takes it up. Qiao loves Bin very much and one day to save Bin from henchmen she uses his pistol and fire it fakely. she gets arrested and prisoned for 5 years and never been visited by Bin. When she is released she reaches Bin who has no interest for Qiao and is in love with other girl. 16 years later She gets a Call from Bin who is in need of a moral support

A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

A series of brutal murders puts the lives of three men on a collision course: The father of the latest victim now out for revenge, a vigilante police detective operating outside the boundaries of law, and the main suspect in the killings - a religious studies teacher arrested and released due to a police blunder.

2013 film directed by Aharon Keshales and Navot Papushado

One night. One apartment. One missing person. Rami takes his dog on a walk and does not return. He disappeared. His wife, Shir, is clueless as to his whereabouts. Different people come in and out of the apartment during that night - each for their own reasons. Could one of them hold the key to the mystery?

Gerd Wiesler is an officer with the Stasi, the East German secret police. The film begins in 1984 when Wiesler attends a play written by Georg Dreyman, who is considered by many to be the ultimate example of the loyal citizen. Wiesler has a gut feeling that Dreyman can't be as ideal as he seems, and believes surveillance is called for. The Minister of Culture agrees but only later does Wiesler learn that the Minister sees Dreyman as a rival and lusts after his partner Christa-Maria. The more time he spends listening in on them, the more he comes to care about them. The once rigid Stasi officer begins to intervene in their lives, in a positive way, protecting them whenever possible. Eventually, Wiesler's activities catch up to him and while there is no proof of wrongdoing, he finds himself in menial jobs - until the unbelievable happens.

2006 German film by Florian Henckel von Donnersmarck

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast.

Buttressed between two milestone events within their personal sphere, the lives of the Jians - husband and wife N.J. and Min-Min, teenage daughter Ting-Ting, and eight year old son Yang-Yang - and to a lesser extent that of their broader grouping of extended family and friends, are presented. The Jians live in an upscale apartment complex in Taipei along with Min-Min's mother, who has fallen into a coma, each family member who takes turns by her bedside to relay life's goings-on to her regardless of if she can hear them. While Min-Min has troubles with this on-going task, the other three use her as an unofficial sounding board for their issues, primarily in the realm of finding their place in current life and their role in her predicament. Yang-Yang still has a child's simple perspective of the world, such as the reason he has a penchant for taking photographs of the back of people's heads, that naiveté exactly the reason he is the target of bullying especially among a group of older girls, and by one of his teachers. Ting-Ting is acting as the unofficial intermediary in the complicated relationship between her best friend and next door neighbor Lili, and her boyfriend Fatty. It is made all the more difficult as Ting-Ting has feelings for Fatty herself. And N.J., a computer electronics engineer, is seen as the honest one among him and his partners, which is why he is chosen to deal with Japanese Mr. Ota in assessing if it worth the expensive but potentially lucrative risk of going into business with him. Concurrently, N.J., who uses Mr. Ota as a confidante of sorts in their emerging friendship, reunites and becomes reacquainted with childhood friend Sherry, married and now living in Chicago, she who could have been the one in his life if he ended up keeping their appointment thirty years ago. Min-Min's younger brother A-Di may face that same conundrum thirty years down the road as he just married Xiao-Yan partly for a very specific reason, while his old girlfriend Yunyun fumes on the sidelines.

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?

Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him to another hospital and then yet another... As the night unfolds and they can't find a hospital for Mr. Lazarescu, his health starts to deteriorate fast.

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