Old films

Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.

Tokyo banker Shûkichi Sugiyama's two surviving offspring, adult daughters Takako Numata and Akiko Sugiyama, live with him. He raised them on his own after his wife/their mother Kisako abandoned the family long ago. The father worries about both daughters in different ways. Takako has left her writer/translator husband Yasuo Numata without telling him, and she moves back to her father's home with her and Yasuo's 2-year-old daughter Michiko. Akiko, an English shorthand student who has no recollection of her mother, has been staying out to all hours of the night. Shûkichi and his daughters' Aunt Shigeko believe that sullen Akiko needs a boyfriend to shake her out of her funk, and Auntie starts trying to find her an appropriate suitor. Akiko's family doesn't know that her tie to fellow college student Kenji Kimura is the reason for her uncommunicative sullenness--and why she has secretly been trying to raise ¥5,000. While Shûkichi takes some responsibility for both their problems--he had preferred Numata to Takako's other suitor at the time, who might ultimately have been the better match--he's more disappointed in Akiko than worried about her; he had given her more attention than Takako in their formative years because Akiko never really had a mother. And at just this time, their mother, whom they had presumed was long deceased, reenters their lives, seeming to at least want to have some sort of relationship with them. Kisako's return has a profound effect on both Takako and Akiko, most specifically in how they view the recent goings-on in their own lives.

"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ill -- would like to make a human connection also but cannot leave the hotel room. Traveling with the sisters is a small boy who escapes into the hotel, meets a troupe of dwarfs. Which sister is this little boy's mother?

Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, an intellectually disabled boy who brings meaning and routine to his life by driving an imaginary streetcar; children who support their parents by scrounging or by tedious and ill-paying endeavours; schemers who plot or dream of escaping the shackles of poverty.

Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet a tight-rope walker who convinces Gelsomina to question her choices.

Set in creepy 14th century Sweden, it is the sombre, powerful fable of wealthy land-owning parents whose daughter, a young virgin, is brutally raped and murdered by goat herders after her half sister has invoked a pagan curse. By a bizarre twist of fate, the murderers ask for food and shelter from the dead girl's parents, who, discovering the truth about their erstwhile lodgers, exact a chilling revenge.

In the early 60's in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house. His older son Koichi is married with Akiko that are compulsive consumers and Akiko financially controls their expenses. Hirayama frequently meets his old friends Kawai and Professor Horie, who is married with a younger wife, to drink in a bar. When their school teacher Sakuma comes to a reunion of Hirayama with old school mates, they learn that the old man lives with his daughter that stayed single to take care of him. Michiko lives a happy life with her father and her brother, but Hirayama feels that it is time to let her go and tries to arrange a marriage for her.

It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at Oscar's funeral. She also wants a father figure for the children. Going into the marriage, Emilie has inclinations that it will be a much different life than she had with the Ekdahls, but is not prepared for the harsh, austere and strict life Edvard rules with an iron fist. Emilie, Alexander and Fanny end up being prisoners in the bishop's stark and humorless house. As Alexander butts head with his stepfather and tries to learn how to keep to his own principles while obeying Edvard, Emilie tries to figure out a way to regain her and her children's own destiny, as Edvard will not consent to divorce, and her "desertion" in the eyes of the law means that Alexander and Fanny would become his wards.

Kiichi Nakajima, an elderly foundry owner, is so frightened and obsessed with the idea of nuclear extermination that his family decides to have him ruled incompetent. Nakajima's fervent wish is for his family to join him in escaping from Japan to the relative safety of South America. Harada, a civil volunteer in the case, sympathizes with Nakajima's conviction, but the old man's irrational behaviour prevents the court from taking his fears seriously.

After securing a major victory on the battlefield, Taketoti Washizu and one of his commanders, Yoshiaki Miki, find themselves lost in the maze-like Spider's Web forest. They come across a spirit-like seer who tells them of their future: both have been promoted because of their victory that day; Washizu will someday be the Great Lord of the Spider's Web castle while Miki's son will someday rule as Great Lord as well. When they arrive at the castle, they learn that the first part of the prophecy is correct. Washizu has no desire to become Great Lord but his ambitious wife urges him to reconsider. When the current Great Lord makes a surprise visit to his garrison outpost, Washizu is again promoted to commander of his vanguard but his wife reminds him of the danger that comes with the position. As pressure mounts, Wahizu takes action leading to its inevitable conclusion.

On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God.

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.

A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance.

Near the Eastern borders with West Germany, Bruno, a solitary, permanent citizen of the road and film projection equipment repairman, witnesses the sad sight of a VW beetle car storming straight into the River Elbe. After a while, however, the depressed driver, Robert, instinctively accepts an offer for a lift in Bruno's repair van, and just like that, an impromptu relationship begins. Now, against the backdrop of the German countryside, the new companions find themselves sharing the same need for freedom, visiting dilapidated movie theatres for maintenance, and getting to know each other one small town after another. But, no one knows, or cares, how long is the road that stretches out ahead of them. After all, the only thing that matters is one's commitment to a precious ideal. Have the kings of the road found life's true meaning?

It's the early nineteenth century, and young Dr. Noboru Yasumoto has been summoned for a reason unknown to him to rural Koishikawa Medical Clinic from Nagasaki, where he has been stationed for three years completing his internship. The clinic, headed by the outwardly stern Dr. Kyojô Niide - nicknamed "Red Beard" for that attribute - under his very strict guidelines, treats the poor and disadvantaged of the region. Much to his surprise and dismay, Yasumoto is told he is to start work there immediately, staff, including doctors, living on site. As he was expecting a position as a physician for a shogunate in his privilege, Yasumoto shows his displeasure at this fate at every turn. He believes this fate was either orchestrated directly by Red Beard in solely wanting access to his detailed professional notes - Yasumoto believing he a much better doctor than his new, more experienced superior - or by the father of a female acquaintance in an effort to get rid of him. Yasumoto may get a different perspective of life as a doctor at the clinic in getting to view Red Beard's methods first hand, as he gets to know the stories of some of the in-patients at the clinic, and as he is assigned his first patient, Otoyo, a twelve year old orphaned girl who was raised in an abusive brothel environment in an effort to seal her supposed future.

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

Martin, , a respected doctor, his wife Karin, Karin's seventeen year old brother Minus, and widowed father David of Karin and Minus' have convened at the family's summer home on an island off the coast of Sweden to celebrate David's return from the Swiss Alps, where he was substantially completing his latest novel. The family has long lived a fantasy of they being a loving one, David's extended absences which are the cause of many of the family's problems. Without that parental guidance, Minus is at a confused and vulnerable stage of his life where he is a bundle of repressed emotions, most specifically concerning not feeling loved by his father and concerning the opposite sex. He is attracted to females as a collective but does not know how to handle blatant female sexuality, especially if it is directed his way. A month earlier Karin was released from a mental institution. Her doctor has told Martin that the likelihood that she will fully recover from her illness is low, her ultimate fate being that her mental state will disintegrate totally, although she has functioned well since her release. In his love for her, Martin has vowed to himself to see her through whatever she faces. As Karin begins to lose grip on reality, Minus is the one most directly affected, although it does bring out the issues all the men are facing with regard to their interrelationships.

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.