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A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.

Taking place in 1983, Red is a lumberjack who lives in a secluded cabin in the woods. His artist girlfriend Mandy spends her days reading fantasy paperbacks. Then one day, she catches the eye of a crazed cult leader, who conjures a group of motorcycle-riding demons to kidnap her. Red, armed with a crossbow and custom Axe, stops at nothing to get her back, leaving a bloody, brutal pile of bodies in his wake.

THE NIGHTINGALE is a meditation on the horrors of Australian colonization, set at the turn of the 19th century. The film follows Clare, a 21-year-old native Irish wife and mother held captive beyond her 7-year sentence, desperate to be free of her obsessed master, British lieutenant Hawkins. Clare's husband Aidan intervenes with devastating consequences for all. When British authorities fail to deliver justice, Clare pursues Hawkins, who leaves his post suddenly to secure a captaincy up north. Unfamiliar with the Tasmanian wilderness she enlists the help of an orphaned Aboriginal tracker Billy. Marked by their traumas, the two fight to overcome their distrust and prejudices against the backdrop of Australia's infamous 'Black War'.

With his only connection to the outside world lying in Portland businessman Amir, taciturn, meditative hermit Rob has found solace deep in the heart of the dense Oregon forests and the unique bond with his only companion: his beloved truffle-hunting pig. Tired of grappling with the profound sadness of prolonged grief, Rob relies on a simple daily routine to keep his sanity, self-respect, and dignity, utterly unaware that he has already caught unwanted attention. Now, his best friend is missing, and revenge can only make things worse. Indeed, strange as it sounds, inconsolable Rob only wants his pig back, and if he has to, he'll go to the edge of the world to find her. But first things first. Who has Rob's pig?

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

Stan burns down his home and takes a job as a carny with a traveling carnival. Stan is disturbed at how any man could sink to the level of performing as a geek. Clem explains that he seeks out alcoholic or drug-addicted men with troubled pasts, and lures them in with promises of a "temporary" job and opium-laced alcohol. He then uses their dependence until they sink into madness and depravity, thus creating a new geek. Stan also works with clairvoyant act "Madame Zeena" and her alcoholic husband, Pete. He and Zeena warn Stan not to ever use these skills otherwise people get hurt. Meanwhile Stan becomes attracted to fellow performer Molly and approaches her with an idea for a two-person act away from the carnival.

"Twelve strangers wake up in a clearing. They don't know where they are -- or how they got there. In the shadow of a dark internet conspiracy theory, ruthless elitists gather at a remote location to hunt humans for sport. But their master plan is about to be derailed when one of the hunted, Crystal, turns the tables on her pursuers.

On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless-mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and tween Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death. Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father's legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep." Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan's own demons and summons him to a battle for Abra's soul and survival.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

The film follows Cecilia, who receives the news of her abusive ex-boyfriend's suicide. She begins to re-build her life for the better. However, her sense of reality is put into question when she begins to suspect her deceased lover is not actually dead.

A young couple is thinking about buying their starter home. And to this end, they visit a real estate agency where they are received by a strange sales agent, who accompanies them to a new, mysterious, peculiar housing development to show them a single-family home. There they get trapped in a surreal, maze-like nightmare.

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant

As the warm, bright sun refuses to set, and a series of equally perplexing events start to take place, the world, and the blissfully unsuspecting residents of the sleepy town of Centerville, are about to face the effects of corporate greed. Then, as the stone-faced police officers, Chief Cliff Robertson and Officer Ronnie Peterson, stop for doughnuts and coffee at the town's diner, unusual activity in the moon-lit cemetery and a blood-soaked scene of carnage could only mean one thing: this is the work of flesh-eating zombies. Before long, Officer Mindy Morrison and the glacially beautiful, katana-wielding undertaker, Zelda Winston, join the team of defenders, as hordes of relentless, ravenous undead swarm into the once-peaceful town craving meat. More and more, humans are at risk of becoming an endangered species. What happens when the dead just don't want to die?

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.

A stripper named Zola embarks on a wild road trip to Florida.

Six strangers, (Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny and Lewis Pullman) each with their own secrets, meet at the El Royale hotel of Lake Tahoe. Taking place over one night, alliances are made and secrets are revealed.

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Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There's Willard Russell, tormented veteran of the carnage in the South Pacific, who can't save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrificial blood he pours on his "prayer log." There's Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America's highways searching for suitable models to photograph and exterminate. There's the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte's orphaned son, who grows up to be a good but also violent man in his own right.