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Picture of a book: The Haunting of Hill House
Picture of a book: Christine
Picture of a book: Hearts in Atlantis
Picture of a book: It
Picture of a book: The Shining
Picture of a book: The Stand
Picture of a book: Survivor
Picture of a book: Less Than Zero
Picture of a book: Girl, Interrupted
Picture of a book: Fear and Loathing in Las Vegas
Picture of a book: American Psycho
Picture of a book: White Oleander
Picture of a book: Carrie

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Picture of a book: Slaughterhouse-Five
books

Slaughterhouse-Five

Kurt Vonnegut Jr.
There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. <- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.
Picture of a book: The Silence of the Lambs
books

The Silence of the Lambs

Thomas Harris
Why?Many years from now, historians will look back on this story and wonder why it was so important. And believe me, my friends, important it was. Today, most thrillers and police procedurals gets measured against it.For this review, I will refer to TSOTL as the story, because I'm going to talk about the book, movie, facts, fiction and some of my own opinions.TSOTL was the second Dr. Hannibal Lector story. It was also the second movie adaptation - wait just a damn moment, you might be saying to me, Red Dragon was the first book but it was made after the TSOTL movie was so successful...Correct.However, there was an attempt at a screen adaptation of Red Dragon a few years before TSOTL, called MANHUNTER. It was directed by Michael Mann. To the best of my knowledge, it was a flop at the box office.There are a few things TSOTL had going for it that counted in its favor. By all means, Thomas Harris is a brilliant writer - if you've read any of the books you will know this. But most movie freaks and geeks will agree with me that the story is probably one of the best adaptations from book to screen ever.Then you look at the cast - Jody Foster managed to play a vulnerable yet strong female (IMPORTANT) lead. You know she is intelligent, yet she knows that she has no chance against the superior intellect of Dr. Hannibal Lector. In comes Anthony Hopkins, whose portrayal of the psychopathic genius is so convincing, it catapults him to one of the biggest super villains of all time, yet he is so charming that the audience can't help but like him.And, of course, Buffalo Bill is played by Ted Levine, who is utterly convincing, even if you've seen him as the cop in MONK.With a strong cast and story, this movie became an unlikely contender at the Academy Awards. And they won a few!Right, lets take a step back, to the research phase of this story.Thomas Harris, in the early 80's, were doing research and was fortunate enough to get involved with criminal profiling, which at that time had been an unproven and highly speculative science. It was during the time when they were on the trail of one Ted Bundy. If you know a bit about this famous serial killer, you will probably know that he used to fake injuries by wearing a cast and asking victims for their help - Do you remember how Buffalo Bill got that girl in the back of the van? And while Bundy was incarcerated on death row, he was willing to help the police do a profile on another serial killer of the time, The Green River Killer. I believe Bundy told them not to remove a body when they discover it, because the killer will go back to his treasure - something that was later confirmed to have happened. Remember that agent Sterling asked Dr. Lector for his help? And then there was the killer Ed Gein, many decades before, who robbed graves and ultimately killed people to make himself a female skin, which was apparently hard to sow without tearing. Need I explain this one? The fact of the matter is, while some things may have seemed preposterous to us in the early eighties, like they could only happen in the movies, there were some truly messed up people out there who were doing some truly messed up things - wow, it's been a while since I've kept a sentence PG like that...I will accept your applause humbly.Also, there was and, unfortunately, still are some stereo types about women in the FBI. Harris took the opportunity to make a statement, maybe very subtly, but still very important, about power vs. emotion. At no time does this story feel like a Hollywood blockbuster, where the star is cocky and always has a way out of a sticky situation, where it's all guns and fire and explosions, etc. No, this story was meant to cut close to home, to show the possibilities, for we are all vulnerable in this world. Agent Clarice is scared, she fears for her life, she doesn't know if she will survive, but she fights the big, bad (Goliath) killer. And she wins.This story is also important from a psychological point of view. Whatever your feelings about profiling may be, they have discovered so much and found impossible connections through their research, and we will never know how many lives it has saved. It's a kind of Paying-it-forward thing: By doing what they do, they prevent things that may have been inevitable in a different world.I once saw something (I can't remember exactly where) about some research they were doing on inmates. They took brain scans of a number of them, and noted that those who were certified as psychopathic, had an underdeveloped area in a certain part of their brains. If I can remember correctly, it had something to do with the mother producing too much serotonin during pregnancy, or some such scientific thing.How is this helpful, you may ask?Well, this is my personal opinion, so if it offends you, stop reading:Casey Anthony...Is she a psychopath who got away with murder?Yes, when I look at the facts of the case, and the things her attorney's did to get her free, I'm sickened to think the jurors couldn't believe a mother would do that to her child. Nobody LIKES to believe it, but I wish I could have seen a brain scan of her compared to those other psychopaths. I wish there was a psychologist who could have explained it to them.But enough about that.This book is, was and always will be important, because it brought certain realities home to the world we find ourselves in.If you haven't read it - but managed to get through this long review - what's the matter with you?But I am not trying to convince anybody of my point of view, so feel free to disagree.
Picture of a book: Fight Club
books

Fight Club

Chuck Palahniuk
You do not talk about Fight Club, but...Upon winning the Oregon Book Award for best novel and the Pacific Northwest Booksellers Association Award, Chuck Palahniuk’s visionary debut novel, Fight Club, was shot to the veins of mainstream fiction. Following the success of its 1999 film adaptation directed by David Fincher, Fight Club gained cult classic status and has become a disturbingly accurate interpretation of our modern world.The unnamed male narrator, suffering from a long streak of insomnia, finds cure by attending cancer support groups. But when Marla Singer—a sallow, heavy-smoking nihilist—enters the evening meetings and mirrors his own fraud, his insomnia returns, so he confronts Singer to split schedules with him.On the night when his condominium mysteriously blows up, he calls Tyler Durden, whom he had previously met—under strange circumstances—on a beach. They agree to meet at a bar, where, after drinking, Durden asks him a favor, “I want you to hit me as hard as you can.” The narrator swings the punch that cradled Fight Club into the world. Shortly, a multitude of men with white-collar jobs join them. Every weekend, in the parking lots and basements of bars, they hold these late-hour no-holds-barred-and-barefisted fights that “go on as long as they have to.”These one-on-one melees curiously evoke psychotherapeutic effects—resembling that of enlightenment—within the men: they are reborn from their entombed lives.Fight Club soon evolves into Project Mayhem, an anarchic army led by Durden, who seeks to fulfill his visions of global enlightenment through organized chaos, public unrest, and demolition.Fight Club is a social satire on the dehumanizing effects of consumerism: alienation brought by chronic materialism, illusory comforts, overindulgence, and career and lifestyle obsessions fueled by advertising. “The modern world is for business—not for the people,” as what the great psychoanalyst Carl Jung said.“It’s only after you’ve lost everything that you’re free to do anything.” Skillfully fusing Zen elements with Durden’s extremist ideologies, Palahniuk has written a provocative expression of metaphysical rebellion. The collective revolt against the existential vacuum is Durden’s nucleus and what draws men toward him.Fight Club’s noir ambience and the solid economy of its prose are reminiscent of Albert Camus’s The Stranger, but with the sharp nonlinear narration executing its plot; inheriting Kurt Vonnegut’s dark humor, Chuck Palahniuk is among today’s distinct and intriguing voices.
Picture of a book: World War Z: An Oral History of the Zombie War
books

World War Z: An Oral History of the Zombie War

Max Brooks
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.
Picture of a book: House of Leaves
books

House of Leaves

Mark Z. Danielewski
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.