Lover boy

Johnny Ryan is a facile writer of best sellers, and he's a womanizer. At a party in L.A. to celebrate the publication of his third book, he's arranged an assignation with one of the catering crew when he meets Mercy, a writer in town from New York. She turns out to be a critic whose review savages his book. He calls on her at her hotel, invites her out, and they find they enjoy each other. When her brief stay in L.A. is to end, he asks her to stay. Jump ahead: he's bearded, alone, and emotionally shut down. He visits his father, a university professor from whom he's estranged. What's going on? Where's Mercy?

Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's Jewish; and Nana tells of her young years under Nazis when she was sent to ghetto and then to concentration camp.

First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.

Evie Decker, a shy young woman, falls in love with pop star Drumstrings Casey after hearing his voice on the radio. Summoning the courage to pursue the singer, Evie starts to break out of her shell...

Connie, an aging Bohemian photographer, meets mousy Harper, headed for Harvard Law from a high-powered San Francisco family, and immediately sees her beauty. He also guesses she has talent and invites her to be his pupil and share his bed. He's Alfred Stieglitz, she's Georgia O'Keefe, and he calls her his Guinevere. When she realizes she's the latest Guinevere in a string of ingenues, she bolts, only to return, sick of her family. She's blossoming, reading, learning, but hasn't yet taken her first photograph when he tells her they're going to L.A., broke, him drinking too much, to sell some photographs. On the trip, she finally snaps the shutter; so does her awe and dependence.

Evan keeps to himself, almost without affect. He's 30, a former foster child, living alone, writing suicide notes for people. He attends a client's funeral and meets Charlotte, the client's sister. She pursues Evan; he's silent about his real work and invents a friendship with the brother. About the same time, Evan starts working with Abel, a new client, a composer of phone-waiting music who's depressed. Evan confides in Abel about Charlotte as she begins to draw him out. Crises await the self-contained Evan: his relationship with Charlotte is based on a lie, and his incipient friendship with Abel is headed toward suicide. Are more dead ends ahead?

The story about the relationship between a manic depressive man, Mr Jones, and the female doctor who takes more than a professional interest in his treatment.

Joanna accuses her husband, Michael, of being attracted to his co-worker. Wanting to make-up before he goes on a business trip, she assumes she over-reacted. But when they are both away from each other for one night, Michael ends up testing his loyalty to Joanna and his attraction to Laura. And Joanna tests her honesty to Michael when her ex-boyfriend Alex suddenly appears in New York for the day.

'Peter and Vandy' is a love story told out of order. Set in Manhattan, the story shifts back and forth in time, juxtaposing Peter and Vandy's romantic beginnings with the twisted, manipulative, regular couple they become. The film explores the question most couples ask themselves... 'How the hell did we get this way?'

A romantic drama about a tight-knit group of college friends who graduated from NYU the year of 9/11 and reunite years later for a weekend wedding in Georgia. Unresolved conflicts and love affairs spark again.

Jane is a drug addict who has just been diagnosed HIV-positive. Teenage boy Tony gets close to her and accepts her as a surrogate mother, but he's also terminally ill with AIDS.

Two people from completely different worlds meet by chance, thrown together as if by fate. Their attraction is immediately obvious and overwhelming. He is attracted to her beauty (she is a supermodel) and good humor; she is seduced by his charisma and honesty. With his gifts of poetry and tenderness, he opens her heart to the possibility of true love. But it takes a lot of courage to make a commitment. Is she truly in love with him? And even if she is, will she able to leave the cosmopolitan, superficial lifestyle to be with him?

The love which binds mother and daughter - seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord (Vanessa Redgrave) reveals a long-held secret to her concerned daughters; Constance Haverford (Natasha Richardson), a content wife and mother, and Nina Mars (Toni Collette), a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this "Harris", wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann's life and their own lives, their mother is tended to by a night nurse (Dame Eileen Atkins) as she journeys in her mind back to a summer weekend around fifty years before, when she was Ann Grant (Claire Danes), a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn (Mamie Gummer). The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend, yet is even closer to Lila's irrepressible brother Buddy Wittenborn (Hugh Dancy). Unexpected feelings surge forth once Ann meets wedding guest Harris Arden (Patrick Wilson), a life-long friend and intimate of the Wittenborn family. Ann's love for Harris will change her life, and those of her daughters, forever.

The plot revolves around a young married woman whose mundane life takes a turn for the worse when she strikes up a passionate and illicit affair with an oddball discount-store stock boy who thinks he's Holden Caulfield.

An unseen narrator looks back to 1956, on Staten Island, when Buddy, an Italian guy with big dreams, buys a house planning to live upstairs with his wife Estelle and run a bar downstairs. The first problem is Estelle's lack of confidence in Buddy. Then, Irish tenants upstairs refuse to move and won't pay rent; plus, the woman upstairs is about to have a baby. The next problem is the baby: once he's born, it's clear his father was Black. The Irish guy splits; Buddy evicts mother and child, then feels guilt and sets her up in a flat while she sorts out an adoption. Estelle's lack of faith, the Irish lass's spirit, Buddy's dream, racial prejudice, and the baby's fate play out.

A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions.

Manhattan. Halley loves Dag, a philanderer who claims he's reformed. Peter, Dag's best friend, loves Rebecca, a suicidal dancer who sleeps around without Peter's knowing. When Halley and Peter learn that Dag and Rebecca have slept together (it started with just a kiss), Halley leaves Dag, and Peter is wounded. In their suffering, Halley meets Andre, a cellist; Peter meets Colleen, Andre's wife; and, a remorseful Dag meets Paula, an edgy waitress with a crush on Peter. Couplings follow; then, several characters end up in hospital. Paula becomes an avenging angel, and Peter may be her next victim. Is there any way these relationships can be set right? Can we go back to that kiss?

A young actor from Texas tries to make it in New York while struggling in his relationship with a beautiful singer/songwriter.