Life

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

In modern dance since the 1970s, few choreographers have had more influence in the medium than the late Pina Bausch. This film explores the life and work of this artist of movement while we see her company perform her most notable creations where basic things like water, dirt and even gravity take on otherworldly qualities in their dancing.

The film takes the viewer on a journey west, from India to Spain, with stops along the way, to dramatize Romany's nomadic culture. This journey takes place over a year's time, from summer through fall and winter to spring. Gatlif holds his camera on the elemental essentials of this life: water, the wheel, fire, beasts of burden and of sustenance, colorful clothes, jewelry, musical instruments, song, and dance. Throughout, via song and dance, young and old celebrate, embody, and teach the cultural values of family, journey, love, separateness, and persecution.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

The unprecedented success story of the Maharishi Mahesh Yogi began high up in the Himalayas. In the late 50s the guru arrived in Hollywood to propagate his school of meditation and "achieve world peace". He attracted numerous prominent followers, including the Beatles, Mia Farrow and Clint Eastwood. Today almost six million people worldwide practice transcendental meditation (TM). David, a young filmmaker seeking inspiration, is also prepared to give TM a try. Not least because his great professional idol, legendary director David Lynch, has personally assured him that this form of meditation is a great source of creativity and the key to success. David determines to take his hero's word for it: he submits himself to the expensive TM training, receives his personal mantra and has a go at "yogic flying". But incongruities soon begin to pile up. Among other things, the organization of the humble Indian guru has, in the meantime, grown into an empire worth billions. When the Maharishi dies suddenly, conflict over succession arises. David Lynch becomes the organization's most important international ambassador. Despite mounting doubts and a split from his girlfriend, David Sieveking still holds out hope of enlightenment. The young filmmaker sets out on a pilgrimage to the stations of the TM movement. Along the way he manages to come a little too close to some well-kept secrets and David Lynch reacts to the research of the film team by threatening legal action. That really ignites young David's seeking spirit. He travels all over the USA and then on to India, penetrating ever deeper into the Maharishi's bizarre empire. Instead of the promised "heaven on earth", David gazes into abysmal depths. Finally, upon arrival in the Himalayas, at the frigid source of the Ganges, he finds his own truth. David Sieveking successfully pulls off a delicate balancing act, telling the story of his investigative truth-seeking as a light-footed journey into the cinematic self. On an adventurous odyssey that takes him from Berlin's Teufelsberg via Hollywood to the Himalayas he interweaves his spiritual experiences and observations of the eccentric with a gripping gumshoe saga.

What do you get when you ask the people of the world to chronicle a single day in their lives? You get 80,000 submissions, 4500 hours of footage, from 192 countries. Kevin Macdonald has taken this raw material, all shot on July 24, 2010, and created a 90-minute paean to what it means to be human in the world today.

BEING IN THE WORLD takes us on a journey around the world to meet philosophers influenced by the thought of Martin Heidegger, as well as experts in the fields of sports, music, craft, and cooking, in a celebration of human beings, and our ability to find meaning in life through the mastery of physical, intellectual, and creative skills.

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

In the summer of 2006, Sigur Rós returned home to play a series of free, unannounced concerts for the people of Iceland. This film documents their already legendary tour with intimate reflections from the band and a handful of new acoustic performances.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

An examination of life inside the Grande Chartreuse, the head monastery of the reclusive Carthusian Order in France.

Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

East meets West in the Deep South. An overcrowded maximum-security prison-the end of the line in Alabama's correctional system-is dramatically changed by the influence of an ancient meditation program. Behind high security towers and a double row of barbed wire and electrical fence dwells a host of convicts who will never see the light of day. But for some of these men, a spark is ignited when it becomes the first maximum-security prison in North America to hold an extended Vipassana retreat, an emotionally and physically demanding course of silent meditation lasting ten days. The Dhamma Brothers tells a dramatic tale of human potential and transformation as it closely follows and documents the stories of the prison inmates at Donaldson Correction Facility who enter into this arduous and intensive program.

This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.

A collection of stories about and images of our world, offering an immersion to the core of what it means to be human.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Despite the advent of science, literature, technology, philosophy, religion, and so on -- none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can't seem to get along, even after thousands and thousands of years.