LL&DITA Comps

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.

When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family father, Charles, start a passionate secret affair.

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.

Kate Croy's (Helena Bonham Carter's) mother was born to wealth and privilege, but she threw it all away to marry Kate's Father (Sir Michael Gambon), a penniless opium addict who admits to having stolen from his wife. After her mother's death, Kate is offered an opportunity to return to the life her mother gave up. There is one condition, however: Kate must sever all of her old ties, not only to her father, but also to her lover, the muck-raking journalist Merton Densher (Linus Roache), whom she has promised marriage. Kate reluctantly agrees to this, and in the meantime becomes friendly with "the world's richest orphan", Milly Theale (Alison Elliott), an American making the Grand Tour. Desperate to see Kate, Merton crashes a party that she and Milly are attending, and Milly is attracted to him. When Kate learns that Milly is dying, she comes up with a plan to have her cake and eat it too, but all does not go as planned.

Around 1906, the widow Lilia Herriton (Dame Helen Mirren) meets a young man when she visits Italy and marries him. The man is only a dentist without a good name, and Lilia's relatives are clearly unhappy with her choice. Lilia dies while giving birth to a son, and two relatives travel to Italy to take care of of the baby, expecting no trouble from the father.

In 1940, Linda Voss is a woman of Irish and Jewish-German parentage who loves the movies, especially films about war and spies. She gets a job at a New York law firm after it's revealed she can speak German fluently. As secretary and translator to Ed Leland, she begins to suspect that her boss is involved in espionage work. The two become lovers, and when America officially joins the Allies in fighting Hitler, Linda volunteers to go undercover behind enemy lines.

During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.

On a rainy night in 1933, the young, rebellious and provocative heiress of a French champagne magnate, Gilda Bessé, storms into the quiet life of the timid Oxford undergraduate, Guy Malyon, taking him by surprise. And before he knows it, Guy is love-smitten, and taken in the Parisian apartment of the now famous photographer, Gilda, living under the same roof with her muse and Spanish political idealist, Mia. However, as Spain gradually succumbs to the Nationalists, Mia and Guy's commitment to the cause of the Spanish Republic will threaten to break up their bohemian and almost idyllic coexistence. In the end, as

Late 19th century England; Jude, an intelligent but unworldly stonemason, looks to escape rural poverty by gaining a university education. Toward this goal, when his wife Arabella leaves him, he moves to Christminster where he meets and falls recklessly in love with Sue, his beautiful and intelligent cousin. Though the two realize their destinies are intertwined, when he reveals his previous marriage, she is deeply hurt and in a perverse act of retaliation, marries another man. Broke and denied entrance to the university, he returns to his hometown. Some time later, at the funeral for their common aunt, Sue reveals to Jude that she's desperately unhappy. Soon an illicit romance begins between them until Sue's husband steps aside finally allowing Jude and Sue to be together openly. The two have children and live together as an unmarried couple. Though they must endure social and financial hardship, the two finally find happiness together, until tragedy strikes.

During the heart of World War II, in March of 1943, cryptoanalysts at Britain's code-breaking center have discovered to their horror that Nazi U-boats have changed their Enigma Code. Authorities enlist the help of a brilliant young man named Tom Jericho to help them break the code again. The possibility of a spy within the British code-breakers' ranks looms and Tom's love, Claire, has disappeared. To solve the mysteries, Tom recruits Claire's best friend, Hester Wallace. In investigating Claire's personal life, the pair discovers personal and international betrayals.

France, 1940. In the first days of occupation, beautiful Lucile Angellier (

Harry Feversham is a British Army officer. When his regiment is sent to fight in the Sudan, he resigns his commission. His three closest friends and fellow officers view him as a coward and each send him a white feather, a symbol of cowardice. His fiancée has the same view and does the same. Humiliated by this, Feversham sets off to the Sudan to redeem his honour.

Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she want to - even if this means betraying Caitlin. When William is posted abroad, and a pregnant Vera returns to Wales with her married friends, the battle between her heart and head becomes more intense. William returns a changed man, but neither is Vera the carefree cabaret girl he married. Neighbourhood gossip fuels her husband's jealousy towards his rival. Enraged, William stages a violent attack on Dylan - an attack that forces Vera to choose between the men in her life and the friend that she loves. Desire and guilt are complicated by love and friendship in this real-life tale set in beautiful London and the majestic Welsh countryside.

The story is based on Jane Austen's novel about five sisters - Jane (Rosamund Pike), Elizabeth (Keira Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia Bennet (Jena Malone) - in Georgian England. Their lives are turned upside down when wealthy young Mr. Bingley (Simon Woods) and his best friend, Mr. Darcy (Matthew Macfadyen), arrive in their neighborhood.

Superficial people are revealed and drastically changed by circumstance or luck in this tale of death, seduction, blackmail, and theft amongst British and Americans in Florence, Italy in the turbulent days just before World War II.

October 1944 in war torn Italy. Hana (Juliette Binoche), a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English, and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio (Willem Dafoe), part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely intact, and that he is running away from his past, in part, or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which was interrupted by the war. He may not be running from his work as a spy for the Germans as Caravaggio believes, but rather the memory of an affair he had with married Katharine Clifton (Dame Kristin Scott Thomas), the love of his life, and the memory of a promise not totally fulfilled. Hana may also test her theory of her fates with love and death as she embarks on a relationship of her own with Kip Singh (Naveen Andrews), a Sikh from India, whose unit has camped on the now overgrown lawn of the church. Their work entails sweeping for and diffusing mines, the discovery of one such mine which had earlier saved her life.

World War II. Charles Ryder (Matthew Goode), in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an Army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte (Ben Whishaw) when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck-up, and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately fell in love with Sebastian's sister, Julia Flyte (Hayley Atwell). But the biggest obstacle to Charles being intimately involved with anyone in the Flyte family was the family matriarch, Lady Marchmain (Dame Emma Thompson), a strict and devout Catholic who ruled the family with that adherence to a strict Catholic lifestyle. That was despite her and Lord Marchmain's (Sir Michael Gambon's) own marriage being in name only, as he lived in Venice with his mistress, Cara (Greta Scacchi).

In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda is a teen-aged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to Bellingen, a remote settlement on the north coast. Oscar and Lucinda meet on a ship going to Australia; once there, they are for different reasons ostracized from society, and as a result "join forces" together. Oscar and Lucinda are both passionate gamblers, and Lucinda bets Oscar her entire inheritance that he cannot transport the glass church to the Outback safely. Oscar accepts her wager, and this leads to the events that will change both their lives forever.