Visual Acoustics celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away in 2009, captured the work of nearly every modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner and Frank Gehry. His images epitomized the singular beauty of Southern California's modernist movement and brought its iconic structures to the attention of the general public. This unique film is both a testament to the evolution of modern architecture and a joyful portrait of the magnetic, whip-smart gentleman who chronicled it with his unforgettable images.

Real estate agent John Maloof explains how a trip to a local auction house, in search for old pictures to use for a history book about his neighborhood, resulted in him bidding and winning a box full of old negatives. John goes through the massive quantity of negatives, describes how impressed he is by the quality of the images, becomes quickly determined they are not reverent to his project and just puts them away. That could have very likely had been the end of the story, if the power of the images had not pushed him to fall in love with photography. John confides that his photo hobby quickly motivated him to set up a darkroom and devote large amounts of time printing. As he learned more about photography, he recognized that those negatives he had bought, then stored, were the work of a real master. In an attempt to confirm his suspicion, he selected about 100 images and put them online with the hope that the feedback would confirm his judgement as to the strength of the images.

For the last 40 years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed some of the major events of our recent history; international conflicts, starvation and exodus. He is now embarking on the discovery of pristine territories, of wild fauna and flora, and of grandiose landscapes as part of a huge photographic project which is a tribute to the planet's beauty.

2014 documentary film by Wim Wenders, Juliano Ribeiro Salgado

The manager of the negative assets sector of Life magazine, Walter Mitty, has been working for sixteen years for the magazine and has a tedious life, not going anywhere but from his home to his job and vice-versa. He is an escapist, daydreaming into a world of fantasy many times a day. Walter has a crush on the recently hired Cheryl Melhoff but he is too shy to invite her on a date and he is trying to contact her via online dating. The magazine is preparing to release its last printed edition and the loathsome manager of transition Ted Hendricks is preparing an inevitable downsizing over the next few days. Walter has been the liaison between the magazine and the mysterious independent photographer Sean O'Connell who has sent to him a package of negatives and a wallet as a gift for his work. Sean also suggests to the senior management the use of negative 25 for the cover of the last edition. However, Walter cannot find the negative that is missing. Walter has no means to contact Sean and finds a clue that he might be in Greenland. He decides to travel to Greenland to track Sean down in the beginning of an unbelievable adventure.

1931. Mike Sullivan and Connor Rooney are two henchmen of elderly downstate IL-based Irish-American mobster John Rooney, Connor's father. In many respects, John treats Mike more as his son, who he raised as his own after Mike was orphaned, than the volatile Connor, who nonetheless sees himself as the heir apparent to the family business. One evening, Mike's eldest son, twelve year old Michael Sullivan Jr., who has no idea what his father does for a living, witnesses Connor and his father gun down an associate and his men, the situation gone wrong initiated from an action by Connor. Caught witnessing the incident, Michael is sworn to secrecy about what he saw. Regardless, Connor, not wanting any loose ends, makes an attempt to kill Mike, his wife and their two sons. Mike and the surviving members of his family know that they need to go on the run as Connor, who has gone into hiding, will be protected through mob loyalty, especially by John, who cannot turn on his own flesh and blood. Still, Mike has to figure out a way for retribution for what Connor did, while still protecting him and his family, not only from Connor, but from John and his fellow associates. Through it all, Mike wants those in his family that had no say in what he chose as a living, to have some redemption for their eternal souls.

Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - the family about whom he is obsessed, than anyone else. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state.

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Juan Izquierdo Brown

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