Look into it

Three couples head to the desert to help their friend heal after the death of his mother. They would do anything for him - except for the one thing he wants.

When Jim - a disenchanted yet highly popular college professor - learns of his father's death, he must track down his deadbeat brother Dave and deliver him to the funeral. Upon arrival, they both learn that they've each inherited one half of the family's vacation home in Branson, Missouri, and in order to sell the house - from which they both badly need the money - they'll need to travel down to Branson, and the ensuing trip both fixes their house, as well as their relationship.

A first-of-its-kind comedy about five writers who are challenged to each write fifteen minutes of a movie, after having read only the previous five pages of the script.

Will (Glenn Howerton) is a 30-something website manager who uses a local café, Coffee Town, as his office. When the owners of the shop discuss plans to convert Coffee Town into a bar, Will enlists the help of his two best friends Chad and Gino (Steve Little and Ben Schwartz) to save his freeloading existence. In order to thwart the plans of Coffee Town's owners, the trio stages a robbery to create the illusion of an unsafe neighborhood not suitable for the proposed venue. Also standing in their way is Sam (Josh Groban), a disgruntled barista with delusions of grandeur-he wants to be a rock star-and Will's heartache over unrequited love for Becca (Adrianne Palicki).

After his movie and television career has run dry, Bruce Madsen (Adam Carolla) is forced to go back on the road playing one dingy comedy club after another, spending endless nights in budget hotel rooms and always flying coach. Amidst trying to revitalize his career, rekindle his love life and put his daughter through college, Bruce knows one thing for sure - he must get off the road. ROAD HARD is the story of that journey.

Winner of the Audience Award at the Slamdance Film Festival, this realistic comedy tells the story of Henry Phillips, a hapless modern day troubadour who grinds his way through the heartland, living out of his car and singing his twisted satirical songs to anyone who will listen. After a booking mishap involving a Christian fund raiser, he decides he's hit rock bottom. Seeking to shake things up, he moves to L.A. where his luck changes overnight. Thanks less to his inept manager than to a wild case of mistaken identity, he falls backwards into a string of packed gigs, a record deal and even the promise of love. But he who lives by the whimsy of show business dies by it, and reality hits him like a fist in the face: an innocent miscommunication over a bagel brands him a neo-Nazi in the world of tabloid journalism. Luckily, somewhere between rock bottom and nowhere lies the perfect terrain for his dark and hilarious songs.

Larry (Jason Schwartzman) is content with his dog Arrow and booze, barely tolerating anything or anyone else. His marginally successful relationships include his grandmother, who keeps him afloat financially, and his best friend Norwood, who provides him with pharmaceuticals. But a chance encounter at a Jiffy Lube gives Larry a beguiling new boss and the impetus to head in another direction for a while. This movie showcases all that may be needed to help a person get unstuck in life: love (or an unrequited crush), friendship (or someone your family likes better than you) and family (or in this case a grandmother who will support you whenever you get fired from a job).

A very lively woman with a very deadly cancer visits a national park with the intention of ending her life there-- but her suicide plans are continually thwarted, not least of all by her family, which finds itself unamused with her death wish.

With sudden passing of his grandmother, Peter Latang returns to his hometown and encounters his long lost, childhood friend, Donald Treebeck. What begins as a simple favor, turns into a long day's journey into the past.

An overgrown nerd who serves as Game Master of a fantasy board game finds his role as leader of the misfits put into jeopardy when a new initiate enters the group.

This is the story of a marketing man and his shrink. A suicide attempt and a softball game; A PHD-toting stripper and a deranged Desert Storm vet; A giant sparerib costume and the world's largest peenis; John Woo-style violence and Steel Magnolia-esque pathos. This is the story of Martin & Orloff.

Adam (Chris D'Elia) is a thirty something year-old man child who lives a ridiculous lifestyle with his three life-long friends. After a series of events such as getting evicted from the house they ruined together and his ex dating a super successful famous guy, Adam decides it's time to grow up by "breaking up" with his friends.

A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend's birthday, she finds herself stuck running an ice cream truck fending off locals and oddball friends alike. This one day spent in a truck on the streets of Los Angeles will wake Jillian from her aimless daze and make her see that life doesn't stop just because you want it to.

12-year-old budding home-video director Ralph begins accidentally taping over his parents' VHS wedding tape. As he overwrites the magnetic echoes of their pre-Ralph past, he commemorates his love affair with the format by using the versatile tape to make new memories of himself with his parents while also employing it to tape eccentric pioneers of late-night cable television. Shot entirely on VHS and Beta.

Tongue-in-cheek look at 20-something singles clubbing and partying in L.A.; it's organized into 15 chapters from overview and preparation to partying and the morning after. Voice-over narration, charts and graphs, and visits to a research laboratory punctuate the story of a single night when groups of friends go out, drink alcohol, take drugs, dance and talk, and look for someone to go home with. Dangers, minor and major, await those who don't plan well or behave foolishly, and the rewards, even for those who plan well, are few. But the species' survival may depend on these rituals.

While working on a documentary on his old neighborhood, a young film school graduate shifts the focus of his production onto the disappearance of a local resident and the strange characters who are conducting the search to find him.

When two friends realize all "faith based" films make buckets of cash, they set out on a mission to make one of their own.

Hapless satirical songwriter Henry Phillips is lured to LA by renowned TV producer Jay Warren, who wants to make a show about the life of a struggling performer. When Jay sees Henry bomb at a local club, he is convinced that this story must be told. With the support of his longtime musician friend Jillian, and his well-meaning but sub-par manager Ellen Pinsky, Henry endures the ups and downs of LA living, and even secures what appears to be the Hollywood dream. But as a major TV network gets involved, he must decide whether his legacy will be to make jokes, or become the butt of them.