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A darkly brilliant novel of self-discovery the cutting edge of experimental fiction. It leads from nowhere to nowhere, the mysterious world-spanning structure on which everyone seems to live. Rescued from the sea, devoid of personality or memory, all John Orr knows is the Bridge, his persistent dreams of war, and his desire for Chief Engineer Arrol's provocative daughter, Abberlaine.

Graham Park is in love. But Sara ffitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision.

I could say that I love Dick, but that would be weird. I do very much enjoy Philip K. Dick's writing and though this is not one of his best, the "Pizza and Sex Rule" applies to him; ie. just as even bad pizza and / or sex is still pretty good, bad PKD is as well. And this is not bad at all. The first mistake that a new reader would make is to watch Blade Runner and expect a novelization of that film; it was LOOSELY based upon the book. I'm a big fan of the Ridley Scott film starring Harrison Ford and Rutger Hauer, but the movie diverged from Phillip K. Dick's literature early on. The book is far more bleak than the film, if you can believe that, and much more intricate and complicated. Blade Runner benefits from a simplified storyline. The author was far ahead of his time both in the complexity of his story and the perspective from which he writes. There are elements of Brave New World, I, Robot, and Dune; but the author has a unique voice and the story is an original. It is not an excellent work, as there are gaps and inconsistencies and many loose ends that are never tied in, but the concept and provocation are superb.One element of the book that was completely left out of the film was a sub-plot involving a Christ-like messiah and a faith system based upon what could have been a hoax. First published in 1968, this was one of his more theological based novels, and a trend that would continue steadily becoming more frequent and invasive until the end of his writing.A MUST read for PKD fans as well as SF/F fans period.

The acclaimed author of the cult classics Trainspotting and The Acid House, Irvine Welsh has been hailed as "the best thing that has happened to British writing in a decade" (London Sunday Times). This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state. It is the sort of lethally funny cocktail of pathos, violence, and outrageous hilarity that only Irvine Welsh can pull off.

Charging like a runaway semitrailer on a downhill grade and spanning the era from Haight-Ashbury's Summer of Love into the darkness of 1980s Manhattan, Stone Junction is a wise and wildly imaginative novel about Daniel Pearse, an orphaned child who is taken under the wings of the AMO -- the Alliance of Magicians and Outlaws. An assortment of sages sharpen Daniel's wide-eyed outlook until he has the concentration of a card shark Zeta master, via apprenticeships in meditation, safecracking, poker, and the art of walking through walls. Wizards are made, not born, and this unconventional education sets Daniel on the trail of mysteries ancient and modern.A strange, six-pound diamond sphere held by the U.S. government in a New Mexico vault, rumored to be the Philosopher's Stone or the Holy Grail, becomes the AMO's obsession. In time, Daniel perfects his powers and heads off to steal the magic stone, and what happens changes his life forever.Stone Junction is a bravura act of storytelling, both a free-spirited adventure and a parable about the powers within all of us.

In February 2108, the New Zealand Rediscovery Expedition reaches California at last. It is over a century since the world was devastated by nuclear war, but the blight of radioactivity and disease still gnaws away at the survivors. The expedition expects to find physical destruction but they are quite unprepared for the moral degradation they meet. Ape and Essence is Huxley's vision of the ruin of humanity, told with all his knowledge and imaginative genius.

Even to my jaded reading ear, this just pops off the page with hyperkinetic sentence and story-structure. There's a fast pop frivolity to it as well, but that just seems to bring it closer to the pulp-lit innovations of the the late 60s than most of their modern imitators. How exciting that I can still get grabbed like this (as with other 2016 reads, it's a good year so far: Our Lady of the Nile, The Third Policeman, and Breaking and Entering) from page one. And even if the mathematical underpinnings turn out to be mostly empty and undeveloped sketches of ideas (come on, thrown me some ideas to really chew over in the world outside the novel's!), even if a certain logic was eschewed in favor of bringing every plot thread together for the most climactic culmination possible under the circumstances, it's all just so much fun to read. And for a blind buy out of the Strand dollar bins, no less. Definitely will need to track down a few other entries in Noon's cyberpunk sequence.

Eden-Olympia is more than just a multinational business park, it is a virtual city-state in itself, built for the most elite high-tech industries. Isolated and secure, the residents lack nothing, yet one day, a doctor at the clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and her husband Paul uncovers the dangerous psychological vents that maintain Eden-Olympia's smoothly-running surface.

With his vivid, stylized prose, cyberpunk intensity, and seemingly limitless imagination, Jack Womack has been compared to both William Gibson and Kurt Vonnegut - though Gibson admits, "If you dropped the characters from Neuromancer into Womack's Manhattan, they'd fall down screaming and have nervous breakdowns". Random Acts of Senseless Violence, Womack's fifth novel, is a thrilling, hysterical, and eerily disturbing piece ot work. Lola Hart is an ordinary twelve-year-old girl. She comes from a comfortable family, attends an exclusive private school, loves her friends Lori and Katherine, teases her sister Boob. But in the increasingly troubled city where she lives (a near-future Manhattan) she is a dying breed. Riots, fire, TB outbreaks, roaming gangs, increasing inflation, political and civil unrest all threaten her way of life, as well as the very fabric of New York City. In her diary, Lola chronicles the changes she and her family make as they attempt to adjust to a city, and a country, that is spinning out of control. Her mother is a teacher, but no one is hiring. Her father is a writer, but no one is buying his scripts. Hounded by creditors and forced to vacate their apartment and move to Harlem, her family, and her life, begins to dissolve. Increasingly estranged from her privileged school friends, Lola soon makes new ones: Iz, Jude, and Weezie - wise veterans of the street who know what must be done in order to survive and are more than willing to do it. And the metamorphosis of Lola Hart, who is surrounded by the new language and violence of the streets, begins. Simultaneously chilling and darkly hilarious, Random Acts of Senseless Violence takes the jittery urban fears we suppress, both in fiction and in daily life, and makes them explicit - and explicitly terrifying.--Publisher/Powells.com

Glen Runciter is dead. Or is everybody else? Someone died in an explosion orchestrated by Runciter's business competitors. And, indeed, it's the kingly Runciter whose funeral is scheduled in Des Moines. But in the meantime, his mourning employees are receiving bewildering — and sometimes scatological — messages from their boss. And the world around them is warping in ways that suggest that their own time is running out. Or already has.Philip K. Dick's searing metaphysical comedy of death and salvation (the latter available in a convenient aerosol spray) is a tour de force of paranoiac menace and unfettered slapstick, in which the departed give business advice, shop for their next incarnation, and run the continual risk of dying yet again.

The sweet death of Coyote, master taxi driver, was only the first.Soon people are sneezing and dying all overManchester. Telekinetic cop Sybil Jones knows that, like Coyote, they died happy – but even a happy death can be a murder. As exotic blooms begin to flower all over the city, the pollen count is racing towards 2000 and Sybil is running out of time.

Confessions of a Crap Artist is one of Philip K. Dick's weirdest and most accomplished novels. Jack Isidore is a crap artist -- a collector of crackpot ideas (among other things, he believes that the earth is hollow and that sunlight has weight) and worthless objects, a man so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But seen through Jack's murderously innocent gaze, Charlie and Juddy Hume prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack's, but a great deal uglier.

“Everything seems to take about the right amount of time at the time, but later...Jeez, where did it all go? You look back, and sometimes you think, Did I really do all that? And other times you think. Is that all there is? Is that all I managed to get done? We are never satisfied. Don’t even know the meaning of the word.”Daniel Wier has a story to tell. A story of his search for satisfaction. A writer of songs, a bass player and a man who nearly loses his way as a member of the successful band, Frozen Gold. Despite, or due to his tendencies towards self doubt and pessimism, he knows how to make music. He surprises himself once the words that previously existed only in his head go live particularly with Christine singing his words. His music takes the band and fans to places of ecstasy and abandonment. On his journey he is saddled with the hefty baggage of Catholic guilt, an absent father in prison, childhood trauma, and what he describes as a less than pleasing countenance. Is he confused? He is. Better confused than bored, miserable and serious. His confusion teaches him to think for himself which at times is in conflict with acting the rock star. He feels he has a duty to his public. He must act the part. In these moments he can almost convince himself that nothing is really all that important, so why not party. These irresponsible moments are the most comic. But, just when you think you know this character he upends the chaos and reveals his other sides. He is gentle, humble, longing for closeness and genuinely caring for and about others. Rarely self absorbed or self righteous he strives for a balance amidst the decadence. In his most self reflective moments he reminds us that life is a dance and if you aren’t dancing but holding fast to rigid frameworks you might consider allowing the tide of music to sweep you away. There is immense loss in his story. These losses are so vast they nearly take him along. Fortunate enough to see another sunrise he acts on his final decision of the story. A decision so important it’s as if he knew all along he would arrive exactly where he does.This is an altogether gratifying story which offers insight into survival - how to survive the random and unexpected events life throws at us. Daniel finds his strength and satisfaction through surviving and this is what makes him a real star.

\ Description from the inside sleeve:\ This scintillating, disturbing, and altogether outrageous collection of stories introduces to these shores a young writer already being called "the Scottish Celine of the 1990s" (Guardian) and "a mad postmodern Roald Dahl" (Weekend Scotsman). Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results--always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation.\ Includes the following stories:\ "The Shooter""Eurotrash""Stoke Newington Blues""Vat '96""A Soft Touch""The Last Resort on the Adriatic""Sexual Disaster Quartet""Snuff""A Blockage in the System""Wayne Foster""Where the Debris Meets the Sea""Granny's Old Junk""The House of John Deaf""Across the Hall""Lisa's Mum Meets the Queen Mum""The Two Philosophers""Disnae Matter""The Granton Star Cause""Snowman Building Parts for Rico the Squirrel""Sport for All""The Acid House"A Smart Cunt: a novella

I'm a sucker for fictional religions, and Banks is brilliant at inventing them. Luskentyrianism is his best effort yet. If the thing you liked most in Cat's Cradle was Bokononism, you may well enjoy this book too. The charming young heroine, Isis, is the Elect of God, and terribly matter-of-fact about it; it's remarkable how quickly you get used to almost anything at all, and find it normal. (Someone's got to be the Elect of God. Why not me?) I particularly enjoyed the scene where she got all indignant about the perfunctory way in which they washed her feet. Another memorable bit is the incredibly complex and bizarre method they have developed to circumvent the ban on using telephones. You let it ring, and count the rings, but don't actually pick it up. Then you agree on a code which maps numbers of rings onto words. (Whatever could he be satirizing there?) The running joke is the food. The founder of the cult is Scottish, and his wives are from India, so they eat things like Haggis Pakora and Neeps Bhaji. Banks was clearly having fun when he wrote the book, and it's hard not to be amused by all his delightfully silly ideas.

Violent rebellion comes to London’s middle classes.As he searches for the truth behind the Heathrow bomb that killed his ex-wife, psychologist David Markham infiltrates a shadowy protest group based in the comfortable Chelsea Marina. Led by a charismatic doctor, it aims to rouse the docile middle classes and to free them from the burdens of civic responsibility. Soon Markham is swept up in a campaign that spirals out of control – as the cornerstones of middle England become targets and growing panic grips the capital.This edition is part of a new commemorative series of Ballard’s works, featuring introductions from a number of his admirers (including Martin Amis, Ali Smith, Hari Kunzru and China Miéville) and brand-new cover designs.

Set in the middle of the twenty-first century, The Simulacra is the story of an America where the whole government is a fraud and the President is an android. Against this backdrop Dr. Superb, the sole remaining psychotherapist, is struggling to practice in a world full of the maladjusted. Ian Duncan is desperately in love with the first lady, Nicole Thibideaux, who he has never met. Richard Kongrosian refuses to see anyone because he is convinced his body odor is lethal. And the fascistic Bertold Goltz is trying to overthrow the government. With wonderful aplomb, Philip K. Dick brings this story to a crashing conclusion and in classic fashion shows there is always another layer of conspiracy beneath the one we see.

Philip K. Dick was a master of science fiction, but he was also a writer whose work transcended genre to examine the nature of reality and what it means to be human. A writer of great complexity and subtle humor, his work belongs on the shelf of great twentieth-century literature, next to Kafka and Vonnegut. Collected here are twenty-one of Dick's most dazzling and resonant stories, which span his entire career and show a world-class writer working at the peak of his powers.In "The Days of Perky Pat," people spend their time playing with dolls who manage to live an idyllic life no longer available to the Earth's real inhabitants. "Adjustment Team" looks at the fate of a man who by mistake has stepped out of his own time. In "Autofac," one community must battle benign machines to take back control of their lives. And in "I Hope I Shall Arrive Soon," we follow the story of one man whose very reality may be nothing more than a nightmare. The collection also includes such classic stories as "The Minority Report," the basis for the Steven Spielberg movie, and "We Can Remember It for You Wholesale," the basis for the film Total Recall. Selected Stories of Philip K. Dick is a magnificent distillation of one of American literature's most searching imaginations.» Introduction by Jonathan Lethem1. Beyond Lies the Wub (wikipedia)2. Roog (wikipedia)3. Paycheck (wikipedia, imdb)4. Second Variety (wikipedia, imdb)5. Imposter (wikipedia)6. The King of the Elves (wikipedia, imdb)7. Adjustment Team (wikipedia, imdb)8. Foster, You're Dead! (wikipedia)9. Upon the Dull Earth (wikipedia)10. Autofac (wikipedia)11. The Minority Report (wikipedia, imdb)12. The Days of Perky Pat (wikipedia)13. Precious Artifact14. A Game of Unchance15. We Can Remember It for You Wholesale (wikipedia, imdb)16. Faith of Our Fathers (wikipedia)17. The Electric Ant (wikipedia)18. A Little Something for Us Tempunauts (wikipedia)19. The Exit Door Leads In (wikipedia)20. Rautavaara's Case (wikipedia)21. I Hope I Shall Arrive Soon (wikipedia)