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Molly Bloom, a beautiful young Olympic-class skier, ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans, and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance.

In the early 1990s,

1930's rural Nova Scotia. Maud Dowley, who suffers from rheumatoid arthritis, smokes heavily to deal with the pain. Because of her unusual gait from the arthritis, she is often mistaken as a stupid, incapable woman, that perception which does make her feel stupid and incapable. That view is held by her surviving family, her brother Charlie and her Aunt Ida with whom she lives. After an action by Charlie, Maud decides to seek some independence and is the only applicant for a posted job as housekeeper for brusque Everett Lewis, a poor fish seller. Despite not wanting to hire a cripple which only adds to their antagonism, Maud negotiates to get the job for room and board. Their antagonistic relationship ends up including Everett exacting beatings on Maud whenever she doesn't do what he wants. To keep herself happy, Maud begins to paint the interior of the house with happy pictures and paint similar pictures on small cards, these folk art pictures are how she wants to see the world. Maud's paintings come to the attention of one of Everett's customers, Sandra, a New York socialite, who ultimately commissions Maud to paint some pictures for her if Maud won't or can't sell what she's already painted. This begins Maud's possible independence from her violent relationship with Everett, who in turn admits that he may need Maud more than she needs him. In the process, Maud is able to revisit an issue from her past which she believed had long died in a literal sense.

In the aftermath of WWII, somewhere in the muddy Mississippi Delta, two families--one black, the Jacksons, and the other white, the McAllans--are forced to share the same patch of land, keeping a frail race-based peace with each other. However, as they both struggle with hardship and dire poverty, the long-awaited return of two war veterans--Ronsel, the Jacksons' eldest son, and Jamie, Henry McAllan's younger brother--will unexpectedly nurture a budding friendship that transcends prejudice and race. But, in the end, against a backdrop of fevered Mississippi sunsets and vitriolic racism, life can be hard when the law of the land is still segregation and hatred. And then, no one can be safe.

In the high-stakes world of political power-brokers, Elizabeth Sloane (Jessica Chastain) is the most sought after and formidable lobbyist in D.C. Known equally for her cunning and her track record of success, she has always done whatever is required to win. But when she takes on the most powerful opponent of her career, she finds that winning may come at too high a price.

In 1962, Tony "Tony Lip" Vallelonga, a tough bouncer, is looking for work when his nightclub is closed for renovations. The most promising offer turns out to be the driver for the African-American classical pianist Don Shirley for a concert tour into the Deep South states. Although hardly enthused at working for a black man, Tony accepts the job and they begin their trek armed with The Negro Motorist Green Book, a travel guide for safe travel through America's racial segregation. Together, the snobbishly erudite pianist and the crudely practical bouncer can barely get along with their clashing attitudes to life and ideals. However, as the disparate pair witness and endure America's appalling injustices on the road, they find a newfound respect for each other's talents and start to face them together. In doing so, they would nurture a friendship and understanding that would change both their lives.

A correspondence begins between Juliet Ashton (Lily James) and members of The Guernsey Literary and Potato Peel Pie Society, with them sharing their experiences of Nazi-occupied Guernsey Island. When an idea for a book catches Juliet, she goes to visit the island, making life-long friends and taking life changing steps along the way. This book is told by way of letters, and as the reader, you become enchanted by the writers of them and the love Juliet comes to feel for each of the Islanders; Dawsey Adams (Michiel Huisman), Amelia Maugery (Dame Penelope Wilton), Isola Pribby (Katherine Parkinson), Eben Ramsey (Sir Tom Courtenay), Kit (Florence Keen), and Elizabeth McKenna (Jessica Brown Findlay).

Behind any great man, there's always a greater woman - and you're about to meet her. Joan Castleman (

In the years after the Civil War, Jo March (Saoirse Ronan) lives in New York City and makes her living as a writer, while her sister Amy March (Florence Pugh) studies painting in Paris. Amy has a chance encounter with Theodore "Laurie" Laurence (Timothée Chalamet), a childhood crush who proposed to Jo, but was ultimately rejected. Their oldest sibling, Meg March (Emma Watson), is married to a schoolteacher, while shy sister Beth (Eliza Scanlen) develops a devastating illness that brings the family back together.

An intimate story of one of the most dramatic transitions of power in the last 2,000 years. Frustrated with the direction of the church, Cardinal Bergoglio (Jonathan Pryce) requests permission to retire in 2012 from Pope Benedict (Anthony Hopkins). Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church. Behind Vatican walls, a struggle commences between both tradition and progress, guilt and forgiveness, as these two very different men confront their pasts in order to find common ground and forge a future for a billion followers around the world. Inspired by true events.

From the proverbial wrong side of the tracks in Portland, Oregon, former competitive figure skater

In Chicago 1968, the Democratic Party Convention was met with protests from activists like the moderate Students for a Democratic Society led by Tom Hayden and the militant Yippies led by Abbie Hoffman and Jerry Rubin, which led to violent confrontations with the local authorities. As a result, seven of the accused ringleaders are arraigned on charges like Conspiracy by the hostile Nixon administration, including Bobby Seale of the Black Panthers who was not involved in the incident. What follows is an unfair trial presided by the belligerent Judge Hoffman (No relation) and prosecuted by a reluctant but duty-bound Richard Schultz. As their pro bono lawyers face such odds, Hayden and his fellows are frustrated by the Yippies' outrageous antics undermining their defense in defiance of the system even while Seale is denied a chance to defend himself his way. Along the way, the Chicago 7 clash in their political philosophies even as they learn they need each other in this fight.

Ireland, early 1950s. Eilis Lacey (Saoirse Ronan) is a young woman working in a grocery shop. She has greater ambitions and moves to Brooklyn, New York, leaving her mother and sister, Rose (Fiona Glascott), behind. She is terribly homesick but eventually settles down, finding a job, studying to be a bookkeeper and meeting a nice young Italian man, Tony Fiorello (Emory Cohen). Things are going well, but then she learns that Rose has died, and decides to return to Ireland, temporarily. She and Tony hastily get married, and then she sets off back to Ireland, alone. Life is about to get complicated.

Seasoned musician Jackson Maine (Bradley Cooper) discovers-and falls in love with-struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.

Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

During World War II, as