LGBT

Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced and decides to move to Vancouver and join the household. Soon after, Lila is befriended by Judy, a transsexual about to undergo a sex-change operation. Complications ensue as the conservative Lila learns the truth about Maggie, Judy, and their diverse group of friends.

In the small southern town of Azalea Springs, the country club set still rules. Here, being a member of "The League" is a must, big hair is still favored by the ladies who lunch, and only hair-dressers and interior designers are supposed to be gay. The addition of an AIDS facility in Azalea Springs has The League unsettled. And the announcement that their charity work will include contact with "those people" leaves them stunned. But the real frenzy begins with a drunken comment regarding the local drinking water. Rumor has it that the water is contaminated with something that actually "turns" people gay. Mix in Brother Daniel's "Homo-No-Mo" meetings, the local newspaper, and a group of rabid homophobic picketers, and you've got a recipe for panic. Heads reel. Women weep. Mothers, hide your children! In the midst of it all, we find Alex Stratton, a young woman dealing with a distant husband, an overbearing mother, and the tedium of meaningless society chatter and endless shoe critics. Going against her husband's and her mother's wishes, Alex accepts a job at the Hospice where she is reacquainted with Grace Miller, her best friend from high school who has returned to Azalea Springs after a nasty divorce. It is here that Alex falls out of 'grace' with society when the two are caught kissing in the Hospice supply room. Mark Anderson works at the local newspaper his father owns and regularly attends Brother Daniel's Turn-or-Burn meetings. As the rumor about the water and the protesters get plenty of front page coverage, Mark finds himself becoming involved with Tomas, a Latin house painter who mistakes the ex-gay meeting for an A.A. meeting. The events that unravel as a result of these two love affairs bear witness to what happens when hysteria and homophobia take control of their lives.

Semi-follow-up of If These Walls Could Talk (1996), with three segments set in the same house, but with different occupants, spanning nearly forty years. While the first movie dealt with the topic of abortion, this deals with the topic of lesbianism.

Shelley Conn plays Nina, a young woman who ran away to London to avoid an arranged marriage. She returns to Glasgow three years later (after her father dies unexpectedly of a heart-attack) to find his gambling problem means the family restaurant has to be sold. To save it Nina decides to compete in a TV curry competition.

In Manhattan, the brilliant Chinese-American lesbian surgeon Wil is surprised by the arrival of her forty-eight year old widow mother to her apartment. Ma was banished from Flushing, Queens, when her father discovered that she was pregnant. The presence of Ma affects the personal life of Wil, who is in love with the daughter of her boss at the hospital, the dancer Vivian Shing. Once her grandfather has promised that her mother would only return to Flushing remarried or proving that it was an immaculate conception, Wil tries to find a Chinese bachelor to marry Ma.

In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully - unaware that she is a lesbian. Anne is recording her thoughts and exploits in a coded diary. When her lover Mariana Belcombe makes a marriage of convenience to rich old Charles Lawton she feels betrayed and, although Mariana visits her,the relationship is going nowhere. Helped by old flame Tib she makes a play for innocent Miss Browne but sees she is barking up the wrong tree and diverts herself by renovating the family hall. A drunken Tib almost exposes her secret and scornful mine-owner Christopher Rawson, whose marriage proposal she rejects, tells her that her sexuality is a subject of local gossip....

A story of love and lies for four twenty-somethings looking to find themselves in New York City. A pair of best friends and a seemingly perfect couple meet at a local Irish pub tucked in the winding streets of the West Village. Through their chance meeting, the four bond and over time all of their relationships with one another morph into love, betrayal and heartbreak for all.

Jane (Ellen Muth), a teenager, tries to deal with the realization that she is a lesbian after an intense friendship with another girl leads to her first sexual experience. Jane's mother, Janice (Stockard Channing), struggles with the revelation of her only daughter's sexuality.

Syd, who lives with her boyfriend James, goes to complain to her neighbor about the leak in the ceiling. Her neigbor is photographer Lucy Berliner and Syd starts to fall in love with her.

MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.

A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn't make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love's age old question in a fresh new way, "If you try, try again, will you finally get it right?"

It is 1950s Nevada, and Professor Vivian Bell arrives to get a quickie divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranchowner's daughter. The emotions released by their developing intimacy, and Vivian's insecurities about her feelings towards Cay, are played out against a backdrop of rocky landscapes and country and western songs.

Camille and Martin are in love and teachers at a christian college; they get the opportunity to get a better job, but they would have to marry for that. But when Camille's dog dies, she recognizes that her love for Martin is not even as big as the love for her dog. After that, Camille gets to know Petra, and Petra falls in love with Camille. They meet again, but Camille is very unsure about her feelings. When Martin is away for a weekend, Camille and Petra meet in the Circus where Petra is working as an acrobat. They spend the night together, but Martin finds out about it and is shocked. He has an argument with Camille, and she goes burying her dog in the snow, and falls asleep...

The talented Jane Hawkins (Dreya Weber, Lovely & Amazing) was an impressive gymnast at the top of her game until a devastating injury ended her career. Now she pours the passion, strength and discipline that once fueled her sport into maintaining both a tedious job as a massage therapist and a loveless marriage. A chance meeting leads sets Jane on a new path: performing a CirqueDu Soleil style aerial act with a mysterious and beautiful dancer named Serena (Addie Yungmee). Each of them are illuminated by the presence of the other, but there are distractions. Jane is distressed by her lack of children while Serena is a closeted lesbian who tackles stereotypes with being an adopted Korean daughter of Jewish parents. As the stunning pair prepares to audition their act for a Las Vegas show, the gravitational pull between the two women becomes increasingly unavoidable... A visually compelling film that challenges notions of both ability and identity, THE GYMNAST is foremost a story about hope and taking the necessary risks to fully become yourself.

Anna is a young lesbian high school graduate who still lives with her parents, and works as a receptionist in a plastic surgeon's office. She embarks on a wild ride when she hooks up with a cadre of ultra-radical feminist lesbians hell-bent on raising hell. But things get even more complicated when Anna falls in love with Sadie, the radical group's leader who's already involved with an older woman named Courtney.

Exploring love, in all its painful and messy glory. Six months ago actresses Zoe and Mal fell for each other at exactly the same moment in time while filming a love scene. After five blissful months together, Zoe was decimated when Mal walked away. Three miserable weeks later, a very lucrative network broadcast deal was in the works. They only had one request: Re-shoot the love scene. Welcome to the set.

Jessica Stein is a single, straight, successful, journalist, part of a bonded Jewish family living in New York City, who finds herself not as straight as she thought when Jessica meets and begins an intense friendship with career woman Helen Cooper which ultimately leads to romance.

Rebecca has a very unusual secret, one that not even her best friends know about. The last person on earth she expects to reveal it to is a high priced escort named Paris. What starts as a comedy of errors ends up a uniquely erotic journey. Rebecca's unconventional efforts to find herself are raw, evocative, and often times humorous, but always very real, very human. Sometimes a perfect ending is not what you expect it to be.