Lists

Picture of a movie: The Other End of the Line
Picture of a movie: Mr. Jones
Picture of a movie: The Lucky One
Picture of a movie: Dying Young
Picture of a movie: Love Story
Picture of a movie: The Choice
Picture of a movie: Pal Joey
Picture of a movie: Magnificent Obsession
Picture of a movie: Summertime
Picture of a movie: Bells Are Ringing
Picture of a movie: Summer Stock
Picture of a movie: Lili
Picture of a movie: Teacher's Pet
Picture of a movie: Father Goose
Picture of a movie: An Affair to Remember
Picture of a movie: Falling Down

204 Movies

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Picture of a movie: A Summer Place
movies

A Summer Place

1959
The Hunter family has long owned a mansion on Pine Island, a summer resort located off the Maine coast. Bart Hunter's now-deceased father was able to open the mansion for free when Bart was younger. But current owner Bart, a drunkard and weak man, must now live there year round for financial survival with his wife Sylvia and their late teen-aged son Johnny, the family which is barely able to eke out a living with the mansion now as a year-round inn in an extreme state of disrepair. Bart and Sylvia are in a quietly unhappy marriage due largely to Bart's drinking. The Buffalo-based Jorgensons - husband Ken Jorgenson, his wife Helen Jorgenson and their late teen-aged daughter Molly Jorgenson - have rented rooms at the inn for the summer, while Ken looks for a summer house on the island. Ken lived on the island 20 years ago when he was a working-class lifeguard for Bart's father at that time. Ken is now a self-made millionaire as a research scientist, who had never been back to the island until now. Ken and Helen too are in an unsatisfying marriage, Helen, a shrew and prude, who seems to hate and mistrust anything and everything, including her husband and daughter. Helen only seems concerned with public perception that their lives are perfect. Upon first meeting, Johnny and Molly fall in love. Meanwhile, Ken and Sylvia rekindle a romance from 20 years earlier, uncertain if Bart knew at the time of their relationship, which did not last because of the differences in their social background. The two romances have a rocky road to potential happiness. Helen does not trust either Johnny or Molly to be morally proper. Ken and Sylvia know that their respective spouses will never consent to divorce, and if they do will do whatever they can so that they will never get to see their children again. And despite knowing that their respective parents are unhappy in their marriages, Johnny and Molly do not approve of a liaison between his mother and her father. Regardless, Ken and Sylvia want to provide their children with as much love and guidance as possible, including encouraging them to follow their hearts while not getting into trouble, a message which may not be heard if only because of Johnny and Molly believing that what they are doing is disgusting, and because of Johnny and Molly's own raging hormones.
Picture of a movie: The Way We Were
movies

The Way We Were

1973
The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple.
Picture of a movie: The Prince of Tides
movies

The Prince of Tides

1991
The Wingo family is from South Carolina, they growing up in a house on a tidal plain. The oldest offspring, Lucas, largely acted as the protector for his younger twins siblings, Tom and Savannah, in light of their dysfunctional growing up, with their shrimper father, Henry, distant and abusive if/when he did pay them any attention, and their mother, Lila, while not doting on them most concerned about appearances and striving for social standing. Now in middle age, Savannah is a New York based poet, Tom, still living on the South Carolina coast outside of Charleston with his wife Sally and their own three doting daughters, taking a break from his high school teaching/football coaching job, while Lucas has long since died while still standing up for himself and his beliefs. Lila, divorced and now remarried with that wealth and social standing she so long desired, receives news that Savannah is in the hospital following her most recent suicide attempt. Not wanting to face the blame directly as she suspects, she assigns Tom to go to New York to speak to Savannah's therapist, Susan Loewenstein, to provide any information of a family history nature that could help in Savannah's recovery. Tom agrees despite hating New York, and it being not a good time since he and Sally are experiencing marital problems, they both just knowing that things between them are not working, and not having been intimate in months. As Tom and Loewenstein (as he calls her) begin their sessions, Tom is slow to divulge the Wingo family problems to her. But he learns that she too is having her own family problems, with her concert violinist husband Herbert Woodruff being self absorbed and condescending, with their young adult son, Bernard, hating both largely because of they predestining his life also as a concert violinist. Tom and Loewenstein's sessions blossom into a friendship and romance, where their talks, in addition to helping Savannah, may help them both in dealing with their own life problems, Tom's which have been long buried figuratively and literally.