Docs

Documentary about Fred Leuchter, an engineer who became an expert on execution devices and was later hired by revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, puttering around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.

'National Geographic' photographer James Balog was once a skeptic about climate change. But through his Extreme Ice Survey, he discovers undeniable evidence of our changing planet. In 'Chasing Ice,' we follow Balog across the Arctic as he deploys revolutionary time-lapse cameras designed for one purpose: to capture a multi-year record of the world's changing glaciers. Balog's hauntingly beautiful videos compress years into seconds and capture ancient mountains of ice in motion as they disappear at a breathtaking rate. Traveling with a young team of adventurers by helicopter, canoe and dog sled across three continents, Balog risks his career and his well-being in pursuit of the biggest story in human history. As the debate polarizes America and the intensity of natural disasters ramp up around the world, 'Chasing Ice' depicts a heroic photojournalist on a mission to gather evidence and deliver hope to our carbon-powered planet

Renowned cult film director John Waters narrates this quirky exploration of the Salton Sea, the massive Southern California lake that was created by accident a century ago, became a popular desert resort and has since developed into a refuge for a community of oddballs.

Jesus Camp follows several young children as they prepare to attend a summer camp where the kids will get their daily dose of evangelical Christianity.

To many, Don McCullin is the greatest living war photographer, often cited as an inspiration for today's photojournalists. For the first time, McCullin speaks candidly about his three-decade career covering wars and humanitarian disasters on virtually every continent and the photographs that often defined historic moments. From 1969 to 1984, he was the Sunday Times of London's star photographer, where he covered stories from the civil war in Cyprus to the war in Vietnam, from the man-made famine in Biafra to the plight of the homeless in the London of the swinging sixties. Exploring not only McCullin's life and work, but how the ethos of journalism has changed throughout his career, the film is a commentary on the history of photojournalism told through the lens of one of its most acclaimed photographers.

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

One of the most astonishing and engaging cinematic works of the past decade, CHILDREN UNDERGROUND is a profoundly intimate and heart-wrenching drama about homeless children struggling for survival on the streets and in the subways of Bucharest, Romania.

The McDonald's coffee case has been routinely cited by the media as an example of how citizens have taken advantage of the legal system. We will show how this case became so popular in the media, who funded the effort and to what end. We will tell the truth and let the audience decide if spilling hot coffee is really as profitable as they might otherwise believe.

In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. The expressive pictures are accompanied by original sound bites quoting the villagers.

From the Oscar-winning team behind MAN ON WIRE comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.

In 1987, Sudan's Muslim government pronounced death to all males in the Christian south: 27,000 boys fled to Ethiopia on foot. In 1991, they were forced to flee to Kenya; 12,000 survived to live in a U.N. camp in Kakuma. Archival footage documents the 1,000 mile flight; we see life in the camp. We follow three young men who repatriate to the U.S. John Bul Dau goes to Syracuse, and by the film's end, becomes a spokesperson for the Lost Boys and Lost Girls of Sudan; Daniel Abol Pach and Panther Bior go to Pittsburgh. All work several jobs, send money back to the camp, search for relatives lost in the civil war, acclimatize to the U.S., seek an education, and miss their homeland.

About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr.

In the late 1980's, the Friedmans - father and respected computer and music teacher

'Werner Herzog' takes his camera to Antarctica where we meet the odd men and women who have dedicated their lives to furthering the cause of science in treacherous conditions. A scientist studies neutrinos, which are everywhere, yet elusive; he likens them to spirits. A researcher's nighttime performance art includes contorting her body into a luggage bag. A survival guide teaches his students to survive white-out conditions by wearing cartoon-face buckets over their heads. Animal researchers milk mother seals as part of their study. Volcanologists offer advice on what to do when a volcano erupts. A pipefitter shows us the anomaly in his hands that he says are a sign he descended from Atzec royalty. A former Colorado banker drives what he has christened Ivan the Terra Bus. An underwater diver shows his colleagues DVDs of apocalyptic sci-fi films like

Strangeness is afoot. Most people don't notice the hundreds of cryptic tiled messages about resurrecting the dead that have been appearing in city streets over the past three decades. But Justin Duerr does. For years, finding an answer to this long-standing urban mystery has been his obsession. He has been collecting clues that the tiler has embedded in the streets of major cities across the U.S. and South America. But as Justin starts piecing together key events of the past he finds a story that is more surreal than he imagined, and one that hits disturbingly close to home.

The Parking Lot Movie is a documentary about a singular parking lot in Charlottesville, Virginia. The film follows a select group of parking lot attendants and their strange rite of passage. The eccentric brotherhood of attendants consist of grad students, overeducated philosophers, surly artists, middle-age slackers and more. This self-described "ragtag group of fractured poets" prefer skateboards and bicycles to cars and have at best a tolerant contempt for the people they serve. That's not to say they don't care about anything. They hang out at the lot even in their spare time, shooting the breeze or playing a spirited game of "flip cone," just because...they like it there. They conduct their own private "war" against the elites, the pretentious and obnoxious customers who park their BMWs, Hummers, Suburbans and other vehicles. They study the art of doing nothing and the knack of getting even with rude, SUV-driving dolts who treat them like inferior beings. The gradual devolution from enthusiasm to resentment in the psyches of guys self-aware enough to notice it is an interesting process; in an attempt to distract themselves from the rapidly mounting bitterness, the attendants amuse themselves any way they can-stenciling random messages on the parking gate, writing songs, even dancing for tips. Through interviews with former attendants who have moved on - we see that their time at the lot has clearly provided rites of passage and afforded them Zen-like perspective. As one parking attendant laments, "We had it all in a world that had nothing to offer us." If the intersection between the status quo and the quest for freedom is their ultimate challenge, could a slab of asphalt be an emotional way station for The American Dream?

Near Penn Station, next to the Amtrak tracks, squatters have been living for years. Marc Singer goes underground to live with them, and films this "family." A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. They scavenge, they've built themselves sturdy one-room shacks; they have pets, cook, chat, argue, give each other haircuts. A bucket is their toilet. Leaky overhead pipes are a source of water for showers. They live in virtual darkness. During the filming, Amtrak gives a 30-day eviction notice.