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WHY Horror? is a feature length documentary following horror fan Tal Zimerman as he looks at the psychology of horror around the world in order to understand why we love to be scared. Horror is a global phenomenon. Millions of people love it, yet horror fans are often misunderstood. Tal Zimerman should know. He's one of them. Tal goes on a journey around the world to understand why people thrive on on blood and guts found in movies, books and video games. He meets with the genre's leading filmmakers, writers, actors and psychologists to discover how horror looks in different cultures, why it's so popular and how it affects our minds. Tal wants to know - WHY Horror?

A documentary by two desperate young filmmakers who stumble upon the ultimate subject, a 33 year old cannibalistic serial killer named Anthony McAllister, who has agreed to let them document every aspect of his horrifically violent life-style. Initially terrified, the filmmakers get to know Anthony as a person. They even begin to identify with his ecological and philosophical justifications for his cannibalistic lifestyle. It's only when they investigate further that the filmmakers begin to doubt Anthony's accounts of his past. Tensions noticeably rise as the filmmakers continue to confront Anthony on his conflicting stories and ever-changing philosophies. During an awkward interview, the filmmakers interview Merle, the father of a young girl who was abducted and never found. This abduction was Anthony's first child victim. Merle welcomes them into his home and gives them a heart-felt experience that even Anthony is touched by. As the documentary reaches its conclusion Anthony begins to become uncomfortably aware of the how much of his life he has revealed to these filmmakers. In a final interview with Anthony a deadly confrontation erupts and all that remains is a broken camera and this footage. This film will challenge the audience to view a horrific side of humanity and will deliver a social commentary that leaves the audience thinking about the world they live in and the power and effect of all media.

In the fall of 1976, a small psychology lab in Pennsylvania became the unwitting home to the only government-confirmed case of possession. The U.S. military assumed control of the lab under orders of national security and, soon after, implemented measures aimed at weaponizing the entity. The details of the inexplicable events that occurred are being made public after remaining classified for nearly forty years.

Realizing the urban legend of their youth has actually come true; two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.

Horror films have often been more than simple scares. At their best, they reflect society's anxiety's and concerns. In this film, major horror film makers such as George Romero and Tobe Hooper discuss the creation of their films in the 1960s and '70s and how they related to contemporary events while interviewed intellectuals give their own opinions.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.

Three flatmates buy a haunted mirror on eBay to claim the One Million Dollar Paranormal Prize offered by the James Randi Foundation. Their desire to win blinds them to the evil forces they have brought into their world, which exact a terrible revenge.

When ambitious young real estate agent Leigh is asked to sell a house with a checkered past, she crosses paths with a disturbed girl whom she believes is the runaway daughter of the couple selling the property. When Leigh tries to intervene and help her, she becomes entangled with a supernatural force that soon pulls Leigh's artist sister Vera into its web - and has sinister plans for both of them.

The Boy is a 2015 American horror film directed by Craig Macneill, written by Macneill and Clay McLeod Chapman, and starring Jared Breeze, David Morse, and Rainn Wilson. It is based on a short film by Macneill and Chapman, Henley, which was in turn loosely inspired by a novel written by Chapman, Miss Corpus. Breeze plays the titular boy, a budding serial killer.

Unaware of its terrible history, a young couple purchases their dream home. But it soon becomes clear that they may not be alone in the house... and that someone -- or something -- is determined to drive them out.

A history of rat infestations in major cities throughout the world.

A young filmmaker documents his ghost-hunting, reality show friends as their routine investigation of an abandoned orphanage turns into a nightmare from which they can't escape.

Four timeless urban legends continue to haunt the psyche of the American public. This documentary follows filmmakers Joshua Zeman and Rachel Mills as they investigate the true crimes that may have spawned these urban legends, while exploring how these myths evolved and why we continue to believe. The documentary probes the following legends: The Candyman: The film travels viewers to Houston, Texas, to explore the legend of tainted candy that strikes fear in parents every Halloween. Though the legend is prolific, in actuality there is only one documented case of a child dying from tainted candy: 8-year-old Timothy O'Bryan. Timothy was poisoned on Halloween by a real life monster who used the legend to hide his crime, earning him the nickname, The Candyman. The Baby-Sitter and the Man Upstairs: As the legend goes, a babysitter tormented by a twisted caller, learns that the sadistic calls are coming from inside the house. While the babysitter has become the go-to victim in so many of our horror films, does the same hold true in real life? Tragically, the answer is yes - as our filmmakers discover in the unsolved murder of Janett Christman - a babysitter who was slain in Columbia, MO, in 1950. The Hookman: The filmmakers investigate the "Moonlight Murders" of Texarkana that some believe sparked "The Hook" urban legend of the 50s & 60s. Based upon the legend of two teens lovers terrorized by a madman with a hook for a hand, Killer Legends will investigate this real life case of a killer known as The Phantom, who in 1946 attacked five couples parked on lovers' lanes. This unsolved crime that has created its own unique urban legend in Texarkana, perpetuated by a town that refuses to forget. The Killer Clown: In Chicago, the filmmakers investigate the "phantom clown" scares that have been spontaneously occurring since the 1980s. In cities across the globe, clowns have been spotted in vans trying to snatch children. Is this just a case of hysteria, manifested by fears of coulrophobia (the fear of clowns), or is there something much more serious at work? Chicago's creepy clown past, from John Wayne Gacy to Bozo, is explored in an attempt to answer the question of how clowns became so evil, and why they continue to haunt our nightmares.

Documents one family's descent into darkness, using a compilation of found home-made footage. In the remote woods of upstate New York, the Poe family lives a Norman Rockwell life. Perfect house. Perfect marriage. If only the children stopped stapling frogs to trees. Something is very wrong with Jack and Emily Poe, the ten-year old twins. And, to stop them, their parents must enter the nightmare of their minds. The only question is: who will survive the night?

Five years ago, a masked killer brutally murdered a group of friends. Since then, Camryn, the lone survivor, has struggled to reclaim her shattered life. Wracked with guilt and paranoia, can Camryn ever have a normal life again or is she destined to be alone? Part slasher movie and part character study, Last Girl Standing is a penetrating and intimate look at what happens to the survivors of horror movies.

Beneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...

The journalist Patrick works at the VICE, a company dedicated to cover bizarre news. When his sister Caroline joins a community, she travels abroad with her new family. Out of the blue, Caroline invites her brother to visit her in an undefined country and Patrick travels by helicopter with his friends Jake and Sam that work with him at VICE. They find weird that the men that have come to guide them to the Eden Parish have guns. On the arrival to the camp, Patrick, Sam and Jake find a community of happy people that worship Father. They interview Father but soon they realize that people are not as happy as they seem to be. Further, they find that they are trapped in the Parish Eden and they want to leave the place with the newcomers. But the Father does not have intention to let them go.