Mum

Mohit is a marketing whiz kid vying for a step up the career ladder. Mayera is a financial brain with a penchant for shoes. They're a young middle-class corporate couple that's ambitious and likes the good life too. They work hard, they party hard. They're also passionately in love with each other. Their belief: You can live on love and fresh air. Their obstacle: Mayera's willful bureaucratic father V.K Sehgal. The obstinate old man believes that only a rich man can bring Mayera happiness and a mid-level executive like Mohit simply isn't good enough! Exactly how fragile are relationships in these times where consumer lifestyles dictate their very nature and intensity? Who gets the last laugh when recession strikes and the lack of money tests love... credit-card-junkies private-sector Mohit-Mayera; or safe-playing sarkari, V.K. Sehgal?

London-based Jai Vardhan Singh and Meera Pandit meet and fall in love, and she introduces him to her family. Shortly thereafter, they decide to part; she wants to relocate to India to restore heritage buildings, while he relocates to America. Restauranteur Veer Singh attempts to convince Jai to pursue her, as he had pursued Harleen Kaur back in 1965 India, but Jai moves on and falls in love with Caucasian Jo, while Meera is all set to marry her employer, Vikram Joshi.

Amid the daily routine love seems lost for a elderly married couple. As their daughter turns of age, father looks forward to get her married. Turn of events leads the protagonist to wonder about meaning and expression of love. Will he ever find the meaning of love and ways to express it?

Four short films by four of India's biggest directors exploring love, sex and relationships in modern India.

It is the 1990s, the tape-cassette is dying, CDs will soon be the rage and a regular arranged marriage will turn out to be a perfect mismatch. Prem (Ayushmann Khurrana) is a shy music buff who runs a tape recording shop in Haridwar. Sandhya (Bhumi Pednekar) likes to dance to the band tunes at her own wedding. He has nightmares about drawing a blank at his English exam. She is about to carve a niche for herself as a teacher. But now, they are married and they are supposed to spend a lifetime together - and he is still trying to find balance on their scooter ride together. From overcoming his fear of the English language to dealing with an overbearing father, he discovers that his oversized wife, who he thought was a spanner in his spool, will actually lead him to something quite cool.

A story about a romantic journey of a culturally opposite couple - Krish Malhotra and Ananya Swaminathan. They meet at the IIM-Ahmedabad College and during the program they fall in love. Complications arise after the program comes to an end and they decide to get married. Krish and Ananya belong to two different states of India. Krish, a North Indian Punjabi boy from Delhi, and Ananya, a Tamilian Brahmin from Chennai. They take a conscious decision; they won't get married until their parents agree. Everything goes downhill when the parents meet. There is a cultural clash and the parents oppose the wedding. To convert their love story into a love marriage, the couple faces a tough battle in front of them. For it is easy to fight and rebel, but much harder to convince. Will Krish and Ananya's love for each other sustain the battles? Will they manage to convince their parents and make it to their wedding?

Based on the bestselling novel "The Fault in Our Stars" by author John Green, Dil Bechara is a story of Kizie and Manny, two ordinary people with an extraordinary love story. Both have a tragic twist to their lives. That was the start of exploring a funny, thrilling and tragic business of being alive and in love. Kizie and Manny embark on an, on and off, up and down, bitter and sweet profound journey into the heart of that crazy little thing called 'life'.

Honeymoon Travels is an off-beat drama weaving together the stories of 6 couples on their honeymoons on the same tourist bus. There are old-timers Nahid & Oscar on their second marriages, reflective and forgiving of live. Then there's the Gujrati couple Hitesh and Shilpa who can't get anywhere near each other without scrabbling, the super-compatible Parsi couple Aspi and Zara, and the oddball NRI husband Bunty with his desi, fun-loving wife Madhu. An uptight and insecure Bengali man, Partho, is very much in love with his beautiful, free-spirited wife Milly. And rounding off the sextet are the Kapoors, the Punjabi couple comprising of talkative Pinky and contemplative Vicky. The film starts off with the start of the bus journey, and a couple of red herrings, like Shilpa crying her eyes out at going on the honeymoon. Then there's an opinionated bus driver, and a mysterious motor-bike rider following the bus. And while everything looks lovey-dovey in the beginning, with familiarity and time, problems crop up. How each couple deals with their own specific problems is the rest of the film.

Satyendra aka Sattu (Rajkummar Rao) and Aarti (Kriti Kharbanda) meet for a proposed arranged marriage and fall in love in the process. On the night of their marriage, an unexpected turn of events turns their world upside down. Set in the backdrop of India's civil services, Shaadi Mein Zaroor Aana explores the challenges that Satyendra and Aarti face as a middle-class couple in India.

College. Three of the most important years of your life. Three years of studies (at times) and sheer indulgence. Indulgence in all the little pleasures that a carefree life has to offer. But it isn't always about ragging, fuchacha parties, college fests, races, and churning out ways to whack some extra pocket money from your parents. It's sometimes hard, ugly, and complicated. More so, when you really need to get admission in the coolest college in town and you know you don't deserve it. And to top that, you get yourself involved in the most bizarre stations that could crack you into pieces before you could crack it.

Taking the leap out of the classic folklore, the story is set in today's time in Kashmir where Laila Majnu have problems relevant to the youth of today. While dealing with their feuding families a passionate love story unravels.

Follows the love story of a boy and a girl.

The Kapoors have always wanted their only son Rahul (Imran Khan) to be a go-getter and have groomed him appropriately since childhood. But when Rahul is sacked from his new job in Las Vegas around Christmas, he is compelled to visit a psychotherapist to vent his insecurities. There he meets Riana Braganza, a hairstylist who has recently broken up with her boyfriend. Riana and Rahul bond over drinks and paint the town red on Christmas Eve. The next morning, they discover that during their drunken spree the night before, they got married. They decide to annul the marriage, but when Riana can't pay her rent and her landlord evicts her, she lands at Rahul's place. A friendship develops between them over the course of the next few days and a trip to India.

In Mumbai, Sid Mehra is, in the words of his father, an arrogant, spoiled brat. He lives with a doting mother, subservient brother, and a father who covers his expenses and credit card bills. Sid takes his college finals then starts work at his father's business; he lasts less than a week before walking out. At a graduation party, he meets Aisha, newly arrived from Calcutta and set on becoming a writer. He shows her the city and helps her refurbish a rented flat. He asks if she'd like to progress from friend to something more, but she says no: he lacks ambition and isn't her type. Will her words, his exam results, a confrontation with his parents, and a break with his friends be enough to wake Sid up?

Believing in the adage "Success comes to those who dare to dream", a confused, young millennial sets out on a desperate journey to fulfil his fantasy of becoming a movie star until a summer romance with a clear-headed girl helps him discover the fine line between dreams and delusions.

Tamasha is about the journey of someone who has lost his edge in trying to follow acceptable conventions of society. The film is based on the central theme of abrasion and loss of self that happens in an attempt to find oneself.

London-based Dr. Manoj Sharma returns home to Delhi, and in the company of his parents, Kishan and Anju, as well as several others, travels to Chaman Ganj, Kanpur, Uttar Pradesh to meet his prospective bride, Tanuja Trivedi. He approves of her, informs his elders, and they begin preparations for the marriage. He gets a rude awakening when Tanuja tells him that she already has a boyfriend and plans to marry him even against her parents' wishes. Manoj informs his parents, and they start seeking other girls for him--in vain, as his heart is set on Tanuja--and he prepares to return home unmarried. Manoj and Tanuja are fated to meet again in Kapurthala, Punjab, while attending the marriage of Jaspreet Singh Jassi and Payal Sinha. While Manoj hopes to win Tanuja's heart, he will face more rejection when she enlists his assistance to elope with another male.

Delhi girl Ginny lives with her matchmaker mother and is set up with Sunny, who has given up on the idea of love. He just wants to get married and settle down. But, the match is not that simple. As Ginny meets Sunny, there's a lot more that comes to the fore than previously imagined in this tale of love, life, weddings and music.