made me feel smth

In Madrid, orphan sisters Irene, Ana, and Maite are raised by their austere aunt Paulina and their mute, crippled grandmother after the deaths of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after watching her mother having a painful death and her father dead in bed.

Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use an unwanted male abortionist, Bebe (Vlad Ivanov). The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship.

In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact with a young woman he had already met three years earlier. Just as the project is about to become reality, all problems of an artistic or financial nature having been resolved, the author learns that the young woman has died. Part two concerns the events of three years earlier. While interviewing an historian, the future author meets for the first time the young woman, who is training as a lawyer. She has been asked by her own grandparents, formerly of the French resistance, to examine a contract offered to them by Americans who want to make a film about their activities during the Nazi occupation of France.

The first scene, like almost all others, is a fighting scene. A girl, about 18, is sacked from her factory work because her trial period is over. The girl, Rosetta, is quite upset and the cops will have to arrive to get her out. She has her reasons: she lives in a caravan, with her alcoholic mother. She goes looking for work as some go to the war. Treasons, murders are in her mind, if not in her acts.

Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.

"Notre Music" is divided in three kingdoms: Hell, Purgatory and Paradise like in the Dante's Inferno in the Divine Comedy. Hell shows footages of many wars; Purgatory mixes reality and fiction in Sarajevo; and Paradise is a surrealistic view of a beach "protected" by the American Marines.

After gangster Mulligan's (

An examination of sexual relationships, in which three protagonists interact in different combinations.

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both.

As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.

In Lille, two penniless young women with few prospects become friends. Isa moves in with Marie, who's flat-sitting for a mother and child in hospital in comas following a car crash. Isa is out-going, unskilled, with hopes of moving south to warmer climes. Marie usually is either angry or detached. Then, while Isa begins to visit the child in whose flat they live, going to hospital to read to her, Marie slowly falls for a rich youth. At first Marie keeps him at bay, then she not only pursues him, she begins to dream he is her life's love. When Isa tries to warn Marie, their friendship flounders. How will Marie handle the inevitable? And once they lose the flat, where will they go?

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations in numerous languages, between the passengers, almost all of whom are on holiday - Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our Humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples, and Barcelona.

Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies.

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

Drama set in a repressed, deeply religious community in the north of Scotland, where a naive young woman named Bess McNeil meets and falls in love with Danish oil-rig worker Jan. Bess and Jan are deeply in love but, when Jan returns to his rig, Bess prays to God that he returns for good. Jan does return, his neck broken in an accident aboard the rig. Because of his condition, Jan and Bess are now unable to enjoy a sexual relationship and Jan urges Bess to take another lover and tell him the details. As Bess becomes more and more deviant in her sexual behavior, the more she comes to believe that her actions are guided by God and are helping Jan recover.

After 12 years of absence, Louis (

Ferdinand Griffon, married to a wealthy Italian wife, has recently been fired from the television station where he worked. His wife forces him to go to a party at the home of her influential father, who wants to introduce him to a potential employer. Her brother brings babysitter Marianne Renoir to take care of their children. Feeling bored at the bourgeois party, Ferdinand borrows his brother-in-law's car to head home. He meets Marianne, who was his mistress five years ago and insists on calling him Pierrot, and offers to take her home. They spend the night together and he learns that she's involved in smuggling weapons. When terrorists chase her, they decide to leave Paris and his family behind and go on the run, on a crazy journey to nowhere.

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.