Old romantic comedy

Shortly after their 10th wedding anniversary, New York City theater producer Steven Hilliard (Leslie Nielsen) and his wife, former popular radio singer Kay Ashley Hilliard (June Allyson), are getting a Kay-initiated Reno divorce after Kay finds out about a marital indiscretion he had with Crystal Allen (Dame Joan Collins), a gold-digging chorus girl in one of his shows. News of the indiscretion made its way to Kay indirectly by her catty friend Sylvia Fowler (Dolores Gray). In getting the divorce, Kay's best friend, playwright Amanda Penrose (Ann Sheridan), believes Kay is playing right into the wants of Crystal, whose main goal is not to be happily married to Steven, but to get what such a marriage can bring her in material wealth and comfort. Amanda does not believe Steven loves Crystal and that he still really loves Kay. Kay proceeds with the divorce despite believing they'd had a happy, loving marriage before she learned of the indiscretion, and despite having adolescent daughter Debbie (Sandy Descher) to consider. But when Kay learns information of the goings-on within her social circle, she decides to take back control of her married status while exacting some revenge.

With his family away for their annual summer holiday, New Yorker Richard Sherman decides he has the opportunity to live a bachelor's life - to eat and drink what he wants and basically to enjoy life without wife and son. The beautiful but ditsy blond from the apartment above his catches his eye and they soon start spending time together. It's all innocent though there is little doubt that Sherman is attracted to her. Any lust he may be feeling is played out in his own imagination however.

Innocent rodeo cowboy Bo falls in love with cafe singer Cherie in Phoenix. She tries to run away to Los Angeles but he finds her and forces her to board the bus to his home in Montana. When the bus stops at Grace's Diner the passengers learn that the road ahead is blocked. By now everyone knows of the kidnapping, but Bo is determined to have Cherie.

Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother, Adam, who is an airline pilot. Eileen confides to her brother that she thinks she may be the only 22-year-old virgin left in the world. Adam assures her that sex is not what all men look for and insists he hasn't slept around. Of course, Adam is lying and is in hot pursuit of a tryst with his occasional girlfriend Mona. However, Adam's date with Mona has a series of job-related interruptions. Meanwhile, Eileen decides to see if she can have some fun for herself in New York, and seems to find the perfect candidate in Mike, a man she meets on the bus. But things get complicated when Russ pops in with a proposal and a mistaken assumption.

A Justice of the Peace performed weddings a few days before his license was valid. A few years later five couples learn they have never been legally married. Annabel Norris, already Mrs. Mississippi and ready to enter the Mrs. America contest, is now free to enter the Miss Mississippi contest.

Basing himself in Paris for the purpose, American hack writer Richard Benson, with advance in hand, has been hired by movie producer Alexander Meyerheim to write the screenplay for his latest movie, Benson selling him only on the title, The Girl Who Stole the Eiffel Tower. Meyerheim, who knows about his drinking problem, has been assured by Benson that he is on the wagon. Benson hires Gabrielle Simpson through a secretarial service to be his typist. At the time she arrives for the job, Gabrielle learns that Benson has squandered away almost twenty weeks, with several drinks passing his lips over the course, without having written a word. With nary a story idea, Benson has only two days, on Bastille Day, until Meyerheim will be arriving from Cannes expecting a final product in Benson having continually implied he is near completion. Upon learning that Gabrielle originally came to Paris to experience life, Benson comes up with a brainchild to imagine the movie being a day, Bastille Day, in the life of someone like Gabrielle. As Benson and Gabrielle work through the screenplay, an espionage caper, they imagine themselves in the lead roles of "Rick" and "Gaby", they subconsciously and sometimes consciously steering the story in the direction of what they hope will happen between "Richard Benson" and "Gabrielle Simpson", both to the screenplay's benefit and detriment.

When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda, also a lawyer, decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it, and their perfect marriage is disturbed by daily petty squabbles.

Using Helen Gurley Brown's book as a jump off point, we follow the adventures of a supermarket tabloid editor as he tries to parlay an interview with the author of the book into headlines and sales. Of course, a romantic entanglement ensues.

Mark Christopher is a 35-year old, award-winning comedy scriptwriter who is struggling to be taken seriously as a drama writer. On Christmas Eve, two police officers bring 17-year old Susan (picked up for vagrancy and brawling) to Mark's apartment. If she spends a few days with him, Mark could use Susan as inspiration to write a script about juvenile-delinquents and Susan could avoid spending Christmas behind bars.

Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

Jane Osgood is trying to support her two young children by running a lobster business. After one of her shipments is ruined by inattention at the railroad station, Jane decides to take on Harry Foster Malone, director of the line and the "meanest man in the world". With the help of her lifelong friend - and lawyer - George Denham, Jane sues Malone for the price of her lobsters & her lost business. What she ends up with is a lot more than either of them bargained for.

On a quick trip to the city, young university professor Peter Morgan falls in love with nightclub performer Francey Brent and marries her after a whirlwind romance. But when he goes back home, he can't bring himself to tell his conservative, ultra-respected family about it.

On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in New England. She writes him letters, which he doesn't read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.

With her unofficial fiancé Eddie Harris studying in England for a year, Radcliffe educated Caroline Bender decides to get her first ever job as a secretary at Manhattan located Fabian Publishing, which offers its employees "the best of everything". There, she finds her story is somewhat similar to all the other secretaries, who are biding their time in the secretarial pool either before getting married - to a current or future beau - or moving on to their dream job. In the latter category is aspiring actress Gregg Adams, who with fellow secretary, the naive and inexperienced April Morrison, become Caroline's new roommates. Caroline also finds that as a secretary to the editors, she has to learn the special needs and foibles of each. They include the "witch" Amanda Farrow whose demanding exterior masks a truly lonely woman, the aging Lothario Fred Shalimar, and the understanding Mike Rice, whose best friend is a bottle of booze. The path to true happiness for each of Caroline, Gregg and April has its bumps along the way. After an incident in her personal life as well as one at work, Caroline's life plans change to thoughts of being one of the editors. Both Amanda and Mike hope that Caroline doesn't get this wish, each hoping for a different reason.

Cas Brown is about to marry for the second time; his first marriage, to Isabel, was annulled. But when he discovers that Isabel just had their baby, Cas kidnaps the infant to keep her from being adopted. Isabel's parents hunt for the child and discover that Cas and Isabel are still hopelessly in love.

Joanna and her architect husband, Mark Wallace have been married for a decade, and their relationship's become very rocky. As they drive from their London home to St. Tropez for the unveiling of a house Mark has designed for his clients, Maurice and Francoise Dalbret, they recall the events - both happy and sad, which neither then to this point. Told in flashback they pair recall their first meeting, and memorable moments in their courtship and early wedded life, as well as the tensions they both felt which led them each to extramarital affairs. With a terrific score by Henry Mancini, this welli-loved Stanley Donnen film's a sparkling effervescent story which deals in an atypical way for films of this time - showing both the joyousness and pathos off love.

Proud father Stanley T. Banks (Spencer Tracy) remembers the day his daughter, Kay (Dame Elizabeth Taylor), got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way.