movies about elvis?

A solitary man who does not speak Spanish is an underground courier. Two men who are both thuggish and philosophical send him to Madrid with cryptic instructions. Over the course of a few days, he receives his instructions from a series of distinctive individuals who provide words of philosophy or of warning and also give him a matchbox with a tiny piece of paper, which he reads then eats, accompanied by espresso served in two cups. He is quiet, self-contained, focused on his work. He has rules. He encounters and at times transmits a violin, diamonds, a guitar, and a map. Is he a smuggler? Merely an independent conduit? Or, something else?

DJ Zack and pimp Jack end up in prison for being too laid-back to avoid being framed for crimes they didn't commit. They end up sharing a cell with eccentric Italian optimist Roberto, whose limited command of the English language is both entertaining and infuriating. More useful to them is the fact that Roberto knows an escape route.

The story of a petty thief who meets an innocent young woman and brings her into his world of crime while she teaches him the lessons of enjoying life and being loved.

Young loner Dick, who lives in the poor mining town of Estherslope, happens upon a small handgun one day and feels strangely drawn to it despite his fervent pacifist views. With his newfound partner he soon convinces the town's other young outcasts to join him in a secret club he calls The Dandies, a club based on the principles of pacifism and guns. Despite their firm belief in the most important Dandy rule of all--never draw your weapons--they soon get into a predicament where they realize that rules are made to be broken.

Besotted with cheap crime fiction, cinema, and popular culture, bored-to-death English language students Franz and Arthur love to live in a dream world. Indeed, the pair of layabouts fancy themselves to be a gang. But, in the meantime, Franz and Arthur vie for the attention of their romantic classmate Odile, who naively tips them off about a mountain of cash stashed in an unlocked cabinet in Aunt Victoria's suburban house in Joinville-le-Pont. Of course, the amateur criminals take an immediate interest in wide-eyed Odile's incidental mention and start to iron out the details of an audacious robbery, just like in the movies. However, what happens if Arthur's uncle and all-powerful love stand in the way of the perfect heist?

Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.

Late one night, a beautiful and well-dressed young woman, Grace (Nicole Kidman), arrives in the mountainous old mining town of Dogville as a fugitive; following the sound of gunshots in the distance which have been heard by Tom (Paul Bettany), the self-appointed moral spokesman for the town. Persuaded by Tom, the town agree to hide Grace, and in return she freely helps the locals. However, when the Sheriff from a neighbouring town posts a Missing notice, advertising a reward for revealing her whereabouts, the townsfolk require a better deal from Grace, in return for their silence; and when the Sheriff returns some weeks later with a Wanted poster, even though the citizens know her to be innocent of the false charges against her, the town's sense of goodness takes a sinister turn and the price of Grace's freedom becomes a workload and treatment akin to that of a slave. But Grace has a deadly secret that the townsfolk will eventually encounter.

Bonnie and Hillary are two young lost souls who meet one day and discover that they get along. They talk about their lives and run around and and keep getting really excited. Their day escalates into an eruption of violence and rage that can only be understood by the two girls.

When a robbery goes awry, the bandits all end up in a puddle of blood and only one lives and goes to jail for five years. Upon his release, the girlfriend wants her new boyfriend to kill him. Only trouble is the boyfriend knows that the fault was not the ex-con's and can't bring himself to do the town. Meanwhile, the ex-con tries to turn his life around by becoming a boxer and training under a former heavyweight contender.

Jimmy and Jon are a couple of Brooklyn guys who somehow never found their way into workaday society; they never found their way into big-time crime, either. But that all changes when their old friend Frankie returns from Florida with some guns to sell. In the course of a few very short urban summer days, their lives spin permanently out of control.

Eric Roberts makes an impressive screen debut as Dave, grandson of the aging King Zharko, who is chosen by him to lead the gypsy clan at his death. Dave's only inclination is to join the American mainstream, but he knows that the mantle of gypsy power cannot be taken lightly or denied.

A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out.

'Bone in the Throat' based on celebrity chef Anthony Bourdain's novel of the same, is a gritty fast paced story about a young ambitious chef who is mixed up with the East End London mob. While showing off his culinary skills, he finds himself trapped as a witness to a murder in his own kitchen.

The story of William Vincent as he recounts the eccentric and curious path that has brought him, at mortal risk, to New York City, after four years in exile, to rescue a woman he scarcely knows, Ann, from the vague crime syndicate that first brought them together.

Ferdinand Griffon, married to a wealthy Italian wife, has recently been fired from the television station where he worked. His wife forces him to go to a party at the home of her influential father, who wants to introduce him to a potential employer. Her brother brings babysitter Marianne Renoir to take care of their children. Feeling bored at the bourgeois party, Ferdinand borrows his brother-in-law's car to head home. He meets Marianne, who was his mistress five years ago and insists on calling him Pierrot, and offers to take her home. They spend the night together and he learns that she's involved in smuggling weapons. When terrorists chase her, they decide to leave Paris and his family behind and go on the run, on a crazy journey to nowhere.

Fresh out of foster care at age 18, a young drifter turns to petty crime to survive, and discovers an impossible love in an unlikely friend.

Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesn't tell Jack why. The goons learn from Pilot's drug source where the youths are headed, and they follow, hell bent on breaking Jack's feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobain's memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends' competing needs can be resolved?

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture, and cannibalism are the exotic fare in this beautifully filmed, but brutally uncompromising modern fable.