Juan Oliver wants to make a good impression at his new job as a prison officer and reports to work a day early, leaving his pregnant wife, Elena, at home. His destiny is forever changed by this fateful decision, as during his tour of the prison, an accident occurs that knocks him unconscious. He is rushed to the empty but visibly haunted walls of cell 211. As this diversion unfolds, inmates of the high security cell block strategically break free and hijack the penitentiary. Aware of the violence that is to come, the prison officers flee, leaving Juan stranded and unconscious in the heart of the riot. When Juan awakens, he immediately takes stock of the situation; in order to survive, he must pretend to be a prisoner. Juan develops a dialogue with the violent leader of the riot, Badass, and the two begin a partnership, Badass fully believing that Juan is a new inmate. Negotiations go smoothly until the rioters take three ETA (the militant Basque separatist organization) prisoners hostage. When this hits the news, it triggers a stream of prison riots throughout the country as well as demonstrations in the Basque Country. Juan quickly realizes that he is on his own as the situation becomes more politicized and the government gets involved, afraid of potential ramifications in the Basque community. As the drama heightens, unexpected shifts in character both within and without the prison occur.

On November 9, 1989 (the same day the Wall of Berlin falls), Nico is a 12-year-old boy passionate about videotaping himself while playing guitar. He is being raised by his single mother María. On the same night, a 72-hour electric storm breaks out, and Nico looking through his room window witnesses a violent scene in the house of his neighbour, Ángel Prieto. He ventures into the house and stumbles on Hilda Weiss, Prieto's wife, lying dead in the house. Running scared from Prieto, who has discovered him in his home, Nico is run over by a passing car and dies as a result. Twenty-five years later, on November 9th, 2014, Vera Roy is a woman who divides her time between working as nurse in the hospital and her family: her husband David Ortiz and her little daughter Gloria. To celebrate moving into their new house in the suburbs, they invite her friend and former boyfriend Aitor Medina and his mother Clara to their house where Vera learns that she and David are living in Nico's house and that after his death, Ángel Prieto was arrested and committed suicide in prison three months later. That night after dinner, Vera comes across the old analog TV set and camera equipment used by Nico the same night that the 72-hours storm broke out. After turning the TV on, the storm connects the two devices together as one, and Vera talks to Nico and warns him off his impending death. But after the conversation, Vera wakes up in the hospital in a parallel timeline: puzzled and confused, Vera realizes that she's not a nurse but a doctor spending a few days on sick leave after the death of a patient; her daughter Gloria no longer exists; David is married to his former girlfriend, Úrsula; Aitor Medina never was her boyfriend; and Prieto is still alive and happily married to Clara Medina. With her memories constantly crossing both timelines each time that Vera touches someone, she meets Inspector Leyra in an attempt to prove the credibility of her story. Reluctant to believe her, Leyra agrees to investigate with her and both embark on a search for clues and evidence that can help to uncover the truth. With time running out and a few hours left before the storm blows itself out. In the belief that the key to this time riddle is finding out Nico Lasarte's whereabouts and proving the murder of Hilda Weiss, Vera tries not only to recover Gloria, but also to arrest Prieto and talk to the child Nico again. Which one of her two parallel lives is real? Is it her previous life a delusion? Will Vera be able to find a way to fix the things before the storm subsides?

On the brink of the new Millennium in the bustling City of Mexico, one horrible car accident intertwines inextricably the lives of three perfect strangers. Octavio, a rebellious adolescent who is secretly in love with his sister-in-law, dreams of escaping his miserable life, and for this reason, he enters reluctantly the obscure world of dog fighting with his lethal dog Cofi. And then unexpectedly, Valeria, a stunning woman and famous supermodel, will cross paths with Octavio, while in the meantime, her pampered little dog Richie manages to vanish into thin air in the confined space of her apartment. Lastly, Chivo, an ex-guerrilla vagabond, after abandoning his little daughter, unable to make up for lost time, he channels his love to the city's strays and a mortally wounded Rottweiler. In the end, even though all the weary characters, men and beasts, wish for a bright future, in this life-changing journey in the pursuit of love, sometimes infidelity, sin and death can get in the way.

2000 film by Alejandro González Iñárritu

A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

After the death of the blind Sara, who hanged herself in the basement of her house, her twin sister Julia suspects that she was actually murdered. Julia has a degenerative problem with her eyes and is losing her sight, and she temporarily moves with her husband Isaac to Sara's house to arrange her funeral. Julia goes to the Centro Baumann for the blind, which Sara frequented, and she learns from other members that Sara had a boyfriend. Julia is chased by a mysterious man, but police inspector Dimas does not believe her. Julia follows Sara's last steps trying to find the identity of her secret lover. Julia is surrounded by deaths and weird events while she loses her sight.

2010 Spanish-Mexican film by Guillem Morales

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