Sketchy Comedy

Follows a documentary crew, who go to a small town to study young adults and their current concerns. Their focus is the daily lives of cousins Kelly and Shrub Mallet and their idiosyncratic surroundings.

Andy is a short story writer, who makes his living by working at a huge faceless company in present day Chicago, writing Technical Manuals. In his active, fertile, writer's imagination, we see (and hear as he narrates) the stories of his daily life, as they should be, could be, might be, and even actually how they are. Andy shares his office with the company's newest employee, and Andy's newest friend, the frail, jumpy, odd, loveable Byron. Also inhabiting Andy's world is his best friend Keith, who is "so good looking" that Andy must fight his own "prejudice against the 'attractive,' who seem to get everything they want, unlike ordinary humans." Supervisor Jessica is also Andy's longtime friend and uses her lightening sharp tongue to keep the group out of, or at times, to get the group INTO trouble. The newer receptionist Wendy (Irene Molloy, "Grosse Pointe"), whom Andy first had a crush on, is dating Keith (somewhat proving Andy's "Attractive Theory").

Herman Brooks is an aspiring writer working as a fact-checker at a publisher. While dealing with life in the big city, his inner thoughts are played out by four characters representing his intellect, fear, compassion, and lust. His "outer world" consists of a trivia-trove boss, two female co-workers, one mouse-ish and the other a social-climbing bombshell, and a best friend whose both a successful writer and a sexist pig.

In Hollywood you're only as good as your last flick, and Dragonfire Films exec Peter Dragon has hit bottom with his $150 million bomb "Slow Torture." His only hope to get back to the way things were is the shoot-'em-up film "Beverly Hills Gun Club," and the only person that will help him is ex-child star turned hooker Wendy Ward.

Jerri Blank is a 46-year-old "boozer, user and a loser" who tries to put her life back together again. The reformed runaway and addict returns to high school as a freshman, where she tries to fit in and act hip with girls 1/3 her age. Unfortunately, she hasn't quite shed her immoral background or acquired any ethics, and her bizarre family and frustrated schoolmates have trouble interacting with her.

Saturday Night Live alum Dana Carvey brings his talent for sketch comedy to his own show with "The Dana Carvey Show." Not afraid to be lewd, crude, shrewd, or sophisticated, Carvey and his team (mostly talented unknowns) embark upon a quest to lampoon the President, their sponsors, C-SPAN, and pop culture with their inventive and wacky skits.

Sarah Silverman stars as Sarah Silverman, an unemployed single woman who still behaves like a child. Sarah depends in everything on her sister (played by her real sister Laura). Sarah is petty, self centered, childish, sometimes dumb and always Jewish. Other characters are her two gay neighbors (or gaybors as she calls them) and Laura's boyfriend who is a police officer.

Sons of Tucson is a family comedy about three brothers who hire a charming, wayward schemer to stand in as their father when their real one goes to prison. What begins as a business relationship evolves into something more complex and compelling: a family unlike any we've ever seen. The three brothers find their dad-for-hire, Ron Snuffkin (Tyler Labine), at the local sporting good store. Ron will be forced to draw on a wide array of skills and a vast bag of tricks as he steps into the patriarch role to take care of the boys of the Gunderson family. Robby Gunderson, 8, is a loose cannon who doesn't respond well to authority; Gary Gunderson, 11, is a bright and street-savvy leader who is every bit the con man his father is; and Brandon Gunderson, 13, is a gentle free spirit who simply goes along for the ride. Maggie Morales (Natalie Martinez), Robby's second-grade teacher and the object of Ron's affection, might just be the only stable figure in the lives of this quirky quartet. While Sons of Tucson is grounded in the day-to-day challenges of a single-parent home, nothing in the Gunderson household is quite what it seems. An ongoing chess match between Ron and the boys will keep both parties on their toes, as neither side can afford to give up too much power or independence.

A sketch comedy show that follows the absurd adventures of Michael, Michael and David.

A group of guys who carpool to work together from their suburban homes.

A working class family and their oddball friends.

Grocery store clerks having misadventures.

Greg the Bunny is one of the 3.2 million fabricated Americans ("puppets") living in the United States. Wanting a job that doesn't involve working only on Easter, he convinces his roommate Jimmy Bender to find him a job on the kid's show "Sweetknuckle Junction", which his father Gil directs. While Greg thinks he's going in for a backstage office job, he inadvertently bluffs his way into becoming a cast member.

A comedy about how friendships and romances both enhance and complicate our lives, which centers on three longtime friends and their attempts to navigate the demands of their relationships.

Marc Maron has been a comedian for 25 years. He's had his problems. He was an angry, drunk, self involved, twice divorced compulsive mess for most of his adult life, but with the popularity of a podcast he does in his garage and a life of sobriety, his life and career are turning around.

Steven Wilde always had everything he wanted, due to his improbably rich father. Except the girl, Emmy Kadubic, who is an environmentalist. Emmy and her daughter, Puddle come to live with him.

From Pat Bishop, Matt Ingebretson, and Jake Weisman comes a dark, edgy look at life as a Junior-Executive-in-Training at your average, soulless multi-national corporation. Matt and Jake (Ingebretson and Weisman) are at the mercy of a tyrannical CEO Christian DeVille (Lance Reddick) and his top lieutenants, sycophants John and Kate (Adam Lustick and Anne Dudek). As Matt and Jake navigate an ever-revolving series of disasters their only ally is Hampton Deville Human Resources rep Grace (Aparna Nancherla). Executive produced by Ingebretson, Weisman, Bishop, who will also direct and Jake Fogelnest