An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.

This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world.

Manny, Joel, and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah embraces an imagined world all on his own.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Widowed Patriarch Borgen, who's rather prominent in his community, has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, Johannes, who believes he is Jesus, and Anders, young, slight, in love with the tailor's daughter. The fundamentalist sect of the girl's father is anathema to Borgen's traditional Lutheranism; he opposes the marriage until the tailor forbids it, then Borgen's pride demands that it happen. Unexpectedly, Inger, who is the family's sweetness and light, has problems with her pregnancy. The rational doctor arrives, and a long night brings sharp focus to at least four views of faith.

Gelsomina's family functions according to very particular rules. First of all, Gelsomina, at twelve years of age, practically runs the family. Her three younger sisters obey her and work under her watchful eye. But the outside world mustn't know anything about their lifestyle, and they should be kept away from it, well-protected in their isolated countryside home. Gelsomina's father, Wolfgang, is a foreigner and Gelsomina is the future queen of this strange and improbable kingdom he has constructed for them. A male heir would have been better, of course, but Gelsomina is strong and determined and what's more, she has a special talent for beekeeping and making honey. It's Gelsomina that retrieves the swarms from the trees, who organizes the honey extraction, and she is the one that carries the hives. Whilst all around them the countryside is being burnt up by pesticides, rural life is falling apart and becoming something different, a TV show competition arrives from the city offering a cash prize and a luxury cruise for the Most Traditional Family. "Village Wonders" is presented by the good fairy, Milly Catena. Gelsomina wants to participate in the contest, but Wolfgang won't even consider it. Something else is tormenting him: the new European laws regarding farm produce. If they don't get their honey lab in order, with washable walls and well-defined working spaces, they will have to cease production. They have to work very hard to expand the bee colonies, and get the lab up to standard. In his desperate search for cheap labor, Wolfgang agrees to take on a delinquent German boy, Martin, who comes from a youth rehabilitation exchange program. The tension mounts: between a silent evasive boy onto whom Wolfgang projects his desire for a son, and, counteracting this, the outward reaching force of Gelsomina that will stop at nothing just in order to see the good fairy TV show hostess again. Nothing will be the same at the end of this summer for Gelsomina and her family. An extraordinary summer, when the strict rules that hold the family together, begin to break...

Follows the story of 15-year-old Chiara whose close-knit family falls apart after her father abandons them in Calabria.

After a neighborhood tragedy, two adolescent brothers confront changing relationships, the mystery of nature, and their own mortality. Hide Your Smiling Faces is an atmospheric exploration of rural American life through the often distorted lens of youth.

Sara is a young girl raised in a family of goat farmers. Her parents homeschool their twelve children, rigorously following the precepts of the Bible. Like her sisters, Sara is taught to be a devout woman, subservient to men while keeping her emotional and physical purity intact until marriage. When Sara meets Colby, a young amateur bull rider, she is thrown into crisis, questioning the only way of life she has ever known. In a stunning portrayal of contemporary America and the insular communities that dot its landscape, Stop the Pounding Heart is an exploration of adolescence, family and social values, gender roles, and religion in the rural American South.

The foolish servant Pulcinella is sent from the depths of Mt. Vesuvius to present-day Campania to honor the last wishes of the poor shepherd Tommaso: his mission is to save a young buffalo called Sarchiapone. Pulcinella finds the animal at the former royal palace of Carditello, where Tommaso had looked after the ruined Bourbon estate in the heart of the Land of Fires. He takes the buffalo off to the north and the two servants, man and beast, travel through a beautiful and lost Italy, but their long journey's end does not bring what they were hoping for.

Set deep in the south of Italy, Corpo Celeste is the story of 13 year old Marta who is struggling to resettle after ten years growing up in Switzerland. Bright-eyed and restless, she observes the sights, sounds and smells of the city but feels very much an outsider. Marta is about to undergo the rite of confirmation. In the convention of the Catholic Church she takes catechism but confronts the morality of the local Catholic community. A series of subtle moments trace her journey as she connects and conflicts with her mother, sister and the Sunday school teacher Santa. From experiencing her period to making a bold decision to cut her hair, Marta begins to shape her own life for the first time since moving back to Italy. Corpo Celeste heralds the arrival of a young and distinctive voice. Alice Rohrwacher's writing and directing debut is a sensitive unveiling of the moral and religious layers that can smother adolescence.

Year one for Lucy, Jiovanni and director Alexander at the Teddy McArdle Free School in Little Falls, New Jersey, where classes are voluntary and rules created by democratic vote. Wilder is there from the beginning, observing an indelible cast of outspoken young personalities as they form relationships, explore their surroundings and intensely debate rule violations, until it all comes to a head.

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