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In Paris, wealthy Charles Bonnet is well known in the art world as a collector of rare pieces, mostly of the impressionist masters. He will on occasion sell paintings from his collection at auction. In reality, he is an art forger, he only reproducing those pieces known to have gone missing. His daughter, Nicole Bonnet, wants him to stop this business fearing that some day soon he will get caught. She is most concerned about he loaning out his Cellini Venus statue to the Kléber-Lafayette Museum, as she knows that technology can now test for things such as material age which would prove that the statue and by association he is a fraud. He ends up causing a problem for himself when he signs a $1 million insurance policy for the statue for the museum, which unwittingly allows them to test the piece for its authenticity. To save her father from jail, Nicole feels the only thing she can do is try to steal the statue from the gallery which may not be the easiest thing to do especially as the museum has installed an electronic security system around the piece to protect it above and beyond the regular security. She contacts the only person she knows who she believes can help her, namely a burglar named Simon Dermott. Nicole and Simon had only recently met when he broke into the Bonnet mansion to steal a Van Gogh painting, Nicole catching him in the process. Nicole could not call the police to report him for fear that her father's fraudulent life would be uncovered. Nicole not only has to convince Simon to help her without actually divulging the reason why she wants to steal her own statue, but they also have to come up with a plan to steal it. Complicating matters is an American art collector named Davis Leland who is not only wooing Nicole, but wants to add many of M. Bonnet's pieces to his own collection, most specifically the Venus. Within this collective, not all is as it appears on the surface.

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

With his family away for their annual summer holiday, New Yorker Richard Sherman decides he has the opportunity to live a bachelor's life - to eat and drink what he wants and basically to enjoy life without wife and son. The beautiful but ditsy blond from the apartment above his catches his eye and they soon start spending time together. It's all innocent though there is little doubt that Sherman is attracted to her. Any lust he may be feeling is played out in his own imagination however.

Maggie Scott (Ann-Margret), a fashion buyer in Paris on her first buying spree where she meets famous fashion designer Mark Fontaine (Louis Jourdan) and he immediately gives her the big rush. When Maggie appears to have lost the lucrative contract with Fontaine, her boss Ted Barclay (Chad Everett), the son of her company's owner, comes to Paris to straighten things out, making an even bigger mess of things.

Three New York models, Shatze, Pola and Loco set up in an exclusive apartment with a plan....tired of cheap men and a lack of money, they intend to use all their talents to trap and marry three millionaires. The trouble is that it's not so easy to tell the rich men from the hucksters - and even when they can, is the money really worth it?

Naive, by the book French police officer Nester Patou, is transferred to the Red Light district. Upon witnessing what must be a brothel, he calls the station and organizes a raid, transporting all the 'ladies' to the jail. This unfortunately disrupts the well organized system of the police and the Pimps union. Not to mention inadvertently netting his station superior at the brothel. Fired, he goes to a bar to drink, is befriended by Irma, beats up her pimp, and finds he is now Irma's new pimp. Nester's doesn't like the thought of his girl seeing other men, so comes up with a plan.

A private investigator reveals to his client that his wife is having an affair with a notorious womanizer, the wealthy Frank Flannagan. His client decides to shoot Flannagan at his hotel. Overhearing this, the investigator's daughter rushes to Flannagan to prevent his murder, and the two eventually become attracted to each other.

Maggie Prescott, the Editor-in-Chief of New York based Quality, a fashion magazine that sets trends i.e. leads instead of follows, has come up with her latest brainchild: to feature a model to be the Quality Woman, complete with successful Paris-based designer Paul Duval to devise a new collection inspired by her. The Quality Woman is not only to embody beauty, but also intellect. Against Maggie's initial judgment, she relents to the vision of her head photographer Dick Avery in choosing Jo Stockton rather than one of their in-house models as the Quality Woman, Jo the clerk they met in an impromptu photo shoot they did against her will in the Greenwich Village bookstore where she works. The marks against Jo are not only that she isn't a professional, but that she has what she even considers a funny looking face, something that Dick instead calls interesting. Jo, who abhors all that the world of fashion represents in she being an intellectual, ultimately agrees as the job would take her to Paris where she hopes to meet her idol, Professor Émile Flostre, the leading philosopher on the concept of empathicalism. But in Paris, the two worlds for Jo begin to collide in more ways than one, arguably the most important in she falling for Dick, his actions solely to get her to exude the emotions he wants for the photos.

In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.

Using Helen Gurley Brown's book as a jump off point, we follow the adventures of a supermarket tabloid editor as he tries to parlay an interview with the author of the book into headlines and sales. Of course, a romantic entanglement ensues.

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

In what's been called 'the best Alfred Hitchcock film which he didn't direct,' a man is thrown off a train, and when the police locate his wife, it turns out she knew nothing about him - not even his real name. After her are four men, who insist she's in possession of a huge amount of money which they believe to be theirs. If she doesn't give it to them, she'll be killed.

Jane Osgood is trying to support her two young children by running a lobster business. After one of her shipments is ruined by inattention at the railroad station, Jane decides to take on Harry Foster Malone, director of the line and the "meanest man in the world". With the help of her lifelong friend - and lawyer - George Denham, Jane sues Malone for the price of her lobsters & her lost business. What she ends up with is a lot more than either of them bargained for.

Upon her banking executive father, Lord Jimmy Broadbent (Sir Rex Harrison) remarrying who is now the second Lady Broadbent, Sheila (Kay Kendall), seventeen-year-old Jane Broadbent (Sandra Dee), who has been living in the States with her American mother since the divorce, pays her father in London a visit so that she can meet Sheila. Jane's visit coincides with it being "the season" in London: when all the society debutantes hold their balls to "come out" as being ready to find a suitable mate and marry. Sheila, as her first act of being Jane's British stepmother, wants Jane to come out along with all her British peers. Sheila believes that someone like if not David Fenner (Peter Myers) himself, he a guard at Buckingham Palace, would be a suitable mate for Jane. In attending some of the earlier season balls, Jane not only finds David Fenner a drip, but she also does not want to step on the toes of her first true friend in London, Clarissa Claremont (Diane Clare), who is in love with Fenner. Fenner, in turn, doesn't seem to know that Clarissa as a potential mate even exists while he sets his sights on Jane. That doesn't stop Clarissa's scheming mother, Mabel Claremont (Dame Angela Lansbury), from preventing anything from happening between Fenner and Jane so that Clarissa can end up with Fenner. Instead, Jane seems to be falling for twenty-three-year-old David Parkson (John Saxon), an Italian-American working as a drummer, his band playing at many of the social events among this circle. It isn't so much that he is a drummer, but Sheila buys into the rumors of David Parkson having been untoward to fellow deb Brenda Bassington in viewing him as unsuitable courting material for Jane. While he does what he needs to to appease his wife, Jimmy can see beyond the rumors eventually to get to the truth, specifically when he learns that Jane and Parkson, who he truly likes, are indeed in love. Jimmy has to find a way to make Sheila see the truth about Parkson, just telling her which he knows will not do the trick.

New Yorkers Paul Bratter and Corie Bratter née Banks have just gotten married. He is a stuffed shirt just starting his career as a lawyer. She is an independently minded free spirit who prides herself on doing the illogical purely out of a sense of adventure, such acts as walking through Washington Square Park barefoot when it's 17°F outside. Their six day honeymoon at the Plaza Hotel shows that they can get to know each other easily in the biblical sense. But they will see if they can get to know each other in their real life when they move into their first apartment, a cozy (in other words, small), slightly broken down top floor unit in a five story walk-up. While Corie joyfully bounds up and down the stairs, Paul, always winded after the fact, hates the fact of having to walk up the six flights of stairs, if one includes the stairs that comprise the outside front stoop. Beyond the issues with the apartment itself, Paul and Corie will have to deal with an odd assortment of neighbors, most specifically eccentric senior Victor Velasco, who lives in the unusual attic and who would like to consider himself a dirty old man. Corie, worried about her single straight-laced mother Ethel Banks, wants to set her up with Victor. Without Corie or Paul truly realizing it, Ethel and Victor as a twosome is as illogical as Corie and Paul. What happens between Ethel and Victor may be a predictor if Corie and Paul's marriage can make it in the long run.

Having once played and lost in love, twenty-five year old Samantha Blake has immersed herself in her job as the chief ladies fashions buyer for discount J. Bergner's Fifth Avenue in New York. In other words, she scowls the high end shops at night stealing their designs which Bergner then produces and sells for a fraction of the cost. She has placed as much space between herself and romance by dressing like a man and going by the moniker Sam. Steve Sherman could be a great journalist, but his womanizing always seems to get in the way. Steve and Sam meet on the same New York to Paris flight, Sam who is travelling there with her boss Joe Bergner and her wisecracking colleague Lena O'Connor, who is secretly in love with Joe, to visit the Paris design houses under the guidance of vivacious Felicienne Corbeau, while Steve has been exiled there by his boss, International Press chief Bertram Chalmers, as Steve's iron-clad contract won't allow Chalmers to fire him until the expiry of that contract, Chalmer's hope being that Steve kills himself among the bevy of French beauties in the process. Sam and Steve immediately butt heads being the antithesis of each other when it comes to love and romance. Lena has her own romance problems as she can see that she will have to fight Felicienne for Joe, which is made all the more difficult in Felicienne being a truly nice woman. But being in the city of love opens Sam's eyes to the fact that she really wants love in her life. Making herself over to an extreme, she meets Steve, who out of circumstance doesn't recognize her as Sam and who believes she is a prostitute named Mimi. Steve's initial interest in Mimi is purely as a source for stories, he using her background to equate the French view of love and sex with sport. But as they spend more time together, they begin to fall for each other, the question then being if they can love each other as plain old Steve and Samantha.

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

Joanna and her architect husband, Mark Wallace have been married for a decade, and their relationship's become very rocky. As they drive from their London home to St. Tropez for the unveiling of a house Mark has designed for his clients, Maurice and Francoise Dalbret, they recall the events - both happy and sad, which neither then to this point. Told in flashback they pair recall their first meeting, and memorable moments in their courtship and early wedded life, as well as the tensions they both felt which led them each to extramarital affairs. With a terrific score by Henry Mancini, this welli-loved Stanley Donnen film's a sparkling effervescent story which deals in an atypical way for films of this time - showing both the joyousness and pathos off love.