ταινίες

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.

The love story of young adults Oliver Barrett IV and Jenny Cavilleri is told. Oliver comes from an extremely well off and old money New England family, the Barrett name which holds much gravitas and which is plastered especially all over Harvard where Oliver is in pre-law. Like those before him, he plans on attending Harvard Law School, which is not an issue in either the school not accepting him or he not wanting to attend. He has an extremely stiff relationship with his parents, especially his father, Oliver Barrett III, who loves his son in the old school way. Jenny, a music student at Radcliffe, comes from a working class Rhode Island background, she working her way through the program before she plans on going to Paris to further her studies. Unlike Oliver's relationship with his father, Jenny has a very casual one with her baker father, who she calls by his given name Phil. When Oliver and Jenny meet, there are immediate fireworks - she always with a quick quip to put him in his place - both of a good and bad kind, but they both quickly come to the realization that they are in love with each other. They have many obstacles to overcome in having a committed relationship, outwardly his father's disapproval of someone like her not being Barrett material being arguably the the biggest. However, other things that happen in the natural course of life and death may trump all.

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary Wilkie, the mistress of his best friend, college professor Yale Pollack. Although Isaac's first impression of Mary is that she is a pretentious intellectual, he falls for her. They do become friends with the potential of becoming more than just friends as she knows that being the "other woman" in Yale's life is not a long term role that she wants. An Isaac/Mary coupling may complicate matters even more with Yale being mutually in their lives. Regardless, Isaac may be able to rationalize events after they happen, no matter what those events are.

Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions.

When Mr. Dashwood (Tom Wilkinson) dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters Elinor (Dame Emma Thompson), Marianne (Kate Winslet), and Margaret (Emilie François), in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars (Hugh Grant), his family disapproves and separates them. And though Mrs. Jennings (Elizabeth Spriggs) tries to match the worthy (and rich) Colonel Brandon (Alan Rickman) to her, Marianne finds the dashing and fiery John Willoughby (Greg Wise) more to her taste. Both relationships are sorely tried.

Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a kindred spirit and they fall in love.

Based on Charles Dickens' timeless tale, this is a story of the love of a man for an unreachable woman. Updated to modern-day New York City, the story concerns a man of modest background who falls in love with a rich girl. But when a mysterious benefactor greenlights the man to make his dreams come true, everything done has the ultimate goal of making Estella fall in love with him.

This love story has Kitty (Naomi Watts) meeting young, intelligent, shy and somewhat dull Dr. Walter Fane (Edward Norton), whose forte is the study of infectious diseases, and the convenient marriage to which she finds herself committed. It is in this web of intrigue that they head for China, only after Walter discovers Kitty's infidelity with the dashing and witty diplomat Charlie Townsend (Liev Schreiber). So much as to hide her from herself and to help thwart a cholera outbreak, this is a marriage more than on the rocks. This is a cold, indifferent, and loveless partnership in a vast unknown and deadly environment that will test both of these flightless lovebirds and with the hardships and tolerances more than any had ever anticipated. A visual delight amidst the pain and suffering of dying people and failing marriage. Will a cure be found for both, before it's too late?

Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success. His reward for doing so will be to spend the night with Merteuil. He has little difficulty seducing Cecile but what he really wants is to seduce Madame de Tourvel. When Merteuil learns that he has actually fallen in love with her, she refuses to let him claim his reward for seducing Cecile. Death soon follows.

Benjamin Braddock returns home to California after successfully completing college. He gets a hero's welcome from his parents but Ben isn't quite sure what to do with the rest of his life. He is soon seduced by Mrs. Robinson, the wife of his father's partner, who methodically pursues the inexperienced young man. Soon, they are meeting regularly in hotel rooms. Warned by her to stay away from her daughter Elaine, his father goads him into taking her out on a date. He finds he quite likes Elaine but when she learns he's been having an affair with her own mother, she'll have nothing to do with him. He's smitten however and pursues her.

The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple.

Nickie Ferrante's return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they've fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however resulting in misunderstanding and heartbreak and only fate can save their relationship.

It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.

A young married US military soldier, Paul, returns home after World War II and meets a girl, Victoria, along the way. Victoria is pregnant and terrified of returning home to her Mexican family where her strict over protective father will surely disapprove of her out of wedlock pregnancy. Wanting to help, Paul offers to pose as her husband to calm things over until such time he is free to leave again but as they spend time together, they start falling in love with each other. However, Paul is still married and they have to hold themselves back before fate would intervene and tragedy would ensue and they would finally be together.

In 1951, Laura Brown (Julianne Moore), a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel "Mrs. Dalloway". Clarissa Vaughan (Meryl Streep), a modern woman living in present times is throwing a party for her friend Richard (Ed Harris), a famous author dying of A.I.D.S. These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman), who's writing the novel mentioned before.