Glamour Luxury Action Dramas

In Detroit, Clarence Worley goes to the movie theater alone on the day of his birthday to watch some movies. The gorgeous Alabama Whitman accidentally drops her popcorn on Clarence and they watch the movie together. Later they go to a diner for pie, and end up having a one night stand. In the morning, Alabama confesses that she is a call-girl hired to spend the night with him, but she has fallen in love with him. In the morning they get married and Clarence goes to the club where she worked to bring her some clothes. However, her pimp Drexl Spivey and his partner beat up Clarence and he reacts by killing them both. Clarence asks for Alabama's suitcase with her clothes and the other girls mistakenly give another one with cocaine. When Clarence discovers the mistake, he decides to travel with Alabama to the house of his friend, the aspiring actor Dick Ritchie, to sell the drug and travel to Mexico. He visits his father Clifford Worley and gives his address to him. But the Sicilian Mafia is the owner of the drug and a group of killers are sent to hunt down Clarnece and Alabama.

The Bronx, New York, 1960. 9-year-old Calogero grows up admiring and fascinated by the local mob boss, Sonny. Calogero's father, Lorenzo, wants to have nothing to do with the mob and does his best to keep his son away from Sonny and mob business. However, it may prove a losing battle.

The future is set for Tony and Michael -- owning a neighborhood bar and making deals in the mean streets of New York City's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. In love with a woman of whom his uncle disapproves (due to her epilepsy) and a friend of her disturbed cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all -- Charlie just cannot reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future.

Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss.

This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops that evening. Max somewhat reluctantly agrees. Max learns the hard way at their first stop when a body falls from a third story apartment window and lands dead on top of his cab that Vincent is a contract hit man. Vincent's main goal, as per his current contract, is to kill five people, one at each of the stops, but he will not let others get in the way of that goal, even if it means killing them, including Max. As Vincent forces Max to continue driving him for the evening, Max tries slyly at every turn to take back control of his life from Vincent, especially when Max learns of one of the names on Vincent's hit list. Meanwhile, LAPD narcotics detective, Ray Fanning, and ultimately the FBI get involved when Vincent's first victim is associated with a case in which Ray is working undercover. Ray is able to piece together information which makes him hot on Max and Vincent's tail.

In Los Angeles, a city where streets are overrun by drug dealers, those who have sworn to uphold the law are breaking them to clean up the streets. Denzel Washington plays L.A.P.D. detective Alonzo Harris, a veteran narcotics officer whose methods of enforcing the law are questionable, if not corrupt. 'Training Day' follows Harris as he trains rookie Jake Hoyt over a 24-hour period. Ethical dilemmas arise for Hoyt as well as the audience as questions present themselves as to whether or not Harris' methodology for ridding the streets of South Central Los Angeles of drugs is right or wrong.

The Charlestown neighborhood of Boston is renowned for churning out a high number of armed robbers, generation after generation. These robbers never leave their Charlestown life on their own volition, the neighborhood where there is an unwritten code to protect that lifestyle. Such robbers include friends Doug MacRay, James Coughlin, Albert 'Gloansy' Magloan and Desmond Elden. Doug and James in particular treat each other like family, as the Coughlins have realistically been as such to Doug since Doug's mother ran off and Doug's father, Stephen MacRay, was sent to prison. James' single mother sister, the drugged out Krista Coughlin, and Doug have a casual sexual relationship. The foursome carry out a mostly successful bank robbery, but due to circumstances take the bank manager, Claire Keesey, hostage for a short period before releasing her physically unharmed. They find out that Claire lives in Charlestown, so they want to ensure that she did not see anything that could incriminate them if they were to ever run into her. As such, Doug begins a personal relationship with her to find out what she knows and what she's told the police and the FBI, who have taken charge of the investigation. He learns that she has kept some information from the authorities for her own protection but information that could identify James in particular. But Doug slowly falls for her, as she does for him. Ultimately, Doug dreams about leaving his Charlestown life to be with Claire anywhere but there. But Doug has to try and keep his true identity from her, and keep the fact that he is seeing her from his colleagues. But leaving is not as easy as he would like as he and the gang are tasked with a big job by a local gangster named Fergie whether Doug likes it or not. And Adam Frawley, the FBI's lead investigator, comes into evidence that links the foursome to the bank robbery and a subsequent armored car heist, so is on their tail for evidence that will send them away dead or alive.

John Dahl directed this exploration of New York private clubs devoted to high-stakes poker, with first-person narration from the film's central figure, law student Mike McDermott (Matt Damon), who loses his entire savings to Russian club owner Teddy KGB (John Malkovich). Mike then turns away from cards, devoting his attentions to his law studies and his live-in girlfriend Jo (Gretchen Mol), who's concerned when Mike's former gambling buddy Worm (Edward Norton) is released from prison. She has good reason to worry, since it takes Worm only a matter of minutes to draw Mike back into poker action. When she learns Mike has returned to the poker clubs, she moves out, and Mike begins to lose interest in his studies. Worm has a prison debt, and the threatening Grama (Michael Rispoli) wants the money. Mike not only indulges the irresponsible Worm, he gets involved in Worm's debts. When Grama demands $15,000 on a five-day deadline, the two buddies go into high gear with a non-stop, no-sleep gambling binge that spirals downward toward an ultimate confrontation with Teddy KGB.

In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching.

Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safe-cracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictum in thievery: always work alone and never pull a job in your own city.

Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.

An intertwined drama about the United States' war on drugs, seen through the eyes of a once conservative judge, now newly-appointed drug czar, his heroin-addicted daughter, two DEA agents, a jailed drug kingpin's wife, and a Mexican cop who begins to question his boss's motives.

The middle-aged stewardess Jackie Brown smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie. When she gets caught by the agents Ray Nicolet and Mark Dargus with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the 56-year-old Max Cherry, who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicated confidence game with Max to steal half a million dollars from Ordell.

Seth Davis is a college dropout running an illegal casino from his rented apartment. Driven by his domineering father's disapproval at his illegitimate existence and his desire for serious wealth, Seth suddenly finds himself seduced by the opportunity to interview as a trainee stock broker from recent acquaintance Greg (

After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things go wrong for Joey after a neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find that kid and the gun before the police and the mob do.

As children, Lorenzo Carcaterra - Shakes to his friends - Michael Sullivan, Tommy Marcano, and John Reilly were inseparable. They grew up in Hell's Kitchen, a far from perfect neighborhood, one filled as Shakes says with scams and shake downs, but one where the rules were known and easily understood by its residents. The one adult who they admired was Father Bobby Carelli, who understood them as kids more than most adults and more than he himself would like to admit. In 1967, their lives would change forever when a typical teenage prank went wrong which led to the four of them being sentenced to various terms at Wilkinson Home for Boys, a reformatory. There, they were physically, emotionally and sexually abused primarily by Sean Nokes, the predatory lead guard of their cell block, and fellow guards Ralph Ferguson, Henry Addison, and Adam Styler, although there were other decent figures of authority at the home, including a few other guards. Their time at the home affected the four, not all who were able to emerge from the experience to regroup their lives. In their want to forget about the experience, they made a vow not to talk about it either between themselves or with others. Fast forward thirteen years, with Tommy and Johnny being career criminals, Michael an assistant district attorney and Shakes a newspaper writer, their friendship on the surface more loose than it was when they were children. When Tommy and John unexpectedly spot Nokes at a local restaurant, it leads to Shakes and Michael banding together to exact revenge not only on Nokes but all four of the guards who abused them. Michael had long mapped out a plan even before Tommy and John saw Nokes, but that sighting and its aftermath alters the plan. Beyond the precarious position Tommy and John place themselves into, Michael has the most to lose even if the plan succeeds. Most of the plan implementation is left to Shakes who has to enlist the machine of Hell's Kitchen, including mob boss King Benny, and their childhood friend, social worker Carol Martinez, who currently is John's girlfriend. Beyond co-opting aging lawyer Danny Snyder, who admits he may not be the best choice as an alcoholic who is no longer near the top of his game, the plan is threatened by a key piece, the need for an unreproachable figure to perjure him or herself, that person who Michael and Shakes hopes will be Father Bobby. Father Bobby, even if he knew of the abuse, may not be able to do his friends this enormous favor of an illegal nature, he who has to balance the morality of the situation in his own mind in deciding what to do.

After building an empire with bootleg alcohol, legendary crime boss

Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending....