Readlist

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend. More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price. VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them.""I live for you," I say sadly.Eo kisses my cheek. "Then you must live for more."Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations.Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children.But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class.Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

J.K. Rowling's screenwriting debut is captured in this exciting hardcover edition of the Fantastic Beasts and Where to Find Them screenplay.When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone…Fantastic Beasts and Where to Find Them marks the screenwriting debut of J.K. Rowling, author of the beloved and internationally bestselling Harry Potter books. Featuring a cast of remarkable characters, this is epic, adventure-packed storytelling at its very best.Whether an existing fan or new to the wizarding world, this is a perfect addition to any reader's bookshelf.

The New York Times bestselling series that inspired the international hit video game: The Witcher.For over a century, humans, dwarves, gnomes, and elves have lived together in relative peace. But times have changed, the uneasy peace is over, and now the races are fighting once again. The only good elf, it seems, is a dead elf.Geralt of Rivia, the cunning assassin known as The Witcher, has been waiting for the birth of a prophesied child. This child has the power to change the world - for good, or for evil.As the threat of war hangs over the land and the child is hunted for her extraordinary powers, it will become Geralt's responsibility to protect them all - and the Witcher never accepts defeat.The Witcher returns in this sequel to The Last Wish, as the inhabitants of his world become embroiled in a state of total war.

In his black-walled fortress at Inuyama, the warlord Iida Sadamu surveys his famous nightingale floor. Constructed with exquisite skill, it sings at the tread of each human foot. No assassin can cross it unheard.The youth Takeo has been brought up in a remote mountain village among the Hidden, a reclusive and spiritual people who have taught him only the ways of peace. But unbeknownst to him, his father was a celebrated assassin and a member of the Tribe, an ancient network of families with extraordinary, preternatural skills. When Takeo's village is pillaged, he is rescued and adopted by the mysterious Lord Otori Shigeru. Under the tutelage of Shigeru, he learns that he too possesses the skills of the Tribe. And, with this knowledge, he embarks on a journey that will lead him across the famed nightingale floor—and to his own unimaginable destiny...

Sonea, once the despised commoner in the Magicians' Guild, is now a Black Magician of Kyralia. Though she is now part of the establishment, she comes to find that the past is not so easily left behind... Lorkin, Sonea's rebellious son, has volunteered to join the formidable Lord Dannyl in his new post as Guild Ambassador to Sachaka - a land ruled by cruel, slave-owning black magicians. There is suspicion that some of the Sachakans still harbor dreams of conquest, so when word comes that Lorkin has gone missing, Sonea is desperate to find him. However, Guild law states that if a Black Magician leaves the city he or she will be exiled forever. As she fears for her missing son, Sonea dedicates herself to helping her old friend Cery. For some time, there has been fear and paranoia on the streets of Imardin. Leading thieves have been dying under irregular circumstances. The need to discover who has been picking off the leading thieves of the city is now a very personal crusade - one that Sonea must aid, for the killer appears to be using magic. Either a member of the Guild is leading a double life as a hired killer, or there is - once again - a rogue magician on the streets of Imardin . . .

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

"Stephen Leeds, AKA 'Legion,' is a man whose unique mental condition allows him to generate a multitude of personae: hallucinatory entities with a wide variety of personal characteristics and a vast array of highly specialized skills. As the story begins, Leeds and his 'aspects' are drawn into the search for the missing Balubal Razon, inventor of a camera whose astonishing properties could alter our understanding of human history and change the very structure of society"--From publisher's description

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

The fifth novel in James S.A. Corey's New York Times bestselling Expanse series--now being produced for television by the SyFy Channel!A thousand worlds have opened, and the greatest land rush in human history has begun. As wave after wave of colonists leave, the power structures of the old solar system begin to buckle.Ships are disappearing without a trace. Private armies are being secretly formed. The sole remaining protomolecule sample is stolen. Terrorist attacks previously considered impossible bring the inner planets to their knees. The sins of the past are returning to exact a terrible price.And as a new human order is struggling to be born in blood and fire, James Holden and the crew of the Rocinante must struggle to survive and get back to the only home they have left.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety.In this collection of short stories, following the adventures of the hit collection The Last Wish, join Geralt as he battles monsters, demons and prejudices alike...The anthology is composed of several stories, loosely linked in a chronological order:The Bounds of Reason (Granica możliwości)A Shard of Ice (Okruch lodu)Eternal Flame (Wieczny ogień)A Little Dedication (Trochę poświęcenia)The Sword of Destiny (Miecz przeznaczenia)Something More (Coś więcej)

Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.A GAME OF THRONESLong ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.source: georgerrmartin.com

This is a very good book, from what I’ve noticed reading the reviews most of the people that rated it low are saying that because they had to read it at school and had to do loads of tests on it now I’m just saying but maybe if these people tried to read it again then they would enjoy it more.

As a Red, Darrow grew up working the mines deep beneath the surface of Mars, enduring backbreaking labor while dreaming of the better future he was building for his descendants. But the Society he faithfully served was built on lies. Darrow’s kind have been betrayed and denied by their elitist masters, the Golds—and their only path to liberation is revolution. And so Darrow sacrifices himself in the name of the greater good for which Eo, his true love and inspiration, laid down her own life. He becomes a Gold, infiltrating their privileged realm so that he can destroy it from within. A lamb among wolves in a cruel world, Darrow finds friendship, respect, and even love—but also the wrath of powerful rivals. To wage and win the war that will change humankind’s destiny, Darrow must confront the treachery arrayed against him, overcome his all-too-human desire for retribution—and strive not for violent revolt but a hopeful rebirth. Though the road ahead is fraught with danger and deceit, Darrow must choose to follow Eo’s principles of love and justice to free his people. He must live for more.

The Hunger Games Trilogy: these are my issues, let me show you them.Most of the good fiction/fantasy/scifi literature these days is coming out of the Young Adult and Juvenile areas, so every six months or so I round up the new stuff and go on a reading spree. Around two years ago that included the Hunger Games trilogy (thanks to an ARC copy of Mockingjay). I did a review on that for my work newsletter which made me think about it for a good long while. (It wasn’t my best review because we’re encouraged not to say anything bad about the books, the object being to get people to read, not to drive them away.)The first book, Hunger Games, is awesome. Beyond awesome. I loved it and I greatly encourage anyone who hasn’t read it to pick it up now and get to reading! Engaging characters, tight (in both senses of the word) narrative, a plot that, while being far from original, seems shiny and new for all the different spins Suzanne Collins puts on it. It draws out your emotions and engages them, keeps you on the edge of your seat. Highly, highly recommended.The problem is, it’s best if you stop there. I sure wish the story had. At least Hunger Games stands on its own, and after reading the other two in the trilogy, I know that I can go back and just reread the first one and never have to touch the other two to have a complete fulfilling story.That’s not to say that the second book is terrible. Catching Fire is actually pretty good. Not up to the same standards as the first book - it does feel like exactly what it is, the middle book in a trilogy - but not a bad read at all. Basically it both asks and answers the age-old question, “If you could go back and do it all over, knowing everything you do now, would you do anything differently?” Which is intriguing, definitely. But at the same time, it is kind of a rehash of the first book, which is what makes it less engaging. The characters, the politics and the good narrative stop it from feeling tired and dull, and again, it’s a good read, but it’s lost its originality and some of the excitement that made the first book so entertaining.And then there’s the real problem; Catching Fire isn’t a complete narrative on its own. To know the whole story you have to read the third book, Mockingjay.Oh man, Mockingjay. The book that had all the potential to be a wonderful, heart-racing, utterly amazing finale to the trilogy. So much potential; so much fail. The ideas were there, but the execution was...just that. An execution. It’s like everything that would’ve made it a phenomenal book was taken out back and double-tapped.Even a couple years later I’m still somewhat angry when I think about it. Still so disappointed. I keep asking myself, did the author have a word limit she had to adhere to? Was she over her deadline by too much and had to rush? Was she simply bored/tired of this world? What on earth could’ve made her do this?Going against one of the major rules of good writing, Mockingjay is an exercise in telling instead of showing. Nothing big happens in the book that the author isn’t telling us about it instead of giving us the wonderful descriptions of the previous two books. With very few exceptions, events happen off screen and we get an info dump explaining them. That alone was just terrible to read. But then there’s poor Katniss.Remember the spitfire, kick-ass woman of the previous two books, the one who was determined to do whatever she could to survive and thus ensure her family’s survival? Yeah, well, say goodbye to her before reading this last book because you won’t be seeing much of her again.It’s like she just floats through events, letting things happen to her and barely reacting. She just lets herself be used, over and over, turns into something akin to a leaf in the wind. The few decisions she does make often don’t make any sort of good sense and we’re left wondering if this is really Katniss or a robot in a Katniss skin.The introduction of new characters should help things, but the narrative fails there too. The characters (heck, even the old ones we’re familiar with!) aren’t given nearly enough fleshing out; they’re just there. They don’t feel as real, as three dimensional as characters did in the last two books.The combination of all that leaves us with a flat, lifeless book and what amounts to a boring read. You want to get excited, I mean, there are serious, emotional things going on! Or at least they’re supposed to be. Hard to say when you don’t feel it and it’s just words on a page. The originality, excitement and all the drive behind the first two books is just gone. Vanished. And it’s painful to see.Yeah, two years gone and I’m still not over that. Such a let-down.I still encourage people to pick up The Hunger Games, but I barely give the next two in the trilogy more than a cursory mention. I reserve all my glowing praise for the first book and try to pretend the third never happened.

The New York Times bestselling series that inspired the international hit video game: The Witcher\ \ \ \ Geralt is a witcher: guardian of the innocent; protector of those in need; a defender, in dark times, against some of the most frightening creatures of myth and legend. His task, now, is to protect Ciri. A child of prophecy, she will have the power to change the world for good or for ill -- but only if she lives to use it.A coup threatens the Wizard's Guild.War breaks out across the lands.A serious injury leaves Geralt fighting for his life...... and Ciri, in whose hands the world's fate rests, has vanished...The Witcher returns in this sequel to Blood of Elves.\ \ The Witcher series The Last WishThe Sword of Destiny Blood of ElvesThe Time of ContemptBaptism of FireThe Malady and Other Stories: An Andrzej Sapkowski Sampler (e-only)

The second installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series.This is the exciting—yet little known—story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms.At the end of The Last Kingdom, The Danes had been defeated at Cynuit, but the triumph of the English is not fated to last long. The Danish Vikings quickly invade and occupy three of England’s four kingdoms—and all that remains of the once proud country is a small piece of marshland, where Alfred and his family live with a few soldiers and retainers, including Uhtred, the dispossessed English nobleman who was raised by the Danes. Uhtred has always been a Dane at heart, and has always believed that given the chance, he would fight for the men who raised him and taught him the Viking ways. But when Iseult, a powerful sorceress, enters Uhtred’s life, he is forced to consider feelings he’s never confronted before—and Uhtred discovers, in his moment of greatest peril, a new-found loyalty and love for his native country and ruler.