This pioneering documentary filmed in NYC from 1997-2004 follows a group of "Aggressives," or "AG's" - masculine presenting and/or identifying - queer people of color who were assigned female at birth. It explores their dreams, secrets and deepest fears as well as their social spaces like the "ballroom" and club scene. Ultimately the film focuses on the humanity of the subjects while attempting to unravel evolving terms around gender definition.

2005 documentary directed by Eric Daniel Peddle

Jane is a night club singer out of work. Robin is a quirky real estate agent looking for a ride-share to accompany her to Los Angeles. Her advertisement is answered by Jane, who at first was uncertain about her. A stop in Pittsburgh picks up a third, Holly, escaping a violent and drug dealing partner. Girls on the road, reaching understanding, respect, and care for each other. But this trio is different - Jane a lesbian, Robin suffering with AIDS, Holly running from her past, seeking one night stands, and a good man.

A colorful and foul-mouthed feature musical comedy. A film about a frizzy-haired, pink-cheeked outcast named Spork who is trying to navigate her way through the annals of junior high. When a school dance show provides a chance for Spork to show up a mean girls gang, her trailer-park neighbor steps up to coach her with some "booty-poppin" moves. Featuring a vintage '90s soundtrack (that includes 2-Live Crew, JJ Fad's "SuperSonic," Dimples T's "Get It Girl"), a score by Casey James and the Staypuft Kid; and extended school hall dance sequences, Spork is a film about standing out and fitting in.

A Long Island school superintendent and his assistant are credited with bringing the district unprecedented prestige. Frank is a master of positive messaging, whether before an audience of community leaders or in an office with a concerned student or parent. That changes when a student reporter uncovers an embezzlement scheme of epic proportions, prompting Frank to devise an elaborate cover-up.

In a small town on Christmas Eve, a snowstorm brings together a group of young people.

Cathy is the perfect 50s housewife, living the perfect 50s life: healthy kids, successful husband, social prominence. Then one night she stumbles in on her husband Frank, kissing another man, and her tidy world starts spinning out of control. In her confusion and grief, she finds consolation in the friendship of their African-American gardener, Raymond - a socially taboo relationship that leads to the further disintegration of life as she knew it. Despite Cathy and Frank's struggle to keep their marriage afloat, the reality of his homosexuality and her feelings for Raymond open a painful, if more honest, chapter in their lives.

After a horrible boating accident kills her family, shy, sullen Angela moves in with her eccentric Aunt Martha and protective cousin Ricky. One summer, Martha sends the kids to Camp Arawak. Soon after their arrival, bizarre, increasingly violent accidents claim the lives of various campers. Who is the twisted individual behind these murders? The disclosure of the murderer's identity is one of the most shocking climaxes in the history of American cinema.

In 2003, 38-year-old graphic artist Oliver Fields has just lost his father Hal to cancer, 5 years after his mother Georgia's death. Oliver is naturally sullen because of his relationships with his parents growing up (especially his mother, who had a unique view of life) and watching their cordial but somewhat distant marital relationship, but he's more so now as he deals with his personal losses. He embarks on a relationship with French actress Anna, hoping that his re-energized relationship with Hal following Georgia's death, and Hal's new outlook on life, will show him how to act in a loving relationship. After Georgia's death, Hal came out of the closet and began to live with a new joie de vivre and have an open relationship with Andy, a much-younger man. Oliver's relationship with Anna has other obstacles, including her own vagabond lifestyle and Oliver inheriting Arthur, Hal's very needy Jack Russell terrier.

A 17-year old Missouri teen named Veronica discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that will follow.

2020 film directed by Rachel Lee Goldenberg

Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) - think Duke University - and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He's an alcoholic, fresh out of rehab. He gradually becomes Duke's gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?

Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham?

From a screenplay by Sebastián Lelio and Rebecca Lenkiewicz, the film follows a woman as she returns to her Orthodox Jewish community that shunned her decades earlier for an attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality. Based on Naomi Alderman's book, the film stars Rachel Weisz, Rachel McAdams and Alessandro Nivola.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

In 1926 America's most famous evangelist is a woman. And she's looking for a way out. Fed up with her own success, she gets swept up in her lover's daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events. Mostly made up.

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