test

A city girl is traveling by train to live with her boyfriend on his vineyard. Unknown to her that workers on her boyfriend's farm has gotten sick due to pesticides. After her fellow commuter is killed by a man with ulcers on his face, she leaves the train by pulling the emergency break n flees to a village for help but gets shocked to find that the village people has turned into crazy lunatics.

In Italy, American writer Sam Dalmas witnesses a murder attempt on an art-gallery owner, Monica Ranieri, a few days before he's supposed to return home. Inspector Morosini, who is in charge of investigating the three previous murderers of the serial-killer, asks Dalmas for help and takes his passport. Dalmas decides to stay with his girlfriend Julia and to help the police in the investigation. The killer threatens Dalmas and Julia by phone and the police overhear a strange noise on the tape. Soon the serial killer stalks Julia and Damas. Who might be the killer?

On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the source of life. That procreation does not necessarily need to be within marriage, and openly flaunts the act of sex, both in private and in public. These beliefs do not sit well against Howie's strict Christian morals, he who regularly attends church, prays, and accepts communion. Everything that happens on the island seems to be dictated by Lord Summerisle, whose ancestors bought the island generations ago. Howie begins to believe that Rowan was murdered, she a sacrifice by the islanders to their higher power to ensure a bountiful apple crop - the main crop of the island - which did not materialize last season. With May Day approaching, Howie not only tries to find out if Rowan was indeed murdered/sacrificed, which includes trying to locate her body, but if there will be another sacrifice on this important day within the cycle of life.

Pierre is haunted by a persistent dream in which he spends the night with a beautiful women in a white gown who lives in an ancient mansion, though she invariably awakes with no memory of him. He is convinced that his dream has some basis in his past, but his mother scoffs at the notion. One day, he sees a photograph in a perfume advertisement that looks just like the mansion he's seen in his dreams, and arranges to meet the woman who took the pictures at a movie theater. While he waits for her, he encounters the mysterious woman in white, and as he follows her, he discovers a strange coven of the living dead -- a band of beautiful women who need to drink human blood to survive.

Lost in New York is a 1989 made for television film directed by Jean Rollin, which is one of his most personal films and has a runtime of just 52 minutes.

On a cold dark night, a man is driving through the countryside and discovers a young woman who seems to be running from something. The man stops and puts her in his car and does not notice another woman, who is completely naked, calling out for her. The woman tells the man that her name is Elizabeth; she insists there are people after her but she seems to be confused and frightened. He takes Elizabeth to his apartment in Paris and realizes she is incapable of remembering anything for any length of time. He tells her his name is Robert, which she has trouble remembering a few minutes later. She begs him not to leave her as she will forget him, and the pair make love, during which Robert tells Elizabeth to remember his face so she will never forget this time together. The next morning Robert has to go to work and when he's gone, Dr. Francis breaks into his apartment to persuade Elizabeth to return to the clinic, where she escaped from, where people are being treated for memory loss. On her return to the clinic, Elizabeth seems to remember the woman, the one who called out for her the night before, but they only remember each other's name, nothing more. The two of them attempt another escape and manage to get in contact with Robert, as Elizabeth remembers him, but they are both recaptured. Robert locates the clinic where he is told by Dr. Francis that the patients are suffering from a disease that slowly takes their memories away, and soon all the afflicted will become like the walking dead, but Robert refuses to believe this and is determined to rescue Elizabeth. The doctors at the clinic begin to dispose of the people whose memories have gone completely. Robert manages to find Elizabeth, but it is too late now that the disease has taken her completely. Dr. Francis shoots Robert in the head and he becomes just like Elizabeth. Unaware what is going on around them, Elizabeth and Robert walk side by side.

Young opera singer Betty gets her big chance when the previous star of a production of Verdi's 'Macbeth' is run over by a car. Convinced that the opera is bad luck, she accepts--and becomes the target (in Argento's unmistakable style) of a psychopath--a man who has inhabited her nightmares since her childhood.

Alice Spages is a withdrawn 12-year-old girl who lives with her younger sister Karen and their mother Catherine. Karen gets most of their mother's attention, and Alice is often left out of the spotlight. When Karen is found brutally murdered in a church before her first holy communion, Alice is thrust into the spotlight of suspicion, but is a 12-year-old girl really capable of such savagery? As more people die at the hands of a merciless killer, Alice's family and the police don't know what to believe.

An Iranian Vampire Western, shot in black&white and with a killer soundtrack... it's a love story about two tortured souls in a desolate Iranian Ghost-town called 'Bad City', where a lonely vampire is stalking the towns most depraved denizens.

Jacob Singer is trying to make sense of his fractured life and memories. Plagued by hallucinations, flashbacks, and conspiracies, he struggles down a path to enlightenment from these manic strains. With nothing but support from friends and loved ones will he be able to push through the haze of his PTSD.

Still untarnished by the false promises of the rapacious film industry, the wide-eyed actress, Betty, sets foot on bustling, sun-kissed Hollywood. Brimming with hope, and eager to spread her wings and prove her worth, Betty moves in Aunt Ruth's expensive apartment, unbeknownst to her, however, that fate has other plans in store for her, setting the stage for life-altering experiences with the unexpected, the indecipherable, and the unknown. Now, in the centre of an elaborate labyrinth of half-truths, faded memories, unrequited loves, and dangerous encounters with the city's ugly face lies a strange key to a mysterious keyhole, an even stranger indigo-blue cube, the young director, Adam, and one cryptic woman: the amnesiac brunette and devilishly seductive car-crash survivor, Rita. But, time flies and Rita's opaque past demands answers. After all, both women deserve the truth. What is the secret of the serpentine, dream-crushing Mulholland Drive?

Abruptly, the eternal slumber of the once vital 20-year-old Catherine Valmont is disturbed when a violent tremor shakes her damp and sombre underground crypt in the very foundation of her once vibrant French château. Now that the much lamented, delicate and oblivious Catherine is enticed to dwell in the world of the living tethered to the place she used to live, summoning pale memories of her beloved blood-sister Hélène remains her only link to this earth except for that vague, yet overwhelming rabid desire for innocent fragrant blood. Sooner or later, the dumbfounded Hélène will encounter once again her solitary dark sister who is longing for her in silence, nevertheless, is the cryptic Catherine the person she once knew or has she become a grim and soulless monster?

With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable.

Le Capitaine, le Bosco and two other sailors are dangerous ship wreckers. This time, they have done even worse mischief than usual, for not content to have lured a ship into coastal rocks and plundered it, they have also brutally raped and left for dead the two girls who have survived the wreck. But helped by a mysterious clown, by an exorcist on the beach and by... Satan himself, the two virgins turned she-devils will ruthlessly exact their terrible vengeance.

With the disappearance of hack horror writer Sutter Cane, all Hell is breaking loose...literally! Author Cane, it seems, has a knack for description that really brings his evil creepy-crawlies to life. Insurance investigator John Trent is sent to investigate Cane's mysterious vanishing act and ends up in the sleepy little East Coast town of Hobb's End. The fact that this town exists as a figment of Cane's twisted imagination is only the beginning of Trent's problems.

John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.

Essentially a prequel to David Lynch and Mark Frost's earlier TV series "Twin Peaks". The first half-hour or so concerns the investigation by FBI Agent Chet Desmond (Chris Isaak) and his partner Sam Stanley (Kiefer Sutherland) into the murder of night-shift waitress Teresa Banks in the small Washington state town of Deer Meadow. When Desmond finds a mysterious clue to the murder, he inexplicably disappears. The film then cuts to one year later in the nearby town of Twin Peaks and follows the events during the last week in the life of Laura Palmer (Sheryl Lee) a troubled teenage girl with two boyfriends; the hot-tempered rebel Bobby Briggs (Dana Ashbrook) and quiet biker James Hurley (James Marshall), her drug addiction, and her relationship with her difficult (and possible schizophrenic) father Leland (Ray Wise), a story in which her violent murder was later to motivate much of the TV series. Contains a considerable amount of sex, drugs, violence, very loud music and inexplicable imagery.

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.