women in horror

Clelia comes from Rome to her native Turin to set up a new fashion salon. On her first night, the woman in the next room of her hotel takes an overdose of pills. Clelia becomes involved with this woman, Rosetta, and three of her rich female friends, Momina, Nene, and Mariella. Momina is older than the others and lives apart from her husband. Her current lover is Cesare, the architect of Clelia's salon. Nene is a talented ceramics artist who lives with her fiancé , the painter Lorenzo. Mariella is a flighty woman only interested in having a good time. Clelia becomes attached to Carlo, the architect's assistant, but the other women look down on him as he comes from a working-class background. With Clelia's help, Momina discovers that Rosetta fell in love with Lorenzo as he was painting her portrait. Momina then encourages Rosetta to go after Lorenzo, although he and Nene were supposed to marry soon.

In the suburbs of Rome, translator Vittoria breaks her engagement with her boyfriend, writer Riccardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets materialist broker Piero on a day the stock-market crashes. Piero and Vittoria begin a monosyllabic relationship.

A trilogy of stories of well-off youths who commit murders. In the French episode, a group of high school students kill one of their colleagues for his money. In the Italian episode, a university student's involved in smuggling cigarettes. In the English episode, a lazy poet finds the body of a woman on the downs, and tries to sell his story to the press.

In Milan, after visiting dear friend Tommaso Garani who is terminally ill in a hospital, write Giovanni Pontano goes to a party for the release of his latest book, and his wife Lidia visits the place where she lived many years ago. That night they go to a nightclub, then to a party at tycoon Gherardini's mansion. Through the night Giovanni flirts with his host's daughter Valentina Gherardini--while Lidia flirts with playboy Roberto--and receives a proposal to work for him in the area of communication and write the history of his company.

Irene Girard is an ambassador's wife and used to living in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in need who cross her path. One day she offers shelter to a man who is evading justice, and she ends being arrested herself. Her husband, for the sake of social propriety, arranges for a doctor to declare her insane. Irene escapes one prison to enter another, and to reflect on what sort of society she lives in.

Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Ferdinando Sarmi). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido (Massimo Girotti), with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.

A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.

In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a Frenchman who has lived in Algiers all his life is arrested for the murder. A trial takes place. One of the witnesses was at the funeral of Arthur Meursault's mother. It bothers other mourners and Meursault himself that he showed no emotion when his mother died. His eventful day at the beach takes place shortly after the funeral as he examines what his life has been and what path he should take in the future.

Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and then kill himself. Unsuccessful, he resolves that his dog must die with him and he stands in the path of a train, with his dog in his arms.

In a seedy section of Rome, Vittorio Cataldi--"Accattone" ("beggar") to those who know him--lives off the avails of prostitution, Maddalena being his only girl. He is married to Ascenza with who he has young son Iaio, but he does not live with them, provide for them, or play any important role in their lives (they live with her father and brother). He generally hangs out with his similarly-slack friends, playing cards and drinking. His income source is threatened when Maddalena is hit by a motorcyclist, then beaten by rivals of his, which leads to her being arrested and jailed for a year. Largely because of Iaio, Accattone contemplates going straight and getting a real job. Then he meets Stella, an innocent young woman who has had a hard life, but is not as naive as she first appears. Accattone falls in love with her, but as the thought of working a steady job now becomes abhorrent, contemplates pimping for Stella. As Accattone and Stella's relationship progresses, Accattone's past might come back to haunt him.

Movie director Niccolo has just been left by his wife. He goes after another girl, who also leaves him. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie--but also in his own life.

Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk.

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

Living in an Italian refugee camp in 1948, the beautiful Karin meets Antonio, a resident of the men's camp. Though not in love with him, Karin marries him and they soon head for his home village, Stromboli. The village is on a remote island at the foot of an active volcano. When they arrive Karin despairs of the barren land and the absence of people, as many have left, mostly for the United States. She doesn't speak the local dialect and is treated with disdain by locals who see her as an exotic foreigner and a loose woman. After Antonio beats her and locks her in their house, she sets off across the mountains to seek her freedom and a better future.

An epic portrait of late-1960s America as seen through the portrayal of two of its children: anthropology student Daria who's helping a property developer build a village in the Los Angeles desert, and dropout Mark who's wanted by the authorities for allegedly killing a policeman during a student riot.

In the harsh granite mountains of the center of the island of Sardinia in the Mediterranean Sea, an old people live at the town of Orgòsolo. Between the rocks and the oak woods, shepherds attend their flock of sheep like their fore fathers did since prehistoric times. So do Michele and his younger brother Peppeddu that own a few sheep and make a harsh but honest living selling pecorino cheese. One day arrive three bandits on the run with machine guns and stolen pigs that take a rest at Michele's camp site. When the police arrives a day later, they run and kill a policemen in flight. Michele takes his sheep and escapes in the opposite direction and becomes a fugitive. Hunted by the police, while afraid to stand trial and leave his sheep poorly protected by his young brother, Michele decides to take Peppeddu and his flock over the mountains. Half way his sheep die of exhaustion and thirst, leaving the brothers without living so that nothing remains but returning to Orgòsolo. There they hear that Michele has been condemned for conspiracy to murder and that his creditors threaten to sell their house leaving their mother homeless, since no sheep are left to pay the dept. Nothing remains for Michele but to take up a machine gun and rob some sheep, become a bandit himself and leave a fellow shepherd in peril, thus starting a vendetta and a new cycle of violence.

By a twist of fate, the photogenic Milanese shop assistant, Clara Manni, gets the leading role in Italian movie producer Gianni Franchi's romantic drama, "Addio Signora," and becomes an overnight sensation in Rome. However--as this small role catapults her professional career as a silver-screen diva--more and more, Clara finds herself trapped in a glamorously cruel world of false promises, failed relationships, and disastrous choices. Now, a betrayed, weak, and, above all, insecure Clara has her back to the wall, forced to make a difficult but pivotal decision in her life. Is there a future in the commercial film industry for the beautiful Lady without Camelias?

With a fervent yearning for respectability and enough money to buy herself a brand-new life in Rome, the uninhibited, fearless, determined former streetwalker Mamma Roma renounces her ignominious past to reunite with her loafing 16-year-old son Ettore. Free at last from her disgusting pimp and ex-lover Carmine, Roma is bent on making an honest living running a humble vegetable stall, but a malicious extortion scheme and the equally insidious menace of exposure threaten to put an end to her zealous aspirations for a decent bourgeois existence. For his own sake, Ettore must be spared the violence of the adult world; nevertheless, can a lone single mother protect her only son from the same snares that wounded her youth?