Movies Eye Want to See

Love lost, love found, love betrayed. When Rose's secret past collides with her granddaughter's secret future and her daughter Patty's angry present, can the love of three generations be enough to accept decades of deceit. What happens that summer of 1960 when Louise and Zee enter the lives of Rose and Joe Muller. Fifty years at a lake home, one camera. With the discovery of a simple roll of film it begins.

In the early 1990s,

After being assigned as study partners, two Chicana high schoolers find a bond that confuses them at times.

Eager to escape life with her depressive single father, 16-year-old athlete Cyd Loughlin visits her novelist aunt in Chicago over the summer. While there, she falls for a girl in the neighborhood, even as she and her aunt gently challenge each other in the realms of sex and spirit.

Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling "same sex attraction." Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.

From a screenplay by Sebastián Lelio and Rebecca Lenkiewicz, the film follows a woman as she returns to her Orthodox Jewish community that shunned her decades earlier for an attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality. Based on Naomi Alderman's book, the film stars Rachel Weisz, Rachel McAdams and Alessandro Nivola.

A family moves into a new neighborhood, and a 10-year-old born Laure deliberately presents as a boy named Mickäel to the neighborhood children. It is heavily implied that Mickäel is a closeted transgender boy. This film follows his experiences with his newfound friends, his potential love interest, Lisa, his younger sister and his parents. It focuses in on the significance of gender identity in social interaction from an early age, the difficulties of being transgender and young, and how Mickäel navigates these in the background of childhood play and love.

Family living under one roof in New York must deal with a life-changing transformation by one that ultimately affects them all. Ray is a teenager who has come to the realization that he isn't meant to be a girl and has decided to transition from female to male. His single mother, Maggie, must track down Ray's biological father to get his legal consent to allow Ray's transition. Dolly, Ray's lesbian grandmother, is having a hard time accepting that she now has a grandson. They must each confront their own identities and learn to embrace change and their strength as a family in order to ultimately find acceptance and understanding.

Lucy and others demonstrate outside a prison about to execute a mentally disabled man for killing a cop. She meets Mercy, who is there with her mom and dad, a cop, to support the execution. Once home again with her big sister Martha and kid brother Ben, Lucy googles Mercy. She's a lawyer. Lucy's dad is to be executed in a few months for allegedly killing her mom 8 years ago, when Lucy was 14 and Ben a baby. Martha has been like a mom for them since. The siblings have a pro bono lawyer trying to get their dad off death row. The cute Mercy keeps meeting up with Lucy.

Manny, Joel, and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah embraces an imagined world all on his own.

A closeted young man goes home for the holidays and struggles to reveal his dire circumstances to his conservative family.

For Shirin, being part of a perfect Persian family isn't easy. Acceptance eludes her from all sides: her family doesn't know she's bisexual, and her ex-girlfriend, Maxine, can't understand why she doesn't tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother's betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of pansexual escapades, while trying to decipher what went wrong with Maxine.

Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman's stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood's few female directors. As she's discovering these things, Cheryl becomes involved with Diana, who's also White. The affair strains Cheryl's friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.

An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.

In 1968 New York City - when being gay was still considered to be best kept behind closed doors - a group of friends gather for a raucous birthday party hosted by Michael (Jim Parsons), a screenwriter who spends and drinks too much, in honor of the sharp-dressed and sharp-tongued Harold (Zachary Quinto). Other partygoers include Donald (Matt Bomer), Michael's former flame, now mired in self-analysis; Larry (Andrew Rannells), a randy commercial artist living with Hank (Tuc Watkins), a school teacher who has just left his wife; Bernard (Michael Benjamin Washington), a librarian tiptoeing around fraught codes of friendship alongside Emory (Robin de Jesús), a decorator who never holds back; and a guileless hustler (Charlie Carver) hired to be Harold's gift for the night. What begins as an evening of drinks and laughs gets upended when Alan (Brian Hutchison), Michael's straight-laced college roommate, shows up unexpectedly and each man is challenged to confront long-buried truths that threaten the foundation of the group's tight bond.

1964. Cathleen Harris, in her late teens, has resided at the Convent of the Beloved Rose in her home state in the American south for close to two years, first as a postulant for six months, before taking her first vows to become a novice. Unlike the other postulants and novices, Sister Cathleen was raised in a household without religion, let alone Catholicism. As such, her decision to become a nun, which went against her divorced mother's wishes, may be more secure in her mind than her colleagues for which this life course may be more bred within them. The convent is led by the Mother Abbess, Reverend Mother Marie Saint Clare, whose entire life is this convent off of where she not stepped foot in forty years. Reverend Mother believes she is the voice of God within the walls of the convent, and thus does not tolerate any of the sisters questioning her authority. She also believes that the Catholicism which she has known all her life is perfect. When she receives an edict regarding the Second Vatican Council - more commonly referred to as Vatican II - which, opened in 1962 as a process to make the Catholic church more open to modern ideals, she refuses to implement any of the changes, let alone discuss the edict with any of the sisters, especially with the likes of Sister Mary Grace, the Mistress of Postulants and Novices who has more contemporary views of the church. Sister Cathleen's drive to become a nun is set against this backdrop, her process which is not as easy as it appears to the others, and whether she makes it to nun is affected by the Reverend Mother's strict methods and refusal to modernize.

A woman's life is turned upside down when her criminal parents invite an outsider to join them on a major heist they're planning.

A web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend and his husband. Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma.