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The Cult are an English rock band formed in 1983 in Bradford, West Yorkshire. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are also the band's two songwriters.

Hypernova is a New York-based Iranian rock band from Tehran. The band is made up of King Raam, Kami, Kodi & Jam . Raam is the lead vocalist, Kodi is the lead guitarist, Kami is the drummer and Jam plays bass. Hypernova also has session musicians playing synths & keys at their live shows. The band members' individual names are derivations of their actual first names, probably to avoid undue attention at home in Tehran, where playing rock music is dubbed as illegal and may lead to arrest, large fines, and even a public flogging.

"Through The Chaos" is Hypernova's debut album and was released April 6, 2010 on Narnack Records. The album is produced by Herwig Maurer and mixed/engineered by Sean Beavan. The album was recorded, mixed and mastered in 2008 but the official release was pushed back to 2010. During this time a few limited edition copies were given out by the band to fans.

Fade to Black can refer to:Fade (lighting), in stage lighting, a change in light level; decreasing the level to complete darkness is a "fade to black" Fade to Black (novel), a Nero Wolfe mystery by Robert Goldsborough Fade to Black , a 1995 sequel to Flashback

The Terminator: Original Soundtrack is a soundtrack album that Brad Fiedel composed and performed on synthesizer for the 1984 film The Terminator. Fiedel described the film's music as being about "a mechanical man and his heartbeat". Almost all the music in the film was performed live.

The Terminator theme is played over the opening credits and during certain scenes at varying tempos, including a piano version during the love scene and a slowed-down version when Reese dies. It has been described as having a "deceptively simple melody" line and "haunting synthesizer music". It is in a time signature of 1316, which came about as Fiedel experimented with the rhythm track on his music equipment, a Prophet-10 and an Oberheim. Originally intending the meter to be something simpler like 78, his finger was rushing when he activated the loop; however, Fiedel found that he liked the "herky-jerky" "propulsiveness" of 1316 and decided to keep it, not even realizing the number of beats because he didn't write any notation.