To watch

An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.

The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters.

In the late 19th century, Tess Durbeyfield is sent off to visit a rich cousin, Alec D'Urberville, when her parents learn that they are distantly related. Tess takes a disliking to the man and his attempts at seduction are rebuffed. Returning from a village party he forces himself on the innocent girl who eventually makes her way back to her parents' home. Ashamed and pregnant she seems destined to forever being marked a certain kind of woman. After the death of her child, she makes her way to a prosperous farm where, working as a milkmaid, she meets and eventually marries the handsome Angel Clare. On learning of her past however, he abandons her and with little choice and facing a life of extreme hardship, again falls into Alec's clutches and becomes a kept woman.

This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles, and politics of the fictional English town of Middlemarch. Adapted from the George Eliot classic of the same name, the plot centers on the socially conscious, but naive Dorothea Brooke (Juliet Aubrey), whose disastrous match to the pedantic Reverend Edward Casaubon (Patrick Malahide) sets in motion a chain of events that will change the face of Middlemarch forever. The efforts of the dashing young physician, Tertius Lydgate (Douglas Hodge), to modernize the medical practices at the new hospital causes quite a stir, both in the political power structure, headed by the evil Mr. Nicholas Bulstrode (Peter Jeffrey), and the heart of sweet Rosamund Vincy (Trevyn McDowell), the town beauty. Smaller plots interweave the action and lead to reconciliation, resignation, remuneration, and resolution.

The T.V. adaptation of Charlotte Brontë's novel Jane Eyre is about a young woman who becomes governess to the ward of Mr. Rochester, a brooding and enigmatic man. They fall in love, but what secrets lie in his past and threaten to enter their future?

Orphaned by smallpox, young Lancashire country lady Fanny Hill cheerfully accepts her friend Esther Davies's offer to join the London 'working girls' with Mrs. Brown, a madam who recruits her as charmingly fresh enough to wait, in-living, on gentlemen. The first night, her room- and bed-mate Phoebe starts her sexual 'education', next she revels in being fitted her first-ever fancy frock. Her first 'client', Mr. Crofts, is neither naive nor attractive, rather a paying old rapist who isn't satisfied. Then the party scene, where men are younger and more charming. Handsome merchant's son Charles Standing declares love at first sight and offers to take Fanny away. After a few heavenly days of young love, they intend to demands Sir's blessing for their marriage, but as the ogre actually was her unsatisfied customer, Charles is made to choose between her and his future and leaves for colonial India. Being destitute, Fanny accepts becoming the kept woman of Mr. H., an earl's wealthy brother, in a fine London home with domestic staff, but since she won't give her heart he finally bangs her maid - Fanny seduces as 'revenge' her footman William. Both are dismissed. Fanny goes to Mrs. Cole's hat-shop, only to find it's a front for an upper-class whorehouse, a place where fathers even bring their sons to shed virginity with a virgin girl, a part Fanny plays well even though it breaks young Percy's heart. When she arrogantly scorns Mr. H, he has the whorehouse closed down; Fanny barely escapes, but without a dime. Alone on the street, her single act of kindness wins her a sick old rich man's favor, graduating from guest over house maid to companion and sole heir when he dies a few months later. Just then Charles returns...

Set in the 1930s, Britain is in depression and still scarred by the effects of World War I. Young and passionate Sarah Burton (Anna Maxwell Martin) returns to her conservative home county, bursting with modern ideas. As the new headmistress in South Riding, she inspires her girls, including Lydia Holly (Charlie May-Clark), a scholarship student from the slums, to think for themselves. But not everyone sees eye-to-eye with Miss Burton. She finds a few allies, Joe Astell (Douglas Henshall) being one; but the sparks really start to fly when she crosses paths with Robert Carne (David Morrissey), a haughty landlord whom she despises.

The Barchester Chronicles, a BBC miniseries, is adapted from two mid-19th century novels by Anthony Trollope. When a crusade against the Church of England's practice of self-enrichment misfires, scandal taints the cozy community of Barchester when their local church becomes the object of a scathing report about the use of church funds. Consequently, an honorable middle-aged clergyman (Donald Pleasence) is forced into moral crisis and a conflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne) and his youngest daughter's beloved (David Gwillim). The arrival of a new bishop (Clive Swift), his domineering wife (Geraldine McEwan), and a devious chaplain (Alan Rickman) - who may be hiding secrets - add to the dramatic scheming and complex power struggles among a colorful cast of characters.

Follows the novels of Anthony Trollope. Beginning with the forced marriage of Glencora (Susan Hampshire), the lives of the friends and children of this couple are the subject of study. The backdrop is the House of Commons in England as we watch the comings and goings and loves and tragedies of the powerful and not-so-powerful.

The life of penniless Mary Thorne, who grows up with her Uncle, Dr Thorne, and her relationship with the family at nearby Greshamsbury Park estate.

In the mid 19th Century, an enigmatic young woman moves to Yorkshire with a young son. Distancing herself from everyone in the village and their prying questions, she remains totally aloof until a charming neighbor farmer gets her to reveal her past through his persistence. Only then does she reveal she is hiding away from a womanizing, belittling husband.

Emma Woodhouse seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit: matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma. But is Emma so focused on Harriet's happiness that she is not considering her own happiness in love?

It is across the roulette table that Gwendolen Harleth first locks eyes with the enigmatic Daniel Deronda. Gwendolen is beautiful, vivacious, and a gambler, but desperate for financial security; something that possessive Henleigh Grandcourt would be able to provide for her. Daniel is the adopted son of an aristocratic, but doubtful of his own identity. He pours his energy into selflessly helping his friends, including poor Jewish singer Mirah Lapidoth. As Gwendolen's situation becomes dire, and Daniel seeks to uncover the mystery surrounding his own birth, their lives become intertwined...

Jane Austen's classic novel about the prejudice that occurred between the 19th century classes and the pride which would keep lovers apart.

At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city', but the "something" part is not always clear. Within weeks of arriving in London, he announces a new company and promises instant fortune to those who join him in this scheme. Melmotte is surrounded by a circle of decadent aristos, scheming widows and nouveau riche businessmen, all trying to get a piece of the financial pie. His disobedient daughter, Marie, is played by Shirley Henderson, while Cheryl Campbell, Matthew Macfadyen and Paloma Baeza bring to life the aristocratic but impoverished Carbury family.

North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton.

Mrs. Bennet is determined to find husbands for her five daughters. The arrival of a new wealthy neighbor seems like the answer to her predicament. But while eldest daughter Jane catches Mr. Bingley's eye, middle child Mary has her nose stuck in a book, and youngest girls, Kitty and Lydia, chase after officers in uniform; Elizabeth, the willful, intelligent, and opinionated second daughter, is snubbed by haughty gentleman Mr. Darcy... In this class-minded society, can love triumph over pride and prejudice?

Her family living under the heavy burden of poverty, 10 year old Fanny Price is sent to live with her more affluent uncle and aunt, Sir Thomas and Lady Bertram of Mansfield Park. Growing up, she is treated as an inferior relation by all but her best friend and cousin Edmund. Quiet, staid, and virtuous Fanny witnesses the stirrings of passion when worldly siblings Henry and Mary Crawford move in next door. Henry toys with the affections of Fanny's cousins Maria and Julia, but then his attentions unexpectedly turn towards Fanny...