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The story of Ryan Newman (Elijah Wood), a depressed man who believes he is getting nowhere in his life and plans to kill himself. In the middle of his attempted suicide, he is asked to watch his neighbor's dog, Wilfred (Jason Gann), but Ryan can only see Wilfred as a real person instead of an animal that everyone else sees. As they begin to bond more and become friends, Wilfred teaches Ryan a life lesson about people, love, and living.

17 year old high school outcast Josh searching for his missing girlfriend Sam in post-apocalyptic Glendale, California. He is joined by a ragtag group of misfits including a pyromaniac 12 year old, Angelica, and Josh's former high school bully, Wesley, now turned pacifist samurai. Josh and the group tries to stay alive amidst the horde of Mad Max-style gangs (evil jocks, cheerleaders turned Amazon warriors), zombie-like creatures called Ghoulies, and everything else this brave new world throws at him.

"Just Beyond" was a US horror/comedy anthology series created by Seth Grahame-Smith based on Boom. Studios' graphic novels of the same name by world renowned author R. L. Stine for Disney+. The series premiered on 13 October 2021, with all 8 episodes.

Explores a dark mentorship that forms between Deborah Vance, a legendary Las Vegas comedian, and an entitled, outcast 25-year-old.

Jerri Blank is a 46-year-old "boozer, user and a loser" who tries to put her life back together again. The reformed runaway and addict returns to high school as a freshman, where she tries to fit in and act hip with girls 1/3 her age. Unfortunately, she hasn't quite shed her immoral background or acquired any ethics, and her bizarre family and frustrated schoolmates have trouble interacting with her.

Follows a group of teachers brought together in one of the worst public schools in the country, simply because they love teaching.

Follows a world-famous televangelist family with a long tradition of deviance, greed, and charitable work.

A theme or incident, such as police brutality, unemployment and romance and use sketches and vignettes to illustrate what it feels like to experience this from a Black vantage point.

A group of friends turn their love for horror into a peculiar business, providing horror to those who need it, in a dreamy Latin American country where the strange and eerie are just part of daily life.

Sydney is a teenage girl navigating the trials and tribulations of high school while dealing with the complexities of her family, her budding sexuality, and mysterious superpowers just beginning to awaken deep within her.

When a botched U.S. government experiment turns a group of death row inmates into highly infectious vampires, an orphan girl might be the only person able to stop the ensuing crisis.

Flight attendant Cassandra Bowden wakes in her hotel room in Bangkok, hungover from the night before and with a dead body lying next to her. Afraid to call the police, she continues her morning as if nothing happened, joining the other flight attendants and pilots traveling to the airport. In New York, she is met by FBI agents who question her about her recent layover in Bangkok. Still unable to piece the night together, she begins to wonder if she could be the killer.

On Nadia's 36th birthday she is struck by a car and killed while leaving her party. In an instant she is alive again and transported back to her birthday party earlier that night. Moments later she dies again and finds herself, once again, back at her party, Nadia begins to question her sanity as she strives to unravel the mystery of her situation.

With help from her dad and grandmother, Nora Lum navigates young adulthood in Flushing, New York with her cousin.

What would you do if tomorrow's paper came to your door today? If you knew that you were going to die? Be lucky in love unlucky in life? That's what Gary Hobson has to ask himself every day. Gary Hobson is a stockbroker that got fired from his job and his wife found him uninteresting and kicked him out. You see it's quite simple. Everyday an orange cat comes to his door with the paper (a Chicago Sun Times). Gary doesn't know where it comes from. He did a bit of research and found out that a man named Lucis Snow, was an old typesetter and he had the paper before Gary. The day after Snow died, the paper came to Gary. Gary has two friends. Chuck Fishman, who has been best buds with Gary since college. Chuck wants Gary to give him the scores of games, winning lotto numbers, stocks, or even soap opera tips. Marrisa is Gary's blind friend who helps Gary make all the right choices.

Leslie Knope, a mid-level bureaucrat in an Indiana Parks and Recreation Department, hopes to beautify her town (and boost her own career) by helping local nurse Ann Perkins turn an abandoned construction site into a community park. However, what should be a fairly simple project is stymied at every turn by oafish bureaucrats, selfish neighbors, governmental red tape, and a myriad of other challenges. Leslie's colleague Tom Haverford, who delights in exploiting his position for personal gain, is as likely to undermine her efforts as to help her, while her boss, Ron Swanson, is adamantly opposed to government in any form, even though he's a bureaucrat.

In Boo Bitch, over the course of one night, a high school senior (Condor), who's lived her life safely under the radar, seizes the opportunity to change her narrative and start living an epic life, only to find out the next morning - she's a motherf*%king ghost.

Kevin Can Fk Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She's beautiful and can take a joke (though she's usually the butt of them). And she's married to a guy who must've won some sort of marriage lottery, because she looks the way she does and he's... funny. But what happens when we follow Allison out of her husband's domain? When she finally wakes up to (and revolts against) the injustices in her life? Kevin Can FK Himself breaks television convention and blends multi-camera comedy with single-camera realism to make us ask, "who and what have we been laughing at all of these years?"