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After a botched attempt to make a bust in a Detroit chop shop, the effectively unorthodox police officer, Axel Foley, once more, finds himself in sunny Beverly Hills, hot on the trail of an elusive gang of cold-blooded killers. There--with the aid of old friends, Serge; the recently promoted, Billy Rosewood, and his partner, Jon Flint--Axel sniffs out the criminals' hideout which is nestled right under everyone's nose: in Southern California's bustling theme park, WonderWorld. Now, all that's left to do is to convince the people and the police that the park's impeccable chief of security, Ellis DeWald, is a ruthless villain; and that the immaculate amusement park is, in reality, a graceful and impenetrable facade for a sinister operation. How hard can it be?

When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (Lawrence) tries to take his money at gunpoint, but instead sets a wild ride from California to Arizona. The two eventually become reluctant friends. Discussing robbery techniques, they decide to get back at the boss by robbing an office safe containing hundreds of thousands of dollars. Life is further complicated by another pair of robbers who chase the first two for infringing on their territory.

Set in the 1970s in a metropolis called "Bay City," this is the tale of two police detective partners, Ken "Hutch" Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal.

The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret. However, when Perret manages to incriminate the pesty team with falsified evidence, Ray and Gabe will soon end up in a maximum-security prison, where an almost endless parade of inmates previously incarcerated by them, are waiting for their captors impatiently. Now, more than ever, Tango and Cash need to put their differences aside to come up quickly with a good plan, not only to escape the jail's walls but also to even the score with the evil kingpin who put them behind bars once and for all. Of course, that's easier said than done.

Three years after the events in

A white faceless corporate despot known only as "The Man", has the power to unleash a terrifying top-secret weapon: an irresistibly packaged psycho-hallucinogenic drug that will reduce the entire population to mindless zombies. but black folks have soul. But with enough funky sense of style, a smooth way with the ladies and an absolute hunger for justice, with his Bruce Lee moves, Cadillac attitude and an arsenal of outrageous disguises and gadgets, Undercover Brother is recruited by the group of Good Guys, know as the B.R.O.T.H.E.R.H.O.O.D. an all-black justice league to foil the Man's plan to derail a Colin Powell-like presidential candidate, and Undercover Brother's undercover exploits keep the slim plot moving. But while he and his sassy cat-fighting partner known as Sistah Girl tries to find out what's going on, the leader's ruthless right arm, Mr. Feather, discovers the conspiracy's sexy secret weapon, Penelope Snow.

Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.--led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first.

General Rancor is threatening to destroy the world with a missile he is hiding at his secret base. But to complete his goal, he needs a special computer chip, invented by the scientist Prof. Ukrinsky. Special Agent Dick Steele is assigned to the case, in order to prevent the worst. He teams up with Ukrinsky's daughter Veronique, who happens to be a KGB agent.

Having spent many years in the police force, Detective Dooley, finally retiring. Although his colleagues organized an unforgettable farewell party, he was not particularly happy free time that awaits him. On the way home he and his partner Jerry dog will note robbery in the laboratory for assembling chips. In conflict with the burglars Jerry will swallow one of the stolen chips ...

A federal agent turns up dead and a hardcore undercover agent, known as Derrick Vann heads off to try and recover the stolen arms and find the killers. Andy Fiddler is an ordinary family man and a dentist, and is out heading to a conference, when he gets stuck in the same mess. Criminal Kane believes Fiddler is 'The Man' behind it all and offers him a gun. Vann spots him and drags him across town, with him posing as the actual 'Man'.

Jake is a seemingly regular guy who has no idea who he is after being hit over the head by mysterious assailants; when he finds himself entangled in a government conspiracy, Jake and his pursuers become convinced that he is an undercover agent.

Nick Lang is a famous Hollywood actor, well known for his action movies. For his next movie, he needs the proper motivation and inspiration for his role. Thus he teams up with the reluctant New York policeman Lt. John Moss. Not only does he have to put up with Nick, who is laborious and out of touch with realities, but he also has to catch a coldblooded murderer.

Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus in getting the picture made and distributed all on this $2,184 as a starting point. It is using several of those lies that he is able to get a verbal confirmation from big studio executive Jerry Renfro to distribute the movie *if* it stars Kit Ramsey, arguably the biggest action star in the world. Using similar lies, Bobby, however, is unable to convince Kit to star in the movie. Kit, who has a weakness for the Laker Girls, is a self-absorbed and paranoid movie star whose life and thus career is largely directed behind the scenes by Terry Stricter, the head of a new age religion called MindHead. Bobby comes up with a scheme that he believes will get around Kit not agreeing to star: film Kit without him knowing that he is being filmed. The only person who knows of the scheme is Dave, Bobby's lowest of low level inside man turned cinematographer who has unofficial (i.e. technically stolen and thus free) access to studio camera equipment and general knowledge of Kit's general day-to-day movements through the studio system. Bobby is able to convince all the other actors that Kit's acting process involves him not interacting with them outside of filming the specific scenes he has with them. Part of Bobby's scheme involves using Kit's general paranoia that aliens truly are invading the planet to get his gut reactions to what is happening within the context of the script. But Bobby knows he has to get Kit to scream the closing lines of the movie "gotcha suckas" for the movie to be a success. Complications ensue when another of the the actors, Carol, tries to go against Bobby's policy of not making contact with Kit outside of filming, and when Bobby is required to hire a production assistant cum stunt double cum acting double, whose job in part is to stand-in for the requisite Kit Ramsey naked ass shot. Through it all, Bobby will know if he has made it in Hollywood if he gets a specific sign specifically from the heavens in the form of FedEx.

Tony Costas, a brash, obnoxious, sexist and racist Detroit cop who has long since stopped following the rules, gets told that he will have to work with Inspector Fuji, a straightlaced policeman from Japan. Fuji is in Detroit searching for a Japanese engineer who has gone to America with plans for a top secret car part. The pair naturally fail to get along at first, but as the investigation continues, they almost begin to come close to tolerating each other's presence.

After the murder of his childhood friend, the slick Detroit detective, Axel Foley, heads to sunny Beverly Hills, on a one-man mission to ferret out the killer and bring him to justice. Before long, Axel and his unorthodox methods unearth the lucrative drug operation of the powerful local crime kingpin, Victor Maitland; however, Foley, too, will find himself in deep trouble, as Lieutenant Andrew Bogomil wants him out of town. Now, Axel will have to team up with Detectives, John Taggart, and Billy Rosewood, to shed light on the thick conspiracy, and finish what he has started. Will Foley's total disregard for proper procedure bear fruit?

A tough police sergeant's mother comes to visit him, and promptly starts trying to fix up his life, much to his embarrassment. For his birthday she buys him a machine gun out of the back of a van, and begins to further interfere with his job and love life, eventually helping him with a case he's on.

LAPD Detective Sergeant Mitch Preston cares only about doing his job and nailing crooks. LAPD Patrol Officer Trey Sellars joined the force as a day job until his acting career took off. During an undercover drug buy Mitch was working that Trey botched by calling in for backup and drawing media attention, Mitch's partner is shot with a very exotic 12-gauge automatic weapon; Mitch then shoots the video camera out of the hands of a reporter filming the action when the cameraman refused to shut it down. Faced with a $10 million lawsuit, the department agrees to let producer Chase Renzi film Mitch's investigation for a new reality TV show, and constantly tries to make everything more "viewer friendly" by changing everything about Mitch's life to fit the stereotypical view of police officers--and partners him with Trey.

The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A "friend" gives him a drug-sniffing dog named Jerry Lee. With his help, Dooley sets out to put his enemy behind bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooley's car, house, sex-life, etc.