All alone in the world, Nomi Malone, making her way to Las Vegas, is determined to make a name as a dancer while putting her unspoken past behind her. Her tough, streetwise veneer is not as infallible as she would like, she, as she arrives in Vegas, becoming more cautious in the way she approaches strangers who seem willing to help her purely out of the goodness of their heart. Her talent and connections in combination are only able to get her a job at the Cheetah Club, a strip joint. Her first true friend in Vegas, Molly Abrams, works as the costumer for Goddess, the topless production at the Stardust. It is through Molly that Nomi catches the eye of Goddess' headliner, Cristal Connors. Nomi has a love/hate feeling toward Cristal: she doesn't much like her but wants to become her. Being at the Stardust, Nomi also catches the eye of Cristal's boyfriend, Zack Carey, Stardust's entertainment director. Through these contacts, Nomi is presented opportunity after opportunity to be part of the Stardust/Goddess family. She has to decide how far she will go to achieve her dream. James Smith, a struggling dancer/choreographer who works whatever odd jobs he can get and who is also attracted to Nomi largely for her natural albeit very raw talent, doesn't see Nomi's chosen path as the one she should pursue as he considers Goddess illegitimate: while the Cheetah is what it appears on the surface, Goddess is the Cheetah hiding behind its big name. Through it all, Nomi will discover the good, the bad and the very bad about Vegas life, especially among the rich and beautiful.

1995 American film directed by Paul Verhoeven

Because of his extreme wealth and suave good looks, Edward Lewis could seemingly have any woman he wants, that committed significant other which he needs on his arm at social events to further how he makes his money as a corporate raider. However, he focuses more on his corporate raiding pursuits with his partner in crime, Philip Stuckey, his lawyer of ten years, than those women, with every significant other he's had in his life feeling neglected and eventually leaving him, this fact about which he is just coming to the realization. In Beverly Hills, Edward, in needing that woman on his arms as he and Philip work toward taking over the company owned by the increasingly insolvent James Morse, decides, based on a chance encounter, to hire Hollywood Boulevard hooker Vivian Ward as his escort for the week 24/7. He does so because he wants to have a professional who would be committed to the work, yet not have any commitments to her after the week is over. Beyond their chance encounter, he also makes this decision because she surprises him about how unhookerish she is in certain respects. Vivian, relatively new to Los Angeles and the business, still has to look and act the part, with Edward, beyond giving her money, leaving her largely to her own devices to do so. So she gets a somewhat unlikely Henry Higgins in Barney Thompson, the manager of the Beverly Wilshire Hotel where Edward is staying. Barney has to draw that fine line of keeping the hotel's upscale clients happy, while maintaining the posh decorum of the upper class, which does not include people coming into the hotel looking for rooms with hourly rates. As Barney and his associates are able to transform Vivian into a Cinderella, the questions become whether Vivian can go back to her Hollywood Boulevard life and whether she does have her Prince Charming beyond this week in the form of Edward or anyone else who truly does see her as Cinderella as opposed to a Hollywood Boulevard streetwalker.

New York columnist Ike Graham elaborates, for once without full fact checking, the story he heard from a bar mate of Maryland small town girl Maggie Carpenter, who left several grooms at the altar, taking off without warning or serious reason. Fearing a legal case from Maggie, Ike's editor and ex Ellie fires him. Staff buddy Fisher cues Ike to seek his job back (or earn another) by attempting to prove the alleged inaccuracies and/or writing a priceless follow-up piece. So his sports-car heads for her home Hale, where she runs a garage and designs glassware. His charms and journalistic nose get everyone to open up and reveal her embarrassing past before she can swear people to silence, from her three dumped grooms and family to her overconfident present groom, high school coach Bob Kelly. In the process, Maggie finds hating him as hard as tempting, while Ike develops a strange appreciation for the maverick, until even Bob sees reason to get jealous.

Struggling with her debilitating obsession with shopping and the sudden collapse of her income source, Rebecca Bloomwood (Isla Fisher) unintentionally lands a job writing for a financial magazine after a drunken letter-mailing mix-up. Ironically writing about the consumer caution of which she has not abided, Rebecca's innovative comparisons and unconventional metaphors for economics grants her critical acclaim, public success, and the admiration of her supportive boss Luke Brandon (Hugh Dancy). But as she draws closer to her ultimate goal of writing for renowned fashion magazine Alette, she questions her true ambitions and must determine if overcoming her "shopaholic" condition will bring her real happiness.

Emily Jackson lives a fast-paced life. Always on the go, able to talk around the clock, with a sensitive soul she loves playing matchmaker for her friends. It's Emily's gay roommate and frequent companion Peter, who becomes again the subject matchmaking skills when handsome new photographer assistant Paolo arrives at the Vogue offices, where Emily works. She makes it her mission to bring the two men together. Unfortunately for her, she is so busy arranging a love connection between Peter and Paolo that she remains completely blind to the one suitor who longs to provide her with the loving companionship that she so cheerfully arranges for others. And so it does make sense that Peter, a screenwriter in the making, starts telling the story from his own point of view.

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her.

Friends and family convene at a beach house for the wedding of Lila and Tom. But things don't go swimmingly, mainly because of one thing that Lila and her maid of honor, Laura, have in common - Tom, the groom. Laura and Tom were an item before Lila came along and nobody seems able to forget that. With very few successful marriages to look up to, and friends that she's not sure she can trust, will Lila be able to go through with the wedding?

Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him.

After her father, step-mother, step-sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer manages to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother.

A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Based on a true story. After graduating from Emory University, Christopher McCandless abandoned his possessions, gave his entire savings account to charity, and hitchhiked to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters who shape his life.

The story of how a boy was abandoned by his mother and how he, later, abandoned her. The year he'll be 14, the parents of Augusten Burroughs (1965- ) divorce, and his mother, who thinks of herself as a fine poet on the verge of fame, delivers him to the eccentric household of her psychiatrist, Dr. Finch. During that year, Augusten avoids school, keeps a journal, and practices cosmetology. His mother's mental illness worsens, he takes an older lover, he finds friendship with Finch's younger daughter, and he's the occasional recipient of gifts from an unlikely benefactor. Can he survive to come of age?

Set in the New York club scene of the late 1980's thru the 1990's, a tale which is based on the rise and fall of club-kid promoter

2003 film directed by Fenton Bailey and Randy Barbato

A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named

In 1967, Susanna Kaysen had a headache and chased a bottle of aspirin with a bottle of vodka. This landed her in the mental institution, Claymoore. Here she is diagnosed, by Dr. Melvin Potts, with borderline personality disorder. When she arrives at Claymoore, she is greeted by Nurse Valerie Owens and shown round the woman's ward. Here she meets Georgina Tuskin, a pathological liar who is fixated with The Wizard of Oz; Polly Clark, a childlike schizophrenic; Janet Webber, a sardonic anorexic patient; Daisy Randone, a girl who won't let anyone in her room, and only eats her father's chicken; and Lisa Rowe, a sociopath who controls the other patients, and makes lives hard for the nurses at Claymoore. Through the movie, Lisa gains and loses control over Susanna and we see how bad she really can be. The movie's ending shows Susanna being released from Claymoore after an 18-month stay. How does Susanna take back her control? This movie battles subjects such as mental heath, abuse, self-harm and suicide.

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