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A city dweller, out for an evening stroll, hears a woman's cries for help and rescues her from an assailant who is trying to drown her in a public fountain. However, when our mild-mannered hero pulls her from the water, she proves to be not a woman but a harpy - with a woman's face and breasts and the body of bird of prey. He takes her home and treats her like a human, but she is true to her nature, mercilessly and ravenously taking command of the household, dispatching his pet, and trying to make sure he can't leave. When he does manage, by a clever ruse, to get out of the flat and enjoy a snack, things don't go as he'd hoped.

An animated feature which begins, ends and occasionally combines with, live-action filmed on location. A white dropout struggles to create comics and animated films, drawing inspiration from the harsh, gritty world around him. Still sharing his run-down apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nut-case of a Jewish mother, he is ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. This cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, destroyed by war and pollution, where a mutant antihero challenges and kills God. Complications ensue when the cartoonist's parents react in irrational ways to his various involvements.

A horror movie testing two approaches to running an insane asylum - absolute freedom versus control and punishment - within the context of a world that combines the worst of both. Jean Berlot, a young man subject to a nightmare of being forced into a straitjacket by two orderlies, is befriended by a marquis. At the marquis's estate, Jean witnesses a black Mass, buries someone alive, and is invited to try preventive therapy. He's willing to enter a sanatorium because he believes he can rescue a young woman from there who has told him that the real director and staff of the clinic are locked in the basement. Jean conspires with her to set them free: the horrors have only begun.

In a totalitarian society in a near future, the undercover detective Bob Arctor is working with a small time group of drug users trying to reach the big distributors of a brain-damaging drug called Substance D. His assignment is promoted by the recovery center New Path Corporation, and when Bob begins to lose his own identity and have schizophrenic behavior, he is submitted to tests to check his mental conditions.

A memorably bizarre screen version of Lewis Carroll's novel 'Alice's Adventures in Wonderland', mixing one live actor (Alice) with a large variety of stop-motion animated creatures, ranging from the complex (the White Rabbit) to the incredibly simple (the Caterpillar, consisting of a sock, a couple of glass eyes and a pair of false teeth). The original story is followed reasonably faithfully, though those familiar with this director's other films won't be the least bit surprised by the numerous digressions into Svankmajer territory, living slabs of meat and all. As the opening narration says, it's a film made for children... perhaps?

Marooned by design in a strange asteroid inhabited by bizarre creatures and mind-boggling living biological transmutations, the audacious American astronaut, Earl Jensen, miraculously heads back to Earth and his now grown-up daughter to tie up some loose ends, after twenty long years in oblivion. Bent on revenge, Jensen won't rest until he finds those responsible for his intergalactic tragedy; however, this time, he is not alone, as his powerful, yet abominable mutant friends are, too, in the mood for retribution. Now, no force on Earth can stop Earl. But, who is behind the long-lost cosmonaut's personal disaster?

A newlywed develops a strange lump on his neck that gives him the ability to transform people or objects at will. His wife is very upset. Meanwhile, the CEO of Smilecorp learns of this man and his ability and sees a way to achieve world domination if only the man can be taken alive.

In a post apocalyptic future that appears as a blend of World War II Europe and J.R.R. Tolkien's Middle-earth, a pint-size wizard named Avatar must save the world from a band of fascist mutants controlled by his evil twin brother, Blackwolf, who likes to confuse enemy armies by projecting films of Adolf Hitler speeches during attacks. Painted live-action footage of advancing Nazi armies contrasts with Saturday-morning-cartoon-style animation of fairies and elves as Avatar travels through various magical and radioactive realms on his quest. Aiding him are the beautiful Fairy princess Elinore, hot-blooded warrior elf Weehawk, and Peace, a misunderstood robot rebelling against his Blackwolf-controlled programming. A bizarre and psychedelic meditation on magic vs. technology, this ultimate futuristic fantastic epic cult film still finds an audience on college campuses and will prove quite rewarding to viewers in the right frame of mind.

Weary immortals inhabit a metropolis in the sky and amuse themselves with constructions as they kill time and await whatever comes next.

BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a stump in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than that of a normal child.

Bill struggles to put together his shattered psyche, in this new feature film version of Don Hertzfeldt's animated short film trilogy.

The scene is a pre-French Revolution Bastille, where various political prisoners are being held: a woman who was raped and impregnated by the king, a police chief who was accused of selling bad pork, and the Marquis, who was unjustly accused of working for the overthrow of the king. The Marquis is only interested in writing his deviant stories, while his penis yearns for a little action (they argue about this frequently), the prime candidate being the jailer who likes to be buggered. The corrupt priest arranges to have the pregnant woman raped by the Marquis so they can claim the king had nothing to do with it. The priest also steals the Marquis' manuscripts and publishes them for his own profit. Things come to a head as the people rise up against the tyranny.

"Hair High" is a gothic high-school comedy with a "Carrie"-like story. Cherri and Rod are the high-school king and queen and they justifiably rule their domain. Spud, the new kid in town, accidentally offends both Cherri and Rod and so is forced to become Cherri's slave. Naturally, they immediately hate each other, but of course later they fall in love. Cherri and Spud secretly decide to go to the prom together, and on prom night a rejected Rod forces their car off the road and into the lake. In true 50's ballad style, their car sinks to the bottom of the lake as they share one last kiss. While the bodies of Cherri and Spud lie in a timeless embrace, Rod is successful in thwarting any investigation and is able to get away with murder. On the night of the following year's prom, the car magically comes to life and slowly drives out of the lake with Cherri and Spud, as if nothing had happened, only this time their bodies are in an advanced state of decomposition. Their rusty and water-logged car drives to the prom and just as Rod is about to crown himself new king of the prom, Cherri and Spud enter the ballroom - the spotlight follows them as they cross the dance floor, with all the attendees in shock. As they approach the stage, spiders, bugs, snakes, lizards and fish ooze from their sagging skin and skeletal bodies, and the prom attendees freak as they mount the stairs to the stage. Spud takes the crown and places it on Cherri as the animals attack and devour Rod.

For Piel, a little boy stranded on Perdide--a desert planet where giant killer hornets live--the only thing that connects him to the rest of the world is Mike: a state-of-the-art interstellar transceiver handed to him by his father, Claude. As Mike manages to send a distress signal, Piel must do everything in his power to get in touch with Claude's friend, Jaffar, an intrepid space adventurer, to stand a fighting chance in the inhospitable celestial body. However, will Jaffar make it in time?

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a nondescript man who, after being lured by a strange map into a sinister puppet theatre, finds himself immersed in an indescribably weird version of the play, blending live actors, clay model animation and giant puppets.

A boy born the size of a small doll is kidnapped by a genetic lab and must find a way back to his father in this inventive adventure filmed using stop motion animation techniques. Tom meets a variety of strange creatures and eventually discovers a race of miniature humans like himself.

A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.