maybe...

Still Life is a poignant, quixotic tale of life, love and the afterlife. Meticulous and organized to the point of obsession, John May (Eddie Marsan) is a council worker charged with finding the next of kin of those who have died alone. When his department is downsized, John must up his efforts on his final case, taking him on a liberating journey that allows him to start living life at last.

A 59 year old carpenter recovering from a heart attack befriends a single mother and her two kids as they navigate their way through the impersonal, Kafkaesque benefits system. With equal amounts of humor, warmth and despair, the journey is heartfelt and emotional until the end.

Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs money to satisfy his addiction. Andrei, the cigarette smuggler, must hold up for a while outside Russia; he has loads of money. Fabio, the Italian taxi driver and aspiring gang boss, elaborates a clever scheme: he will pay Claudy to marry Lorna so that she acquires a Belgian citizenship. Then she is to re-marry Andrei, who will in this way obtain the coveted EU passport - and pay a hefty price to Fabio and Lorna for the service. Like all plans, this one will not survive the contact with reality.

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both.

An official selection at the Cannes Film Festival, The Selfish Giant is a contemporary fable about 13 year old Arbor (Conner Chapman) and his best friend Swifty (Shaun Thomas). Excluded from school and outsiders in their own neighborhood, the two boys meet Kitten (Sean Gilder), a local scrap dealer. Wandering their town with just a horse and a cart, they begin collecting scrap metal for him. Swifty has a natural gift with horses while Arbor emulates Kitten - keen to impress him and make some money. However, Kitten favors Swifty, leaving Arbor feeling hurt and excluded, driving a wedge between the boys. As Arbor becomes increasingly greedy and exploitative, tensions build, leading to a tragic event that transforms them all.

Still living under the same roof, the Moscow couple of Boris and Zhenya is in the terrible final stages of a bitter divorce. Under those circumstances, as both have already found new partners, the insults pour down like rain in this toxic familial battle zone, always pivoting around the irresolvable and urgent matter of Alyosha's custody, their 12-year-old only son. Unheard, unloved, and above all, unwanted, the introverted and unhappy boy feels that he is an intolerable burden, however, what his parents don't know is that he can hear every single word. As a result, when Boris and Zhenya finally realize that Alyosha has been missing for nearly two days, it is already too late. But is this a simple case of a runaway teenager?

Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering through misinformation, Juliette and Sandra, at the end of the working day on Friday, are able to convince Dumont to hold another secret ballot on Monday morning, with Sandra needing a majority to keep her job, meaning nine votes. By Saturday morning, Sandra's supportive husband, Manu, convinces her that over the weekend she should speak to each and all of the thirteen who voted for the bonuses to get them to change their minds. The Byas not only need the income from Sandra's job but Manu believes the job is a symbol for Sandra of her own self worth, important now in her tenuous mental state. As Sandra reluctantly goes about this task, she finds that not only is she uncomfortable being in this somewhat confrontational situation, but that the people who voted against her have their own household conflicts over their own EUR1,000, which would keep some of them afloat financially. As the weekend progresses, Sandra will find if she is strong enough emotionally to deal with the situation.

In 1980s East Germany, Barbara is a Berlin doctor banished to a country medical clinic for applying for an exit visa. Deeply unhappy with her reassignment and fearful of her co-workers as possible Stasi informants, Barbara stays aloof, especially from the good natured clinic head, Andre. Instead, Barbara snatches moments with her lover as she secretly prepares to defect one day. Despite her plans, Barbara learns more about her life that puts her desires and the people around her in a new light. With her changing perspective, Barbara finds herself facing a painful moral dilemma that forces her to choose what she values.

At work, Astrid is admired by her fans as a famous cabaret artist and privately a second child is on the road to complete her family happiness. But her world is turned upside down overnight when she learns that her unborn child has a serious heart defect and will be born with Down syndrome. Together with her husband Markus, she now has to make the decision whether she will opt for a late abortion in the sixth month or give birth to the mentally and physically disabled child. The otherwise strong woman is torn and poses agonizing questions: "May I judge the life and death of my child?" Long discussions within the family and with her mother Beate follow. In the end there is a decision - but it is not one with which Astrid and Markus are completely at peace, either way not.

After 12 years of absence, Louis (

Recently fired from his job, but unable to confess the truth to his close-knit family, Vincent spends his days driving around the countryside, talking into his cell phone and staring into space. Vincent fabricates a new job for himself so his family and friends will not know that he is out of work. At one point, he even sneaks into an office building. As Vincent roams the building's sterile halls, peeking into meeting rooms where men are busy at work, we see a man who yearns not just for a new job, but also for a place in the world. While this pantomime of work initially registers as sad and even a little pathetic, it slowly and unnervingly becomes terrifying.

Jojo, a lively 10-year-old with a difficult home life marked by a volatile father & an absent mother, finds solace in an abandoned baby jackdaw. Through the special friendship he builds with the bird, the wall between him & his father will be brought down.

Juliette Fontaine (Dame Kristin Scott Thomas) was in prison for fifteen years. Confronted with the unexpected goodness of her younger sister Léa (Elsa Zylberstein), who makes Juliette a part of her family, very slowly breaks up Juliette's ice and bitterness and she carefully opens up.

After the death of his alcoholic father, Jonathan Breech steals his father's ashes from his brother's house. He drives a stolen car off a cliff in order to commit suicide but he survives. After this, he accepts an alternative sentence of three months in therapy in a psychiatric hospital. There, he joins a suicide group under the supervision of Dr. Figure. He befriends a disturbed Rachel Row (who saw her mother dying in an accident) and Toby (who accidentally killed his brother in a car crash). During the treatment, the sarcastic Jonathan changes his behavior and sees the importance of being alive.

Early summer. In a village in northern Turkey, Lale and her four sisters are walking home from school, playing innocently with some boys. The immorality of their play sets off a scandal that has unexpected consequences. The family home is progressively transformed into a prison; instruction in homemaking replaces school and marriages start being arranged. The five sisters who share a common passion for freedom, find ways of getting around the constraints imposed on them.

Having recently lost her sight, Ingrid retreats to the safety of her home - a place where she can feel in control, alone with her husband and her thoughts. But Ingrid's real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.

Winfried doesn't see much of his working daughter Ines. He pays her a surprise visit in Bucharest, where she's busy as a corporate strategist. The geographical change doesn't help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried's flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines' work circle, claiming to be her CEO's life coach. As Toni, Winfried doesn't hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life.

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie's husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.