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Picture of a book: The Radium Girls: The Scary But True Story of the Poison That Made People Glow in the Dark
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Picture of a book: If I Disappear
books

If I Disappear

'A slick, smart thriller you don't want to miss' Samantha Downing, bestselling author of My Lovely Wife_____________You always knew you would disappear. And you knew I would find you.I will solve your mystery. It was meant to be me.Sera Fleece loves true crime podcasts. Following a string of personal failures, these mysteries become an unlikely comfort for her, and then an obsession. When Sera's favourite true crime podcast host, Rachel Bard, disappears and new episodes of the podcast stop running, Sera sets out to find and save her.Knowing each episode inside and out, Sera heads to the sparsely populated, rural town in Northern California where Rachel grew up, determined to discover what's happened to her. The more she investigates Rachel's world and the small town of Happy Camp, the more off things start to feel. Sera begins to suspect she may be a pawn in an invisible game and she must separate fact from fiction before she becomes the subject of a true crime podcast herself.A dark, twisty and compulsively readable thriller, perfect for fans of Sharp Objects, Are You Sleeping and Luckiest Girl Alive._____________'Every page is packed with feral tension . . . I won't sleep for days' Stephanie Wrobel, author of The Recovery of Rose Gold'Sleek, exciting and twisty' Rene Denfield, author of The Butterfly Girl'Compulsive, atmospheric . . . kept me guessing until the very end' Katherine St. John, author of The Lion's Den'A clever, sinister read with a surprising sting in the tail' Kimberley Belle, author of The Marriage Lie'A propulsive thrill ride, full of surprises right through the firecracker ending' Lisa Unger, author of The Stranger Inside
Picture of a book: The Body
books

The Body

Stephen King, Robin Waterfield
For all of those who keep insisting that Stephen King is a literary equivalent of Big Mac and fries, writing in the comfortable confines of the frequently-despised 'genre' - please take a look at The Body: The Fall from Innocence, which is much more familiar to public in the quite faithful adaptation by Rob Reiner - 'Stand by Me'. It's not King's trademark horror; it is actually free of the constraints of any so-called 'genre'. It is a coming-of-age character-study novella set in 1960 Maine where monsters are not hiding behind bushes but instead live in the hearts of people - the setting and themes at which King excels.************This is a story of four boys on the brink of adolescence; \ the last moments of childhood told with occasional almost Bradbury-esque nostalgia but with the rose-tinted glasses mercilessly torn off.\ The blue-collar childhood in a small Maine town in 1960 is not a place of magic and wonder - these boys are no strangers to abandonment and abuse and prejudice. Hot-tempered and volatile Teddy Duchamp has been physically mutilated by his mentally ill father whom he still worships. Childish and not-too-bright Vern Tessio lives in fear of his brother. Gordie Lachance, whose adult writer self is telling us this story, is little but a stranger to his parents who never got over the death of his older brother. Smart and tough Chris Chambers, a kid from a family that supplies Castle Rock with alcoholics and juvenile delinquents, is being seriously abused by his father and is seen as a worthless and even dangerous person because of his family."Chris didn't talk much about his dad, but we all knew he hated him like poison. Chris was marked up every two weeks or so, bruises on his cheeks and neck or one eye swelled up and as colorful as a sunset, and once he came to school with a big clumsy bandage on the back of his head. Other times he never got to school at all. His mom would call him in sick because he was too lamed up to come in. Chris was smart, really smart, but he played truant a lot, and Mr. Halliburton, the town truant officer, was always showing up at Chris's house, driving his old black Chevrolet with the NO RIDERS sticker in the corner of the windshield. If Chris was being truant and Bertie (as we called him - always behind his back, of course) caught him, he would haul him back to school and see that Chris got detention for a week. But if Bertie found out that Chris was home because his father had beaten the shit out of him, Bertie just went away and didn't say boo to a cuckoo bird. It never occurred to me to question this set of priorities until about twenty years later."But childhood, even though not at all sheltered, still gives them something of a shield against the world - that sense of invulnerability that only the young children have, the love for adventure, and the protection of sincere and lighthearted friendship."Everything was there and around us. We knew exactly who we were and exactly where we were going. It was grand." **********But we meet them right at the time when they are about to leave the protection of childhood behind them, when in the miserably hot summer of 1960 they set out on a trip to find a body of a boy who disappeared in the woods - a trip that makes at least two of them go through quite significant emotional turmoil and reevaluate their priorities and see the strengthening of one friendship while the others fall apart as the realization sets in that there is more to friendship than just fun and leisure. This is a trip that uncovers both the steel and the vulnerability in the characters of Chris and Gordie, and shoves them from the haven of childhood into the world where things take work and sacrifice and pain, the world that is often cruel and cynical and unavoidable."But he said: "Your friends drag you down, Gordie. Don't you know that? [...] Your friends do. They're like drowning guys that are holding onto your legs. You can't save them. You can only drown with them."****This is a scary realization when you are young - that your friends are not good for you. I remember getting that feeling at around twelve, the age the boys in this book are, and I remember how unsettling that realization was. At that time it feels like friendships are forever, and that things that connect you to other people are there to stay - and realizing how easy and even necessary it can be to break those bonds is quite unsettling. "You always know the truth, because when you cut yourself or someone else with it, there's always a bloody show."******And some of this is present here - but on the other hand we are also treated to the strengthening of the true friendship between Gordie and Chris. Gordie, a kid who is emotionally neglected by his family, acutely feels the sincerity and kindness that Chris brings into the world, despite his 'tough' origins - Chris, the center of this ragtag group, is grown up beyond his years, and has some hard-earned wisdom for his twelve years of age, sprinkled with a bit of pain and bitterness but grounded in common sense."But it was only survival. We were clinging to each other in deep water. I've explained about Chris, I think; my reasons for clinging to him were less definable. His desire to get away from Castle Rock and out of the mill's shadow seemed to me to be my best part, and I could not just leave him to sink or swim on his own. If he had drowned, that part of me would have drowned with him, I think."**********I love the narrative voice of this story - the narration by a young but accomplished writer Gordon Lachance, bringing the perspective that the few decades that have passed since that summer of 1960 have given him - but yet conveying the feelings and the attitudes of a twelve-year-old boy who feels both resentment and love and experiences profound beauty and the low of human ugliness. There are lyrical parts and trademark-King unflinching gory parts, and social commentary without the slightest sugar-coating. The story is peppered in places with the stories written by older Gordon and full of reflections of the adult man reflecting on the important and defining experience of the end of his childhood. "The most important things are hardest to say, because words diminish them." It is a fascinating, engrossing read, the one that is well worth several hours of your time, even if you have never been a fan of King. 5 stars and highly recommend!
Picture of a book: Night of the Mannequins
books

Night of the Mannequins

Delightfully BRUTAL Psychological Horror.Jumping into this novella, I wasn't sure what to expect. To be honest, I never even read the synopsis. I see the name, Stephen Graham Jones, and immediately pick books up. It's a compulsion.Night of the Mannequins follows Sawyer, and his group of childhood friends, when a prank goes horribly wrong.Disguising a discarded mall mannequin as a patron at the local movie theater seemed like the perfect way to get back at the stuffy assistant manager. The same one who happened to recently punish the friend group for sneaking into a movie unpaid.What starts off as a fairly innocent prank, however, turns more deadly than this group of teens could have ever imagined. Sawyer seems to be the only one with a plan to limit the destruction.First, let me just swoon for a bit over how much I love SGJ's writing. I promise not to rave for too long.The style is edgy AF, yet feels like Classic Horror all the same. I love the humor and witty dialogue that he is able to bring to such dark and haunting tales.Also, his books always go there, all the way to the deepest, darkest crevices of the human mind. It's weird. It's powerful. It's freakingly disturbing.With this being said, I was really into this novella, loving everything about it until about the 70% mark. Then I started feeling lost. While I understand the ending, some of the choices of events leading up to the ending didn't seem to fit. It made the ending seem a little abrupt and disjointed for me.Overall though, this novella is fantastic. You cannot deny the level of creativity it takes to write a story like this.One that leads you in one direction, flips that on its head and then smacks you in the face with a healthy dose of depressing reality.Sawyer is a very special protagonist. He's one of those characters that (view spoiler)[can do horrible, terrible things, but still you feel like you are on their side (hide spoiler)]
Picture of a book: The Good House
books

The Good House

Tananarive Due
Among a group I read about on Goodreads for great scary-house Halloween books, The Good House certainly lived up to that billing and then some. It is a fine horror novel, with wonderful, well-developed characters, especially the feminine half of this family. Grandma Marie and her granddaughter Angela are powerful spiritual guides for voodoo magic, but Grandma used her power for ill intent in the past and a demon has come to exact revenge on the family and only Angela can save it and her small town from this curse.The Good House is the repository of the good and the evil that has taken hold. Some of the images of the horror are quite chilling, especially one involving a tower of leaves that I won't describe, but left me unsettled. Also the demon or "baka" and his abilities are grotesque, he is able to "ride" a person, effectively taking them over, until that person has vanished and nothing is left but the baka.One thing that was very intriguing is that the characters are multi-faceted; Tariq, Angela's ex-husband and father to her only child Corey, is a troubled figure. He is trying to overcome childhood abuse, but has a temper that is barely leashed and has come close to hitting Angela and has called her a bitch in front of Corey before. He also has a drug habit, even though he holds down a high-ranking, professional job. Also, Corey is not a perfect son. He mirrors his father's treatment of his mother, in being a whiny, aggressive teenager. At one point, I thought why is Angela trying so hard to save this family, when father and son seemed barely worth it.There is a lovely twist at the end that I didn't see coming and ties everything up quite well.
Picture of a book: The Lost Causes of Bleak Creek
books

The Lost Causes of Bleak Creek

Link Neal, Rhett McLaughlin
It's 1992 in Bleak Creek, North Carolina, a sleepy little place with all the trappings of an ordinary Southern town: two Baptist churches, friendly smiles coupled with silent judgments, and a seemingly unquenchable appetite for pork products. Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to The Whitewood School, a local reformatory with a record of putting unruly teens back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the mysterious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told—that the students’ strange demises were all tragic accidents. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Candice Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents. Eager to rescue their friend, Rex and Leif pair up with recent NYU film school grad Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find, with Candice’s life hanging in the balance, will leave them battling an evil beyond their wildest teenage imaginations—one that will shake Bleak Creek to its core.
Picture of a book: They Never Learn
books

They Never Learn

Shaun Fleming
From the author of the “raw, ingenious, and utterly fearless” (Wendy Walker, USA TODAY bestselling author) Temper comes a dynamic psychological thriller about two women who give bad men exactly what they deserve.Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder. Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself—but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies close, Scarlett insinuates herself into the investigation and charms the woman in charge, Dr. Mina Pierce. Everything’s going according to her master plan…until she loses control with her latest victim, putting her secret life at risk of exposure. Meanwhile, Gorman student Carly Schiller is just trying to survive her freshman year. Finally free of her emotionally abusive father, all Carly wants is to focus on her studies and fade into the background. Her new roommate has other ideas. Allison Hadley is cool and confident—everything Carly wishes she could be—and the two girls quickly form an intense friendship. So when Allison is sexually assaulted at a party, Carly becomes obsessed with making the attacker pay...and turning her fantasies about revenge into a reality. Featuring Layne Fargo’s trademark “propulsive writing style” (Kirkus Reviews) and “sinister, of the moment” (Chicago Review of Books) suspense, They Never Learn is a feminist serial killer story perfect for fans of Killing Eve and Chelsea Cain.