This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis' family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming...

The manager of a pancake stall finds himself confronted with an odd but sympathetic elderly woman looking for work. A taste of her homemade red bean paste convinces him to hire her, which starts a relationship that is about much more than just street food.

In Kagoshima, the boy Koichi lives with his mother Nozomi in the house of his grandparents. Koichi misses his younger brother Ryunosuke and his father Kenji, who live in Fukuoka, and he dreams of his family coming together again. One day, Koichi overhears that the energy released by two bullet trains passing by each other would grant wishes and he invites his two best friends, Tasuku and Makoto, to travel to the point of intersection of the two trains. Koichi also tells his plan to Ryunosuke that invites his three best friends to join him. Soon the seven children arrive to the meeting point in the journey of discoveries.

Leaving her alcoholic husband, Eiko takes their son Masaya away from Tokyo and back to her hometown in a Kyushu rural mining community. She toils to support him though many years of schooling even after he wastes his time while studying art in a Tokyo university. After graduation he struggles to find work and finally pulls his life together for his mother's sake, ultimately ending up with multiple jobs as an illustrator and even as the host of a sexually-themed talk show on radio. When Eiko becomes ill with cancer, Masaya invites her to live with him in back in Tokyo where the roles of support are reversed.

Soichiro Kaji killed his wife who suffers from Parkinson's disease, he surrenders to police two days later. Tops of the police wish an early settlement of the affair by fair means or foul because he is a former detective and an instructor at police academy now. Detective Shiki questions Kaji closely about what he did two days after the murder, however Kaji keeps silent about it. What was he doing for two days? Why doesn't he confess it?

Small town Sweden, in the 1950s. This slice-of-life story is also a coming-of-age tale narrated by a young boy with an almost unconscious sense of irony. His single mother is terminally ill, his older brother isn't the warmest person in his life, and twice he is sent to relatives in a supportive, loving village with interesting characters and adventures.

1985 Swedish film directed by Lasse Hallström

A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.

Vanya is a 6 year old orphan living in a rundown orphanage in a remote Russian village. For Vanya and the other children, life is without hope, unless, of course, they are adopted by wealthy foreigners. For Vanya, hope comes in the form of an Italian couple. But while arrangements are being made an incident occurs when the mother of another child appears, seeking her son. Vanya begins to wonder what would happen if his own mother reappeared, and he was living in Italy.With the assistance of older children, Vanya is able to access his records and find the possible whereabouts of his mother. He escapes and travels across the country, pursued by the adoption agents.

A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. Sometimes even like lovers. Following in his father's path, Aleksei attends military school. He likes sports, tends to be irresponsible and has problems with his girlfriend. She is jealous of Aleksei's close relationship with his father. Despite knowing that all sons must one day live their own lives, Aleksei is conflicted; his father knows he should accept a better job in another city, perhaps search for a new wife, but who will ease the pain of Aleksei's nightmares?

An unseen man regains consciousness, not knowing who or where he is. No one seems to be able to see him, except the mysterious man dressed in black. He eventually learns through their discussions that this man is a 19th century French aristocrat, who he coins the "European". This turn of events is unusual as the unseen man has a knowledge of the present day. The two quickly learn that they are in the Winter Palace of the Hermitage in St. Petersburg, the European who has a comprehensive knowledge of Russian history to his time. As the two travel through the palace and its grounds, they interact with people from various eras of Russian history, either through events that have happened at the palace or through the viewing of artifacts housed in the museum. Ultimately, the unseen man's desired journey is to move forward, with or without his European companion.

fictional historical film by Alexander Sokurov filmed in the Winter Palace in one take without stopping the camera

In Treasure Town, life can be both peaceful and violent. This is never truer than for our heroes, Black and White - two street kids who claim to traverse the urban city as if it were their own. But in this town, an undercurrent of evil exists and has its sights set on the pair of brothers, forcing them to engage in battle with an array of old-world Yakuza as well as dangerous assassins vying to rule the decaying metropolis, Treasure Town.

a young girl is the sole protector of a very precious, large egg. her lair is near a large, abandoned, decaying gothic city inhabited by restless shadows. a mysterious young man arrives one day, and eventually wins her trust. they converse sparsely about obscure philosophical and theological topics, and she shows him some astonishing fossils and works of historic and scientific art. the ending is a bit shocking, and very ambiguous, leaving many unanswered questions and tons of room for interpretation.

Áurea arrives at a town in the dunes of State of Maranhão, Brazil, in 1910, having for female company only her mother Maria. She is pregnant and wants a way out of that arid place. But leaving is difficult and, somehow, she still hopes to find happiness there. The film follows these two lives for three generations, including Áurea's daughter.

Union leader's son doesn't want to engage in a strike, because his wife is pregnant, thus disregarding his father's tradition of political activism.

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